Tue Dec 17 16:44:48 2013 UTClccn-n790700610.29Stravinsky : a creative spring : Russia and France, 1882-1934 /0.500.67Les noces = The wedding /17309155Igor_Stravinskyn 79070061593628857798754933953493391151558185916299593628549450184945026494501159561224945072593628750371005950909515582651860688436204591629349338014933921493380449338084933809518610049450275037091503709049450204933940493382049338455916296593629250320475196186573992252395685180466860966830287750320265230077493393150956075186057Igor Feodorovic StravinskyIgor Fyodorovitch StravinskyIgor StravinskijIgor StrawinskiIgor StrawinskyIstrāvīnskī, Īgūr, 1882-1971Stavinskij, I. F.StravinksiStravinksystravinskiStravinski, IgorStravinski, Igor, 1882-1971Stravinski, Igor FedorovičStravinski, Igor Fedorovitch, 1882-1971Stravinski, Igor Fiodorovitch.Stravinskiĭ, I. F. (Igorʹ Fedorovich), 1882-1971Stravinskii, Igor, 1882-1971Stravinskiĭ, Igorʹ Fedorovich, 1882-1971Stravinskiï, Igorʹ Fëdorovitch, 1882-1971Stravinskij, I.Stravinskij, I.F., 1882-1971Stravinskij, IgorʹStravinskij, Igor, 1882-1971Stravinskij, Igor' F. 1882-1971Stravinskij, Igorʹ FëdorovičStravinskij, Igorʹ Fedorovič, 1882-1971Stravinskij, Igor Fedorovič 1882-1971 Vollstaendiger NameStravinskij, Igor FedorovichStravinskij, Igor Fiodorovič, 1882-1971Stravinskij, Igor Fjodorovitj, 1882-1971Stravinskis, Igors, 1882-1971Stravinsky.Stravinsky, ..., 1882-1971Stravinsky, I.Stravinsky, Igor.Stravinsky, Igor, 1882-1971Stravinsky, Igor FëdorovichStravinsky, Igor Fedorovich 1882-1971Stravinsky, Igor FëdorovitchStravinsky, Igor Fedorovitch, 1882-1971Stravinsky, Igor FeodorovichStravinsky, Igor Fyodorovich, 1882-1971Stravynsʹkyj, Ihor 1882-1971Stravynsʹkyj, Ihor Fedorovyč 1882-1971Strawinski.Strawiński, I.Strawiński, Igor.Strawinski, Igor 1882-1971Strawiński, Igor Fiodorowicz, 1882-1971Strawinski, Igor FjodorowitschStrawinski, Igor Fjodorowitsch 1882-1971Strawinskii, Igor, 1882-1971Strawinskij, I. 1882-1971Strawinskij, IgorStrawinskij, Igor, 1882-1971Strawinskij, Igor Fedorowitsj, 1882-1971Strawinsky.Strawinsky, ... 1882-1971Strawinsky, I. (Igor), 1882-1971Strawinsky, Igor.Strawinsky, Igor, 1882-1971Strawinsky, Igor F. 1882-1971Strawinsky, Jgor, 1882-1971Стравинский, И., 1882-1971Стравинский, И. Ф., 1882-1971Стравинский, Игорь, 1882-1971.Стравинский, Игорь (Игорь Федорович), 1882-1971Стравинский, Игорь Фёдорович, 1882-1971סטראווינסקי, איגורסטראוינסקי, איגורסטרבינסקי, איגור פדיורוביץ, 1882-1971סטרבינסקי, איגור פיודורוביץ, 1882-1971ストラヴィンスキーlccn-n50019158Craft, Robertothivewamprflbtivrcndedtitrtrllccn-n80131692Columbia Symphony Orchestraprfitrorcmuslccn-n81014472London Symphony Orchestraprfitrorcmuslccn-n79076651Ramuz, C. F.(Charles Ferdinand)1878-1947othlbtlyrcreadpanthnractnrttrllccn-n80032780Schoenberg, Arnold1874-1951arrprfadpcmmdtecndcmplccn-n79054316Auden, W. H.(Wystan Hugh)1907-1973othlbtcrelccn-n50042119Boulez, Pierre1925-iveprftrlcndardcmplccn-n50007704Bernstein, Leonard1918-1990iveprfcndnrtitrcmplccn-n81139912New York Philharmonicprfitrorcmuslccn-n50067197Kallman, Chester1921-1975prflbtcreStravinsky, Igor1882-1971188219711891190019031904190519061907190819091910191119121913191419151916191719181919192019211922192319241925192619271928192919301931193219331934193519361937193819391940194119421943194419451946194719481949195019511952195319541955195619571958195919601961196219631964196519661967196819691970197119721973197419751976197719781979198019811982198319841985198619871988198919901991199219931994199519961997199819992000200120022003200420052006200720082009201020112012201320142814031598035288780.92ML410.S932ocn018133916ocn024510463ocn019755324ocn003036338ocn000916428ocn014629089ocn019755393ocn024464847ocn020120702ocn024510852ocn451510365ocn055592486ocn000916428ocn014629089ocn020120702ocn004173273ocn811255979ocn003080551ocn012883445ocn003461239ocn047061664ocn002624533ocn022376337ocn502307039ocn428012683ocn811240344ocn038887113ocn027442146ocn036795971ocn052869490ocn451510365ocn841415103ocn002438586ocn857174512ocn778803906ocn816731695ocn691909485ocn796819517ocn742834778ocn796