WorldCat Identities

Crews, Frederick C.

Overview
Works: 72 works in 235 publications in 5 languages and 15,324 library holdings
Roles: Editor, Compiler, Other, Author of introduction, Creator, Correspondent
Classifications: pr6025.i65, 823.912
Publication Timeline
Key
Publications about  Frederick C Crews Publications about Frederick C Crews
Publications by  Frederick C Crews Publications by Frederick C Crews
Most widely held works by Frederick C Crews
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20 editions published between and 1989 in English and held by 1,629 libraries worldwide
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9 editions published between and 2003 in English and held by 1,547 libraries worldwide
It is discovered that the true meaning of the Pooh stories is not as simple as is usually believed, but for proper elucidation requires the combined efforts of several academicians of varying critical persuasions.
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14 editions published between and 1969 in English and Undetermined and held by 1,247 libraries worldwide
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20 editions published between and 1992 in English and German and held by 1,059 libraries worldwide
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8 editions published in in English and held by 934 libraries worldwide
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16 editions published between and 1971 in English and held by 869 libraries worldwide
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8 editions published between and 2006 in English and held by 847 libraries worldwide
"Purporting to be the proceedings of a forum on Winnie-the-Pooh convened at the Moder Language Association's annual convention, this sequel of sorts to Frederick Crews's classic send-up of literary criticism, the Pooh Perplex, brilliantly parodies the academic fads and figures that held sway at the millennium. Deconstruction, poststructuralist Marxism, New historicism, radical feminism, cultural studies, recovered memory theory, and postcolonialism, among other methods, take their shots at the poor bear, and Crews takes his well-considered, wildly funny jabs at them. His aim, as ever, is true."--Publisher.
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7 editions published between and 2000 in English and held by 735 libraries worldwide
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7 editions published in in English and held by 628 libraries worldwide
Frederick Crews has been a force in American literary culture ever since his hilarious spoof of criticism, The Pooh Perplex, made its way onto the bestseller lists in 1963. Now, in The Critics Bear It Away, he turns his attention to the way key American novelists - from Hawthorne, Melville, Stowe, and Twain to Hemingway, Faulkner, O'Connor, and Updike - are being apprehended, and misapprehended, by the academic avant-garde. As Crews shows, recent theoretical discourse takes a justifiably hard line toward the liberal humanism and formalism that dominated the discussion of American classics for many years following World War II. As academics have become more distrustful of the social attitudes that produced a largely white-male, New England-based canon, they have developed a dramatically altered account of standard authors - sometimes indicting them for ideological deficiencies, sometimes attempting to render their texts more congenial through "decentered" techniques of analysis. With relentless logic and a keen eye for the telling detail, Crews shows what is gained and, more often, what is sacrificed by such well-intentioned maneuvers. Are we really better off, he asks, with a Mark Twain who has been stripped of his idiosyncratic wit and reduced to the level of contemporaries whose prejudices he may have shared? Conversely, should we rejoice when methodological sleight-of-hand makes Faulkner's blatant sexism and Flannery O'Connor's Catholic pietism disappear? This is not to say, however, that Crews exercises his skepticism only on proposals from academic trendsetters. The Critics Bear It Away is just as unsparing toward traditionalists who want the cultural clock to be forever stopped at 1945. Crews's purpose is not to support a faction but to expose critical illusions. "And the particular illusions I will be examining," he announces, "originate in conservative as well as radical impulses - in, for example, New Critical formalism, orthodox intentionalism, Christian or Agrarian moralism, and outright hero worship of the sort that transforms an Ernest Hemingway or a John Updike from a spiteful, ethically confused, yet often compelling writer into an icon of pure masculinity or matchless sophistication." Taken together, Crews's chapters - many of which derive from controversial essays he has published in The New York Review of Books - make a coherent stand, not for any one ideology or method, but for a nuanced, biographically aware criticism that faces troubling issues without retreating into dogmatism. The Critics Bear It Away is a major statement from a critic to whom books and authors, with all their limitations on view, matter far more than cliques and trends.
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4 editions published between and 1993 in English and held by 524 libraries worldwide
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6 editions published between and 2007 in English and held by 418 libraries worldwide
Consists of a collection of edited book reviews, essays, and lectures from the last 15 years on psychoanalysis and a wide range of related topics.
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5 editions published between and 1995 in English and held by 293 libraries worldwide
This book presents a great American writer at the height of his powers. It includes his most famous and highly praised novel The Scarlet Letter and seven of his finest stories. Hawthorne's stature seems to grow with the passing decades. Contemporary critics have been tireless in discovering the layers of meaning in his fiction. Henry James predicted this when he wrote "his work will remain; it is too original and exquisite to pass away." - Jacket flap.
by ( Book )
2 editions published in in English and held by 245 libraries worldwide
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4 editions published between and 1982 in English and Undetermined and held by 215 libraries worldwide
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1 edition published in in English and held by 73 libraries worldwide
 
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Audience level: 0.63 (from 0.54 for Postmodern ... to 0.70 for The traged ...)
Alternative Names
Crews, Frederick.
Crews, Frederick, 1933-
Crews, Frederick Campbell
Crews, Frederick Campbell, 1933-
Languages
English (228)
Undetermined (6)
German (1)
Polish (1)
Hungarian (1)
Covers