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type="isbn">+-+7047867535</cover></citation><citation><uniqueHoldings>1468</uniqueHoldings><holdings>2152</holdings><numEditions>128</numEditions><oclcnum>ocn002890662</oclcnum><exprid>sw000346223:lccn-n79-26862</exprid><isFiction>True</isFiction><recordType>book</recordType><date>1977</date><languages count="18"><lang code="eng" count="61"/><lang code="ger" count="13"/><lang code="spa" count="12"/><lang code="fre" count="10"/><lang code="und" count="10"/><lang code="pol" count="3"/><lang code="dut" count="3"/><lang code="swe" count="2"/><lang code="dan" count="2"/><lang code="por" count="2"/><lang code="ita" count="2"/><lang code="fin" count="2"/><lang code="jpn" count="1"/><lang code="hrv" count="1"/><lang code="gre" count="1"/><lang code="heb" count="1"/><lang code="rus" count="1"/><lang code="slv" count="1"/></languages><dates different="36" first="1953" last="2009"/><audLevel>0.61</audLevel><creator>Burroughs, William S</creator><title>Junky</title><genres><genre count="1462" norm="autobiographical fiction">Autobiographical fiction</genre></genres><summary>&quot;Before his 1959 breakthrough, Naked Lunch, an unknown William S. Burroughs wrote Junk, his first novel. It is a candid eye-witness account of times and places that are now long gone, an unvarnished field report from the American post-war underground.&quot; &quot;Unafraid to portray himself in 1953 as a confirmed member of two socially-despised under classes (a narcotics addict and a homosexual), Burroughs was writing as a trained anthropologist when he unapologetically described a way of life - in New York, New Orleans, and Mexico City - that by the 1940's was already demonized by the artificial anti-drug hysteria of an opportunistic bureaucracy and a cynical, prostrate media.&quot; &quot;For this fiftieth-anniversary edition, eminent Burroughs scholar Oliver Harris has painstakingly recreated the author's original text, word by word, from archival typescripts and places the book's contents against a lively historical background in a comprehensive introduction. Here as well, for the first time, are Burroughs' own unpublished introduction and an entire omitted chapter, along with many &quot;lost&quot; passages, as well as auxiliary texts by Allen Ginsberg and others.&quot;--BOOK JACKET.</summary><cover isbn="0140043519" oclc="ocn417102825" type="isbn">+-+4608955965</cover></citation><citation><uniqueHoldings>1219</uniqueHoldings><holdings>1460</holdings><numEditions>41</numEditions><oclcnum>ocn006196433</oclcnum><exprid>sw006196433:lccn-n79-26862</exprid><isFiction>True</isFiction><recordType>book</recordType><date>1981</date><languages count="12"><lang code="eng" count="26"/><lang code="fre" count="3"/><lang code="ger" count="2"/><lang code="und" count="2"/><lang code="por" count="1"/><lang code="hun" count="1"/><lang code="rum" count="1"/><lang code="swe" count="1"/><lang code="ita" count="1"/><lang code="rus" count="1"/><lang code="spa" count="1"/><lang code="dut" count="1"/></languages><dates different="11" first="1980" last="2010"/><audLevel>0.58</audLevel><creator>Burroughs, William S</creator><title>Cities of the red night</title><genres><genre count="845" norm="alternative histories fiction">Alternative histories (Fiction)</genre><genre count="165" norm="science fiction">Science fiction</genre><genre count="116" norm="satire">Satire</genre><genre count="16" norm="science fiction american">Science fiction, American</genre></genres><summary>Clem Snide, a private detective, has to solve a case of ritual murder. In the Gobi Desert 100,000 years ago, a red virus has erupted. And in the 18th century, gay pirates have set up their own republics in South America and are at war with the conquistadors.  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Burroughs from St. Louis, stabbed a man named David Kammerer with a Boy Scout knife and threw his body in the Hudson River. For eight years, Kammerer had fawned over the younger Carr, but that night something happened: either Carr had had enough or he was forced to defend himself.