WorldCat Identities

Musée Marmottan

Overview
Works: 240 works in 488 publications in 6 languages and 5,717 library holdings
Genres: Exhibition catalogs  Criticism, interpretation, etc  Biography  Juvenile works  Catalogs 
Roles: Editor, Publishing director, sht, Other
Classifications: ND553.M7, 759.4
Publication Timeline
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Most widely held works about Musée Marmottan
 
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Most widely held works by Musée Marmottan
Monet by Jude Welton( Book )
8 editions published between 1992 and 2000 in 3 languages and held by 771 WorldCat member libraries worldwide
This book analyzes the artist's work and discusses his life
Monet : late paintings of Giverny from the Musée Marmottan by Lynn Federle Orr( Book )
6 editions published between 1994 and 1999 in English and held by 630 WorldCat member libraries worldwide
A mix of art history and garden theory provides a look at the late masterworks of Monet
Berthe Morisot : 1841-1895 by Berthe Morisot( Book )
7 editions published in 2012 in French and English and held by 460 WorldCat member libraries worldwide
"Berthe Morisot (1841-1895) was one of only a handful of women who exhibited both at the famed Paris Salon and with the French Impressionists. Her exquisite work depicts the world of the Parisian bourgeoisie: their clothes, their life-styles, their surroundings, and their relationships. Over one hundred full-color paintings, graphic works, watercolors, and pastels are reproduced in this volume, and are accompanied by original commentaries that follow the artist's career from her training with Jean-Baptiste-Camille Corot to her final work. Included in the volume is an essay that Morisot wrote about her nephew-in-law Paul Valéry in 1948--a seminal text that has never been included in his collected works--as well as extensive correspondence and sketchbooks held at the Musée Marmottan Monet, which have rarely been accessible. Morisot has been hailed by historians as one of the forgotten women artists of the 19th century, and this volume helps to reveal her artistic influence on her better-known peers."--Amazon.com
Monet et ses amis; le legs Michel Monet, la donation Donop de Monchy by Musée Marmottan( Book )
12 editions published in 1971 in French and held by 218 WorldCat member libraries worldwide
In Monet's garden : artists and the lure of Giverny ( Book )
4 editions published in 2007 in English and French and held by 184 WorldCat member libraries worldwide
"This lavishly illustrated book explores the artistic legacy of Claude Monet and the lasting impact of his legendary gardens at Giverny, which continue to attract and inspire artists today. The juxtaposition of Monet's paintings with other interpretations of the gardens reveal a century-long lineage of artistic experimentation and creativity by both Monet's American contemporaries and the postwar artists who rediscovered the unique place first cultivated by the legendary Impressionist. Included here are key paintings Money created during the years he lived in Giverny until his death there in 1926."--BOOK JACKET
Les femmes impressionnistes : Mary Cassatt, Eva Gonzalès, Berthe Morisot by Marianne Delafond( Book )
9 editions published in 1993 in French and held by 135 WorldCat member libraries worldwide
Marie Laurencin, 1883-1956 by Marie Laurencin( Book )
5 editions published in 2013 in French and held by 116 WorldCat member libraries worldwide
Cet ouvrage est publié à l'occasion de l'exposition "Marie Laurencin, 1883-1956" présentée par le musée Marmottan Monet, Paris, du 21 février au 30 juin 2013. Le musée Marmottan Monet rend un vibrant hommage à Marie Laurencin, une des femmes-peintres parmi les plus célèbres du XXe siècle. Cette exposition est la première à être organisée dans un musée français pour rendre justice à un des pinceaux les plus séduisants de la première moitié du siècle. Sa redécouverte permettra, plus de cinquante ans après sa mort et pour célébrer le cent trentième anniversaire de sa naissance, de redonner sa place, longtemps occupée sur la scène artistique parisienne, à celle dont Matisse disait : Au moins, en voilà une qui n'est pas qu'une fauvette--
Art in early XIX century France by N.Y.) Wildenstein and Company (New York( Book )
4 editions published between 1976 and 1984 in English and held by 101 WorldCat member libraries worldwide
La Collection Wildenstein by Musée Marmottan( Book )
7 editions published between 1979 and 1981 in French and held by 101 WorldCat member libraries worldwide