764048ocn009860603ocn038892068ocn006742349ocn006375634ocn030689026ocn054480618ocn010720318ocn025263546ocn657619054ocn010748881ocn024487185ocn463484099ocn052097314ocn175769011ocn078014087ocn785089654ocn658441362ocn766258150ocn766601049ocn764445046ocn639996175ocn746010060ocn755134503ocn691496643ocn661841595ocn767170338ocn766117014ocn661251974ocn856015682ocn725274660ocn725292279ocn725328055ocn813204571ocn723902069ocn743697464ocn072853978ocn764416445ocn725109133ocn725347185ocn313736423ocn313865783ocn313954671ocn311091320ocn691860447ocn844452645ocn691608036ocn691860619ocn691856797ocn691605215ocn461716374ocn315370469ocn258140800ocn258579755ocn250471519ocn461787934ocn084521932ocn772962182ocn845770550ocn257914017ocn449727258ocn450864943ocn443122277ocn658447242ocn438452542ocn034660934ocn767395772ocn662187974ocn494659374ocn494659530ocn494659457ocn494700289ocn494659448ocn494659478ocn494659469ocn762665528ocn762662379ocn494659438ocn405546806ocn842233443ocn724859554ocn658885448ocn186809503ocn724043710ocn761166370ocn463612344ocn460592439ocn441604428ocn443571476ocn460329587ocn843598523ocn844438307ocn844437747ocn844437786ocn844286522ocn844438149ocn844437653ocn844438163ocn844438001ocn844438077ocn844437739ocn469462504ocn863017439ocn042163114ocn822853632ocn468857833ocn767398834ocn691994720ocn762561143ocn767429633ocn661251966ocn766740526ocn766740518ocn766740560ocn766740565ocn766740501ocn658810413ocn761906413ocn661251926ocn766740556ocn858272348ocn864280444ocn863221332ocn859646350ocn861253534ocn863683125ocn258029890ocn185461683ocn185790418ocn186741621ocn225107590ocn664566336ocn664606903ocn301581329ocn780677884ocn054894487ocn796706705ocn779660184ocn780005796ocn058556843ocn659241094Composers5536669ocn048522265rcrd19290.47Stravinsky, IgorThe rite of springA six-part hypercard program on floppy diskettes, linked to the audio CD, allows the user to explore the Rite of Spring using text and graphics+-+72030713953549248ocn018646590score19000.60Stravinsky, IgorThe rite of springComposition de l'orchestre: 5**.5**.5**.5**/8.5.3.2 (7e et 8e cor avec tuba, trp en ré et trp basse), timbales, grosse caisse, tam-tam, triangle, tambour de basque, batterie, cordes+-+72030713952357180ocn017483739score19000.60Stravinsky, IgorPetrushka : original version+-+9531071395232560ocn000076632book19420.50Stravinsky, IgorPoetics of music in the form of six lessonsGetting acquainted -- The phenomenon of music -- The composition of music -- Musical typology -- The avatars of Russian music -- The performance of music2084183ocn000256221score19000.60Stravinsky, IgorL'histoire du soldat = The soldier's tale+-+0693846625193485ocn024510463rcrd19640.38Stravinsky, IgorThe rake's progressSynopsis ACT I: Anne Trulove is in the garden of her father's country house with her suitor, Tom Rakewell, admiring the springtime. Sending Anne into the house, her father, Trulove, tells Tom he has arranged an accountant's job for him in the city. Tom declines the offer and the older man leaves. A stranger enters as Tom declares his determination to live by his wits and enjoy life. When he says "I wish I had money," the stranger introduces himself as Nick Shadow, "at your service." Shadow tells Tom that a forgotten rich uncle has died, leaving the young man a fortune. Anne and Trulove return to hear the news, the latter urging Tom to accompany Shadow to London to settle the estate. As Tom leaves, promising to send for Anne as soon as everything is arranged, Shadow turns to the audience to announce, "the Progress of a Rake begins." At a brothel in the city, whores entertain a group of "roaring boys," dissolute young playboys; together they toast Venus and Mars. Shadow coaxes Tom to recite for the madam, Mother Goose, the catechism he has taught him: to follow nature rather than doctrine, to seek beauty (which is perishable) and pleasure (which means different things to different people). Tom refuses, however, to define love. Turning back the clocks when he sees Tom restless to escape, Shadow commends him to the pursuit of hedonism with these