WorldCat Identities

Rosen, Charles 1927-2012

Overview
Works: 426 works in 1,011 publications in 6 languages and 23,131 library holdings
Genres: Criticism, interpretation, etc  Biography  Bibliography  Catalogs  Interviews  History 
Roles: Performer, Instrumentalist, Dedicatee, Editor, Narrator, Interviewee, Honoree, Commentator, Author of introduction, Speaker
Classifications: ML195, 780.9033
Publication Timeline
Key
Publications about  Charles Rosen Publications about Charles Rosen
Publications by  Charles Rosen Publications by Charles Rosen
posthumous Publications by Charles Rosen, published posthumously.
Most widely held works by Charles Rosen
The classical style : Haydn, Mozart, Beethoven by Charles Rosen ( Book )
64 editions published between 1971 and 2005 in English and Undetermined and held by 3,608 WorldCat member libraries worldwide
This outstanding book treating the three most beloved composers of the Vienna School is considered basic to any study of classical-era music. Drawing on his rich experience and intimate familiarity with the works of these giants, Charles Rosen presents his keen insights in clear and persuasive language. For this expanded edition of The Classical Style, Rosen provides an entirely new, 64-page chapter on the later years of Beethoven and the musical conventions he inherited
The romantic generation by Charles Rosen ( Book )
49 editions published between 1995 and 1999 in English and held by 1,879 WorldCat member libraries worldwide
What Charles Rosen's celebrated book The Classical Style did for music of the Classical period, this new, much awaited volume brilliantly does for the Romantic era. An exhilarating exploration of the musical language, forms, and styles of the Romantic period, it captures the spirit that enlivened a generation of composers and musicians, and in doing so it conveys the very sense of Romantic music. In readings uniquely informed by his performing experience and amplified by examples on an accompanying CD, Rosen offers consistently acute and thoroughly engaging analyses of works by Schubert, Schumann, Mendelssohn, Bellini, Liszt, and Berlioz, and he presents a new view of Chopin as a master of polyphony and large-scale form. He adeptly integrates his observations on the music with reflections on the art, literature, drama, and philosophy of the time, and thus shows us the major figures of Romantic music within their intellectual and cultural context. Rosen covers a remarkably broad range of music history and considers the importance to nineteenth-century music of other cultural developments: the art of landscape, a changed approach to the sacred, the literary fragment as a Romantic art form. He sheds new light on the musical sensibilities of each composer, studies the important genres from nocturnes and songs to symphonies and operas, explains musical principles such as the relation between a musical idea and its realization in sound and the interplay between music and text, and traces the origins of musical ideas prevalent in the Romantic period. Rich with striking descriptions and telling analogies, Rosen's overview of Romantic music is an accomplishment without parallel in the literature, a consummate performance by a master pianist and music historian
Sonata forms by Charles Rosen ( Book )
20 editions published between 1980 and 2011 in 3 languages and held by 1,638 WorldCat member libraries worldwide
In his prize-winning book "The Classical Style", Charles Rosen says of sonata form: "[It] is not definite form like a minuet, a da capo aria, or a French overture; it is, like the fugue, a way of writing, a feeling for proportion, direction, and texture rather than a pattern." In the present study, he takes a close look at the subject and it's history, acknowledge the inadequacy of the nineteenth-century definitions and accounting for their formulation. Rosen rejects the established methods of defining form; that is, by using masterpieces as models or by surveying the general practices of a period. Instead, the form is related briefly to the new social conditions it had to face in the eighteenth century and describe in terms of the functions it was expected to fulfill. Rosen carries his study up to the present day, delineating the changes that have occurred along the way. Numerous music examples, ranging from Scarlatti to Bartok, many of considerable length, accompany the text. For this revised edition, the text has been enlarged in several places and entirely new chapter on codas has been added
Arnold Schoenberg by Charles Rosen ( Book )
12 editions published between 1975 and 1996 in English and Undetermined and held by 1,289 WorldCat member libraries worldwide
Romanticism and realism : the mythology of nineteenth-century art by Charles Rosen ( Book )
26 editions published between 1984 and 1985 in English and Undetermined and held by 1,134 WorldCat member libraries worldwide
Beethoven's piano sonatas : a short companion by Charles Rosen ( Book )
7 editions published between 2001 and 2002 in English and held by 1,060 WorldCat member libraries worldwide
In this comprehensive guide, Rosen places Beethoven's sonatas in context and provides an understanding of the formal principles involved in interpreting and performing this unique repertoire. Includes a CD of the author performing extracts from several of the works
Music and sentiment by Charles Rosen ( Book )
9 editions published between 2010 and 2011 in English and held by 742 WorldCat member libraries worldwide
Through a range of musical examples, Rosen details the array of stylistic devices and techniques used to represent or convey sentiment. This is not, however, a listener's guide to any c̀orrect' response to a particular piece. Instead, Rosen provides the tools and terms with which to appreciate this central aspect of musical aesthetics, and indeed explores the phenomenon of contradictory sentiments embodied in a single motif or melody
Piano notes : the world of the pianist by Charles Rosen ( Book )
7 editions published between 1957 and 2004 in English and held by 709 WorldCat member libraries worldwide
"In Piano Notes, he writes for an audience about an old friend - the piano itself. Drawing upon a lifetime of wisdom and the accumulated lore of many great performers of the past, Rosen shows why the instrument demands such a stark combination of mental and physical prowess. Readers will gather many little-known insights - from how pianists vary their posture, to how splicings and microphone placements can ruin recordings, to how the history of composition was dominated by the piano for two centuries. Stories of many great musicians abound
Romantic poets, critics, and other madmen by Charles Rosen ( Book )
9 editions published between 1998 and 2004 in English and Portuguese and held by 634 WorldCat member libraries worldwide