&quot; &quot;The next day, his clothes stained with blood, Carr went to his friends Bill Burroughs and Jack Kerouac for help. Doing so, he involved them in the crime. A few months later, they were caught up in the crime in a different way.&quot; &quot;Something about the murder captivated the Beats, especially Kerouac and Burroughs, who decided to collaborate on a novel about the events of the previous summer. At the time, the two authors were still unknown, yet to write anything of note. 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The pirate's ideal is destroyed by greedy developers and the lemurs go the way of so many other species, victims of &quot;Homo Sap, the Ugly Animal.&quot;</summary><cover isbn="1852424060" oclc="ocn312485057" type="isbn">+-+5159797036</cover></citation><citation><uniqueHoldings>743</uniqueHoldings><holdings>744</holdings><numEditions>9</numEditions><oclcnum>ocn038042974</oclcnum><exprid>sw038042974:lccn-n79-26862</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1998</date><languages count="1"><lang code="eng" count="9"/></languages><dates different="3" first="1998" last="2000"/><audLevel>0.56</audLevel><creator>Burroughs, William S</creator><title>Word virus : the William S. Burroughs reader</title><summary>An anthology by a major literary figure of this century. 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Burroughs</title><summary>Describes the life of Burroughs, a renegade who killed his wife, had his books banned, was educated at Harvard, came from an upper-middle-class family and is a junkie and a homosexual.</summary></citation><citation><uniqueHoldings>1049</uniqueHoldings><holdings>1049</holdings><numEditions>1</numEditions><oclcnum>ocn004589986</oclcnum><exprid>sw003143819:lccn-n79-26862</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1964</date><languages count="1"><lang code="eng" count="1"/></languages><dates different="1" first="1964" last="1964"/><audLevel>0.65</audLevel><creator>Fiedler, Leslie A</creator><title>Waiting for the end</title><summary>Critical view of the American cultural situation, 20th century American literature and its writers.</summary></citation><citation><uniqueHoldings>1016</uniqueHoldings><holdings>1025</holdings><numEditions>3</numEditions><oclcnum>ocn001531817</oclcnum><exprid>sw001531817:lccn-n79-26862</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1976</date><languages count="1"><lang code="eng" count="3"/></languages><dates different="3" first="1976" last="1986"/><audLevel>0.61</audLevel><creator>Tytell, John</creator><title>Naked angels : the lives &amp; literature of the Beat generation</title></citation><citation><uniqueHoldings>911</uniqueHoldings><holdings>917</holdings><numEditions>4</numEditions><oclcnum>ocn011533469</oclcnum><exprid>sw011533469:lccn-n79-26862</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1985</date><languages count="1"><lang code="eng" count="4"/></languages><dates different="2" first="1985" last="1986"/><audLevel>0.62</audLevel><creator>Skerl, Jennie</creator><title>William S. Burroughs</title></citation><citation><uniqueHoldings>882</uniqueHoldings><holdings>950</holdings><numEditions>5</numEditions><oclcnum>ocn042330571</oclcnum><exprid>sw020935146:lccn-n79-26862</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1991</date><languages count="1"><lang code="eng" count="5"/></languages><dates different="2" first="1991" last="1999"/><audLevel>0.68</audLevel><title>William S. Burroughs at the front critical reception, 1959-1989</title></citation><citation><uniqueHoldings>828</uniqueHoldings><holdings>828</holdings><numEditions>1</numEditions><oclcnum>ocn043333475</oclcnum><exprid>sw043333475:lccn-n79-26862</exprid><isFiction>False</isFiction><recordType>book</recordType><date>2000</date><languages count="1"><lang