Louis Boilly, 1761-1845 : [exposition] 3 mai-30 juin 1984, Musée Marmottan, Paris by Louis Boilly( Book )
5 editions published in 1984 in French and held by 97 WorldCat member libraries worldwide
Monet, l'œil impressionniste = Monet, the impressionist's eye by Claude Monet( Book )
9 editions published in 2008 in French and held by 95 WorldCat member libraries worldwide
Les Impressionnistes en privé : cent chefs-d'œuvre de collections particulières = Impressionist works from private collections : 100 masterpieces by Musée Marmottan( Book )
4 editions published in 2014 in French and held by 90 WorldCat member libraries worldwide
"The exhibition 'Impressionist Works from Private Collections, 100 Masterpieces' brings together key works held by private owners which include paintings, drawings and sculptures by Corot, Boudin, Jongkind, Manet, Bazille, Monet, Renoir, Degas, Morisot, Sisley, Pissarro, Guillaumin, Cassatt, Gonzalès and Rodin"--Page 11
Berthe Morisot, ou, L'audace raisonnée : Fondation Denis et Annie Rouart by Marianne Delafond( Book )
4 editions published between 1997 and 1998 in French and held by 84 WorldCat member libraries worldwide
G. de Chirico : [exposition], Musée Marmottan, Paris du 12 juin au 31 octobre 1975 : [catalogue by Giorgio De Chirico( Book )
5 editions published in 1975 in French and English and held by 77 WorldCat member libraries worldwide
Monet et l'abstraction = Monet and abstraction by Claude Monet( Book )
7 editions published in 2010 in French and English and held by 77 WorldCat member libraries worldwide
Rubens, Van Dyck, Jordaens et les autres : peintures baroques flamandes aux Musées royaux des beaux-arts de Belgique = [Rubens, Van Dyck, Jordaens et les autres] : Flemish Baroque paintings from the Royal Museums of Fine Arts of Belgium ( Book )
3 editions published in 2012 in French and held by 74 WorldCat member libraries worldwide
"The exhibition features a selection of forty-one paintings from the 'Golden Age' of the former Southern Netherlands, and covers all the important areas in which the artists from this region excelled: history painting, portraiture, genre painting, still life and landscapes. Some of the works are recent acquisitions; a number have never been exhibited in Paris. Among the principal pieces is Rubens's The Miracles of St. Benedict, an unfinished painting entirely by Rubens's hand and a fine example of his virtuosity. Also in the exhibition is Jacob Jordaens's boisterous The King Drinks and, to remind us that he was not just a painter of boisterous scenes, his imposing Portrait of a Woman. This hangs opposite two portraits by Anthony van Dyck one of which is the great masterpiece Portrait of Father Jean Charles della Faille. Landscapes, genre painting and still life are represented by the painters who did most to ensure their success. Foremost among them are Paul Bril, Lucas van Uden, David Teniers the Younger, Frans De Momper, Jan Fyt and Abraham Brueghel. The exhibition gives due importance, too, to painters who are less well known today but who in their time enjoyed great popularity. Cornelis Schut, Gerard de Lairesse, Jacob van Oost the Elder, Jan Siberechts, Gillis van Tilborch and David Ryckaert all belong in this category. An item of great interest is a canvas by the Brussels born painter Karel Philips Spierinck A bacchanal with two fauns looking at drunken Silenus, with putti cavorting. It is a recent acquisition of the Old Paintings section of the Royal Museums and is one of the first works to show the influence of Nicolas Poussin. This beautiful exhibition at the Musée Marmottan Monet of some of the finest Flemish Baroque painting ensures that a far wider public can enjoy these unique masterpieces from the Royal Museums of Fine Arts of Belgium. Over the years the Royal Museums of Belgium have assembled an exceptional collection of paintings, one of the largest in Europe, from the regions that make up their history. The exhibition is the first in a partnership agreement between the Musée Marmottan Monet and the Royal Museums of Fine Arts of Belgium. The aim is to increase the visibility of their respective collections through temporary exhibitions that highlight a particular aspect of the collection. The next exhibition will be Claude Monet and Japonism in Brussels, then in Paris (2014 and 2015)."--Codart.nl
Claude Monet, son musée by Noémie Goldman( Book )
4 editions published in 2010 in French and held by 72 WorldCat member libraries worldwide
Frédéric Bazille by Frédéric Bazille( Book )
5 editions published in 2003 in French and held by 61 WorldCat member libraries worldwide