""What is the real business of the critic?" Rosen asks of George Bernard Shaw in one of his essays. It is a question he answers throughout this collection as he demonstrates and analyzes various critical approaches. In writing about the Romantic poets Lord Byron, William Wordsworth, William Cowper, and Friedrich Holderlin, he examines the kind of criticism which attempts to uncover concealed code. He investigates the relationship between Romantic aesthetic theory and artworks, and explores the way Romantic art criticism has been practiced by critics from Friedrich Schlegel to Walter Benjamin. In essays on Honore de Balzac, Robert Schumann, Gustave Flaubert, and others, he highlights the intersections between Romantic art and music; the artist's separation of life and artistic representations of it; and the significance of the established text."--Jacket
Critical entertainments : music old and new by Charles Rosen ( Book )
9 editions published between 2000 and 2001 in English and held by 616 WorldCat member libraries worldwide
These essays cover a broad range of musical forms, historical periods, and issues -- from Bach through Brahms to Carter and Schoenberg, from contrapuntal keyboard music to opera, from performance practices to music history as a discipline. They revisit Rosen's favorite subjects and pursue some less familiar paths. They court controversy (with strong opinions about performance on historical instruments, the so-called New Musicology, and the alleged "death" of classical music) and offer enlightenment on subjects as diverse as music dictionaries and the aesthetics of stage fright
The frontiers of meaning : three informal lectures on music by Charles Rosen ( Book )
10 editions published between 1994 and 1998 in English and German and held by 599 WorldCat member libraries worldwide
What does it mean to understand music? What, if anything, does music mean? Composers, performers, listeners, and scholars may answer these questions differently, but what sense of music do they share? When music seems unfamiliar or unlike anything we have heard before, we say we don't "like" it. How is taking pleasure from music related to understanding it? In this lucid and entertaining book, the noted pianist Charles Rosen explores these and other issues as they arise in various musical contexts. Performers' interpretations may be filled with errors, after all, that then become part of a tradition; a composer's work may be variously assessed by his contemporaries (Mr. Rosen gives us an eye-opening account of how Beethoven's towering reputation was established so early); and musical analysis can mislead as well as deepen our understanding of a composition's splendor. In The Frontiers of Meaning Charles Rosen brings to a bold, inspiring study of music - as text, as performance, as listening experience - the insight and bravura elegance for which his own work as a practicing musician is justly famous
Freedom and the arts : essays on music and literature by Charles Rosen ( Book )
10 editions published in 2012 in English and held by 571 WorldCat member libraries worldwide
When twentieth-century scholars transformed Mozart's bland, idealized nineteenth-century image into that of a modern revolutionary expressionist, they paradoxically restored the reputation he had among his eighteenth-century contemporaries. Mozart became once again a complex innovator, challenging to perform and to understand. Drawing on a variety of critical methods, Rosen maintains that listening or reading with intensity - for pleasure - is the one activity indispensable for full appreciation. It allows us to experience multiple possibilities in literature and music, and to avoid recognizing only the revolutionary elements of artistic production. By reviving the sense that works of art have intrinsic merits that bring pleasure, we justify their continuing existence."--pub. website
Complete works by Anton Webern ( Recording )
5 editions published between 1978 and 1991 in 4 languages and held by 523 WorldCat member libraries worldwide
Box contains 3 discs and a booklet
The musical languages of Elliott Carter by Charles Rosen ( Book )
6 editions published between 1984 and 1985 in English and held by 500 WorldCat member libraries worldwide
The complete music for piano by Elliott Carter ( Recording )
3 editions published in 1997 in English and held by 362 WorldCat member libraries worldwide
Beethoven the sound and the fury ( Visual )
1 edition published in 1998 in English and held by 309 WorldCat member libraries worldwide
A profile of Ludwig van Beethoven that examines his great works and historical events that shaped his art
Variations for orchestra Double concerto for harpsichord and piano, with two chamber orchestras by Elliott Carter ( Recording )
6 editions published in 1968 in 3 languages and held by 288 WorldCat member libraries worldwide
Variations on the canon : essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday by Robert Curry ( Book )
3 editions published in 2008 in English and held by 249 WorldCat member libraries worldwide
"Charles Rosen, the pianist and man of letters, is perhaps the single most influential writer on music of the past half century. While Rosen's vast range as a writer and performer is encyclopedic, it has focused particularly on the living "canonical" repertory extending from Bach to Boulez. Inspired in its liveliness and variety of critical approaches by Charles Rosen's challenging work, Variations on the Canon offers original essays by some of the world's most eminent musical scholars. Contributors address such issues as style and compositional technique, genre, influence and modeling, and reception history; develop insights afforded by close examination of compositional sketches; and consider what language and metaphors might most meaningfully convey insights into music. However diverse the modes of inquiry, each essay sheds new light on the works of those composers posterity has deemed central to the modern Western musical tradition."--BOOK JACKET
The music of Elliott Carter by Elliott Carter ( Recording )
5 editions published between 1993 and 2003 in English and held by 240 WorldCat member libraries worldwide
Schoenberg by Malcolm MacDonald ( Book )
19 editions published between 1975 and 1984 in 4 languages and held by 213 WorldCat member libraries worldwide
 
moreShow More Titles
fewerShow Fewer Titles
Audience Level
0
Audience Level
1
  Kids General Special  
Audience level: 0.41 (from 0.22 for Beethoven ... to 1.00 for The Virgil ...)
Alternative Names
Rosen, Charles Welles
Rozen, Čarls
Welles Rosen, Charles
ローゼン, C
ローゼン, チャールズ
Languages
English (258)
Italian (7)
French (5)
Spanish (4)
German (3)
Portuguese (2)
Covers