code="eng" count="1"/></languages><dates different="1" first="2000" last="2000"/><audLevel>0.60</audLevel><creator>Miles, Barry</creator><title>The Beat Hotel : Ginsberg, Burroughs, and Corso in Paris, 1958-1963</title><summary>&quot;The Beat Hotel has been closed for nearly forty years. But for a brief period - from just after the publication of Howl in 1957 until the building was sold in 1963 - it was home to Allen Ginsberg, William Burroughs, Gregory Corso, Brion Gysin, Peter Orlovsky, Harold Norse, and a host of other luminaries of the Beat Generation. Now, Barry Miles - acclaimed author of many books on the Beats and a personal acquaintance of many of them - vividly excavates this remarkable period and restores it to a historical picture that has, until now, been skewed in favor of the two coasts of America.&quot; &quot;A cheap rooming house on the bohemian Left Bank, the hotel was inhabited mostly by writers and artists, and its communal atmosphere spurred the Beats to incredible heights of creativity.&quot;--BOOK JACKET.</summary><cover isbn="080211668X" oclc="ocn043333475" type="isbn">+-+K311667535</cover></citation><citation><uniqueHoldings>670</uniqueHoldings><holdings>702</holdings><numEditions>5</numEditions><oclcnum>ocn046872217</oclcnum><exprid>sw040683404:lccn-n79-26862</exprid><isFiction>False</isFiction><recordType>book</recordType><date>2001</date><languages count="1"><lang code="eng" count="5"/></languages><dates different="2" first="1999" last="2001"/><audLevel>0.65</audLevel><creator>Campbell, James</creator><title>This is the Beat Generation : New York, San Francisco, Paris</title><summary>Publisher's description: Beginning in New York in 1944, James Campbell finds the leading members of what was to become the Beat Generation in the shadows of madness and criminality. Jack Kerouac, Allen Ginsberg, and William Burroughs had each seen the insides of a mental hospital and a prison by the age of thirty. A few months after they met, another member of their circle committed a murder that involved Kerouac and Burroughs as material witnesses. This book charts the transformation of these experiences into literature, and a literary movement that spread across the globe. From &quot;The First Cut-Up&quot;--The murder in New York in 1944--we end up in Paris in 1960 with William Burroughs at the Beat Hotel, experimenting with the technique that made him notorious, what Campbell calls &quot;The Final Cut-Up.&quot; In between, we move to San Francisco, where Ginsberg gave the first public reading of Howl. We discover Burroughs in Mexico City and Tangiers; the French background to the Beats; the Buddhist influence on Kerouac, Gary Snyder, and others; the &quot;Muses&quot; Herbert Huncke and Neal Cassady; the tortuous history of On the Road; and the black ancestry of the white hipster.</summary><cover isbn="0520230337" oclc="ocn234104123" type="isbn">+-+2885875705</cover></citation><citation><uniqueHoldings>643</uniqueHoldings><holdings>643</holdings><numEditions>1</numEditions><oclcnum>ocn243544636</oclcnum><exprid>sw243544636:lccn-n79-26862</exprid><isFiction>False</isFiction><recordType>book</recordType><date>2009</date><languages count="1"><lang code="eng" count="1"/></languages><dates different="1" first="2009" last="2009"/><creator>Pekar, Harvey</creator><title>The beats : a graphic history</title><summary>This revelatory and exhilarating and funny book not only tells us of the Beat generation, but of a time when we as individuals felt truly free. It is as fresh and pertinent as the latest scholarly history only far more entertaining--Studs Terkel.