S'inscrit en 1862 à Paris à l'atelier de Charles Gleyre pour y étudier la peinture
Toulouse Lautrec : chefs-d'œuvre du Musée d'Albi : du 17 décembre 1975 au 10 avril 1976, Musée Marmottan, Paris by François Daulte( Book )
4 editions published in 1975 in French and held by 61 WorldCat member libraries worldwide
Henri-Edmond Cross et le néo-impressionisme : de Seurat à Matisse = [Henri-Edmond] Cross and neo-impressionism : from Seurat to Matisse by Henri Edmond Cross( Book )
2 editions published in 2011 in French and held by 61 WorldCat member libraries worldwide
"Henri-Edmond Cross, a leading neo-Impressionism with Signac, is one of the painters who played a major role in the artistic revolutions of the early 20th century. At the end of the 19th century, the question of the pure color of the prism used in the keys is theorized and stippled rapidly advancing. For the first time, this exhibition shows the originality of research Cross and its influence on artists cats, especially Matisse. If Georges Seurat, the founder of Neo-Impressionism, even the art scene in 1891, two painters, Paul Signac and Henri-Edmond Cross, will put his theories into practice, develop and disseminate to young artists. Henri Matisse, looking for all the experiments on color, spent the summer of 1904 in Saint-Tropez alongside Signac and Cross. He learned this technique and followed the advice of Cross which he appreciates the friendship. He experimented néoimpressionnisme especially in the monumental painting Luxe, calm and voluptuousness (Orsay Museum). He will find the limits of this research but this step is essential to be born the following summer in Collioure by Derain in the company, what will be called Fauvism. The exhibition presents 73 major works by HE Cross from 1891 until his death in 1910. Co-production with the Marmottan-Monet museum and research conducted by Franc̨oise Baligand can expose paintings lent by European and American museums but also to show the farm, which belonged to morning Matisse (Museum of Nancy) next to the closes, evening (private collection). Cross is one of the leading watercolorists. The Matisse Museum will present 39 watercolors he painted Cross on the ground and watercolors painted by Matisse in Collioure to appropriate landscapes. The both of them have left to play with the light color of paper without force by a drawing. The exhibition offers a chance to discover first of the finest works of Cross (34 paintings) but which has never been demonstrated, its influence on Matisse, who in turn will open new fields in the color. Unlike Signac, he rejoices that Matisse is one of the painters who "will deepen the laws of optical mixing, not to surrender to them, but to break away. " If Cross was instrumental in helping Matisse explored the contribution of neo-impressionism, in turn, prompted Matisse Cross to open up to other issues, including that of the line and dare the color tones in bold. This exhibition follows on the Matisse-Derain, Collioure, 1905, was a fawn, the Matisse Museum in 2005-2006 was organized with the Museum of Ceret. To understand how the neo-Impressionism Cross played a major role in the work of Matisse, the museum presents 13 paintings by Matisse, his first works on the ground in 1896 in Britain, the landscapes of Corsica, St Tropez Collioure but also works by Camoin, Manguin Valtat and Derain. We present the picture that Matisse had offered to Cross and his wife in 1905, tulips, parrots (the Albertina Museum, Vienna), painted in the pointillist technique very wide, and also important paintings beasts painted in Collioure: The Moulade (private collection), Street of the Sun at Collioure (Matisse Museum in Le Cateau-Cambrai). This co-production with the Musée Marmottan-Monet, Matisse Museum in Paris allows to explore a new direction in artistic adventures related to Matisse." --Transliterated from publisher's website
 
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Alternative Names
Académie des beaux-arts, Musée Marmottan-Claude Monet
Institut de France Musée Marmottan
Institut de France Musée Marmottan-Claude Monet
Marmottan Monet museum
Musée Marmottan.
Musée Marmottan-Claude Monet.
Musée Marmottan - Claude Monet Paris
Musée Marmottan. Fondation Denis et Annie Rouart
Musée Marmottan Monet.
Musée Marmottan Monet Académie des beaux-arts
Musée Marmottan Monet Fondation de l'Académie des beaux-arts
Musée Marmottan - Monet Paris
Musée Marmottan (París)
Musée Marmottan (París, França)
Museo Marmottan
Paris (France)
Languages
French (117)
English (31)
Spanish (2)
German (1)
Portuguese (1)
Italian (1)
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