WorldCat Identities

Gray, Gordon (Gordon T.)

Overview
Works: 4 works in 22 publications in 1 language and 1,156 library holdings
Genres: History 
Roles: Author
Classifications: GN347, 301
Publication Timeline
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Most widely held works by Gordon Gray
Cinema : a visual anthropology by Gordon Gray( Book )

19 editions published in 2010 in English and held by 294 WorldCat member libraries worldwide

"Cinema: A Visual Anthropology provides a clear and concise summary of the key ideas, debates, and texts of the most important approaches to the study of fiction film from around the world. The book examines ways to address film and film experience beyond the study of the audience. Cross-disciplinary in scope, Cinema uses ideas and approaches both from within and outside of anthropology to further students' knowledge of and interest in fiction film. Including selected, globally based case studies to highlight and exemplify important issues, the book also contains suggested Further Reading for each chapter, for students to expand their learning independently. Exploring fundamental methods and approaches to engage this most interesting and vibrant of media, Cinema will be essential reading for students of anthropology and film"--Provided by publisher
A study of relationships between environment, marketing strategy, and performance at the business level in organizations by Gordon Gray( )

1 edition published in 1994 in English and held by 2 WorldCat member libraries worldwide

Rat parabrachial subnuclear neuropeptide content by Gordon Gray( )

1 edition published in 2002 in English and held by 1 WorldCat member library worldwide

Malaysian cinema and negotiations with modernity film and anthropology by Gordon Gray( )

1 edition published in 2002 in English and held by 0 WorldCat member libraries worldwide

This thesis examines Malaysian cinema in the context of the various processes and discourses of modernity. Analysing the processes of modernity which Malaysians are engaged with provides a crucial theme by which to demonstrate how various socio-political ideologies, institutions, and mechanisms may be promoted, rejected, or otherwise negotiated. This negotiation takes place in both Malaysian society and the cinematic representations of that society. Therefore, two discrete disciplines have been incorporated, those of anthropology and film studies. In the course of the thesis, discourses of modernity, encompassing processes and institutions, are addressed in terms of existing ethnographic literature, my own ethnographic research, and in the analyses of contemporary films. The introduction of an ethnographic background for the society in which the films are produced opens new vistas for film analysis. However, while the injection of anthropology into a film study has been a major concern, the importance of the reverse is also argued. Further, this thesis provides a multiple rendering of analyses, arguing that, as a symbolic media and/or art form, cinema is inherently open to alternative readings, 'mis'-readings, and rereadings. One of the goals of thesis is, through a different synergy between film and anthropology, to provide some alternative answers to the ever-present question haunting the Malaysian cinema industry, namely "Why aren't our films successful?"
 
Audience Level
0
Audience Level
1
  Kids General Special  
Audience level: 0.12 (from 0.11 for Cinema : a ... to 1.00 for Malaysian ...)

WorldCat IdentitiesRelated Identities
Cinema : a visual anthropology
Alternative Names
Gray, Gordon T.

Languages
English (22)

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