</summary></citation><citation><uniqueHoldings>640</uniqueHoldings><holdings>1282</holdings><numEditions>4</numEditions><oclcnum>ocn039035256</oclcnum><exprid>sw039035256:lccn-n79-26862</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1998</date><languages count="1"><lang code="eng" count="4"/></languages><dates different="1" first="1998" last="1998"/><audLevel>0.56</audLevel><creator>Caveney, Graham</creator><title>Gentleman junkie : the life and legacy of William S. Burroughs</title><cover isbn="0316137251" oclc="ocn039035256" type="isbn">+-+6072861685</cover></citation><citation><uniqueHoldings>622</uniqueHoldings><holdings>610</holdings><numEditions>6</numEditions><oclcnum>ocn042022427</oclcnum><exprid>sw042022427:lccn-n79-26862</exprid><isFiction>False</isFiction><recordType>book</recordType><date>2000</date><languages count="2"><lang code="eng" count="5"/><lang code="fre" count="1"/></languages><dates different="2" first="2000" last="2001"/><audLevel>0.60</audLevel><creator>Burroughs, William S</creator><title>Last words : the final journals of William S. Burroughs</title><cover isbn="0802116574" oclc="ocn237365001" type="isbn">+-+9201667535</cover></citation><citation><uniqueHoldings>592</uniqueHoldings><holdings>597</holdings><numEditions>3</numEditions><oclcnum>ocn027220322</oclcnum><exprid>sw027220322:lccn-n79-26862</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1993</date><languages count="1"><lang code="eng" count="3"/></languages><dates different="2" first="1992" last="1993"/><audLevel>0.55</audLevel><creator>Miles, Barry</creator><title>William Burroughs : el hombre invisible : a portrait</title></citation><citation><uniqueHoldings>546</uniqueHoldings><holdings>548</holdings><numEditions>3</numEditions><oclcnum>ocn043656904</oclcnum><exprid>sw043656904:lccn-n79-26862</exprid><isFiction>False</isFiction><recordType>book</recordType><date>2001</date><languages count="1"><lang code="eng" count="3"/></languages><dates different="2" first="2000" last="2001"/><audLevel>0.72</audLevel><creator>Lardas, John</creator><title>The bop apocalypse : the religious visions of Kerouac, Ginsberg, and Burroughs</title><summary>&quot;Blending biography, cultural history, and literary criticism, the bop apocalypse explores the religious concerns, metaphysical realities, and spiritual pursuits that undergirded the early friendship and literary collaborations of Jack Kerouac, Allen Ginsberg, and William S. Burroughs.&quot; &quot;Presenting a religious biography of the Beats from the mid-1940s to the late 1950s, John Lardas shows that in rejecting many of the cultural tenets of postwar America, Kerouac, Ginsberg, and Burroughs created new visions of both self and country, visions they articulated through distinctive literary forms.&quot;--BOOK JACKET.</summary></citation><citation><uniqueHoldings>487</uniqueHoldings><holdings>484</holdings><numEditions>6</numEditions><oclcnum>ocn042643517</oclcnum><exprid>sw042643517:lccn-n79-26862</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1999</date><languages count="1"><lang code="eng" count="6"/></languages><dates different="1" first="1999" last="1999"/><audLevel>0.63</audLevel><creator>Burroughs, William S</creator><title>Conversations with William S. Burroughs</title><cover isbn="1578061822" oclc="ocn042643517" type="isbn">+-+7736153206</cover></citation><citation><uniqueHoldings>480</uniqueHoldings><holdings>504</holdings><numEditions>31</numEditions><oclcnum>ocn025201207</oclcnum><exprid>sw015322900:lccn-n79-26862</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1992</date><languages count="8"><lang code="eng" count="18"/><lang code="ger" count="3"/><lang code="tur" count="3"/><lang code="fre" count="2"/><lang code="gre" count="2"/><lang code="und" count="1"/><lang code="spa" count="1"/><lang code="fin" count="1"/></languages><dates different="9" first="1986" last="2009"/><audLevel>0.62</audLevel><creator>Burroughs, William S</creator><title>The cat inside</title><cover isbn="0670844659" oclc="ocn025201207" type="isbn">+-+4019935215</cover></citation><citation><uniqueHoldings>478</uniqueHoldings><holdings>490</holdings><numEditions>5</numEditions><oclcnum>ocn049493565</oclcnum><exprid>sw049493565:lccn-n79-26862</exprid><isFiction>False</isFiction><recordType>book</recordType><date>2003</date><languages count="1"><lang code="eng" count="5"/></languages><dates different="2" first="2003" last="2006"/><audLevel>0.75</audLevel><creator>Harris, Oliver</creator><title>William Burroughs and the secret of fascination</title><cover isbn="0809324849" oclc="ocn186700268" type="isbn">+-+4939784535</cover></citation><citation><uniqueHoldings>457</uniqueHoldings><holdings>548</holdings><numEditions>8</numEditions><oclcnum>ocn006863539</oclcnum><exprid>sw006863539:lccn-n79-26862</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1981</date><languages count="1"><lang code="eng" count="8"/></languages><dates different="3" first="1981" last="1996"/><audLevel>0.69</audLevel><creator>Burroughs, William S</creator><title>With William Burroughs : a report from the bunker</title><summary>Burroughs, the eccentric, brilliant artist who burned the bridge with logic and wrote the classic Naked Lunch, has a court recorder in Victor Bockris. Bockris has collected into a cogent whole the man's most brilliant moments of conversation, thinking, and interview repartee. This fascinating material, gleaned from the fertile time at Burroughs's New York headquarters, the Bunker (which was located on the Bowery, three blocks from CBGB), encompasses the years 1974 to 1980, and also includes a 1991 Burroughs interview from Interview magazine. The Beats' devotion to subjective experience has left readers with a profound amount of objective material to analyze and debate. Choice public and private utterances, hallucinatory and prescient diatribes such as these, remain rich sources of literary history. As Americans we find the Beats' approach to life romantic, even heroic. Tearing the walls down in the name of freedom and spirituality strikes a particularly pilgrimesque chord. With William Burroughs: A Report from the Bunker is a fascinating compendium of Burroughs-speak, so complete it can be considered a credo.</summary><cover isbn="0312147678" oclc="ocn034932751" type="isbn">+-+3212967685</cover></citation><citation><uniqueHoldings>421</uniqueHoldings><holdings>483</holdings><numEditions>6</numEditions><oclcnum>ocn002844199</oclcnum><exprid>sw000246885:lccn-n79-26862</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1977</date><languages count="1"><lang code="eng" count="6"/></languages><dates different="2" first="1971" last="1977"/><audLevel>0.75</audLevel><creator>Mottram, Eric</creator><title>William Burroughs : the algebra of need</title></citation><citation><uniqueHoldings>418</uniqueHoldings><holdings>842</holdings><numEditions>24</numEditions><oclcnum>ocn065789034</oclcnum><exprid>sw061217852:lccn-n79-26862</exprid><isFiction>False</isFiction><recordType>book</recordType><date>2006</date><languages count="2"><lang code="eng" count="23"/><lang code="fre" count="1"/></languages><dates different="4" first="2004" last="2008"/><audLevel>0.55</audLevel><creator>Burroughs, William S</creator><title>The yage letters redux</title><summary>Editor's introduction -- In search of yage, 1953: William Burroughs -- Seven years later, 1960: Allen Ginsberg to William Burroughs. Burroughs' reply -- Epilogue, 1963 -- Appendices.</summary><cover isbn="0872864480" oclc="ocn061217852" type="isbn">+-+5399137235</cover></citation><citation><uniqueHoldings>368</uniqueHoldings><holdings>738</holdings><numEditions>8</numEditions><oclcnum>ocn063122797</oclcnum><exprid>sw063122797:lccn-n79-26862</exprid><isFiction>False</isFiction><recordType>book</recordType><date>2006</date><languages count="1"><lang code="eng" count="8"/></languages><dates different="1" first="2006" last="2006"/><audLevel>0.90</audLevel><creator>Johnson, Rob</creator><title>The lost years of William S. Burroughs : beats in South Texas</title><cover isbn="1585445177" oclc="ocn185457067" type="isbn">+-+2260990306</cover></citation></about><bestCover oclc="ocn040709026" type="isbn">+-+7047867535</bestCover><Identity>Thu Dec 02 17:35:46 EST 2010<Identity/></Identity></Identity>