companions. Tom responds with ruminations of love. When the whores offer to console him, Mother Goose claims him for herself and leads him off. As evening falls, Anne leaves her father's house, determined to find Tom, since she has heard nothing from him. ACT II: Tom, who is in the morning room of his house in the city, is beginning to tire of city pleasures and no longer dares to think of Anne. When he says "I wish I were happy," Shadow appears, showing a poster for Baba the Turk, a bearded lady whom he urges Tom to marry, because only when one is obligated to neither passion nor reason can one be truly free. Amused by the idea, Tom gets ready to go out. Anne approaches Tom's house but is hesitant to knock. As darkness falls, she sees servants enter with strangely shaped packages. A conveyance arrives and Tom steps out. Startled to see Anne, he says she must forget him, he cannot go back to her. Baba calls out from the sedan, whereupon Tom admits to the astonished Anne that he is married. Hurried along by Baba's impatient remarks, Anne faces the bitter realities, while Tom repeats that it is too late to turn back. As Tom helps Baba from the sedan, a curious crowd gathers. Anne hurriedly leaves. In his morning room, Tom sits sulking amid Baba's curios as she chatters about the origin of each. When he refuses to respond to her affection, she complains bitterly. Tom silences her and she remains motionless as Tom falls asleep. Shadow wheels in a strange contraption, and when Tom awakens, saying "Oh I wish it were true," the machine turns out to be his dream: an invention for making stones into bread. Seeing it as a means of redemption for his misdeeds, Tom wonders whether he might again deserve Anne. Shadow points out the device's usefulness in gulling potential investors. ACT III: On a spring afternoon, the same scene (including the stationary Baba) is set for an auction. Customers examine the various objects: Tom's business venture has ended in ruin. Amid rumors as to what has become of Tom, Anne enters in search of him. An auctioneer, Sellem, begins to hawk various objects -- including Baba, who resumes her chatter after the crowd bids to purchase her. Indignant at finding her belongings up for sale, she tries to order everyone out. She draws Anne aside, saying the girl should try to save Tom, who still loves her. Anne, hearing Tom and Shadow singing in the street, runs out. Shadow leads Tom to a graveyard with a freshly dug grave, where he reminds the young man that a year and a day have passed since he promised to serve him: now the servant claims his wage. Tom must end his life by any means he chooses before the stroke of twelve. Suddenly, Shadow offers a reprieve: they will gamble for Tom's soul. When Tom, placing his trust in the Queen of Hearts, calls upon Anne, and her voice is heard, Shadow realizes he has lost. In retaliation, he condemns Tom to insanity. As Shadow disappears and dawn rises, Tom -- gone mad -- imagines himself Adonis, waiting for Venus. In an insane asylum, Tom declares Venus will visit him, whereupon fellow inmates mock the idea. The Keeper admits Anne. Believing her to be Venus, Tom confesses his sins: "I hunted the shadows, disdaining thy true love." Briefly they imagine timeless love in Elysium. With his head upon her breast, Tom asks her to sing him to sleep. As she does, her voice moves the other inmates. Trulove comes to fetch his daughter, who bids the sleeping Tom farewell. When he wakens to find her gone, he cries out for Venus as the inmates sing "Mourn for Adonis." EPILOGUE: The principals gather to tell the moral that each finds in the story. Anne warns that not every man can hope for someone like her to save him; Baba warns that all men are mad; Tom warns against self-delusion, to Trulove's agreement; Shadow mourns his role as man's alter ego; and all concur that the devil finds work for idle hands1871133ocn000929284score19300.57Stravinsky, IgorSymphonie de Psaumes1587132ocn005344209score19220.67Stravinsky, IgorLes noces = The wedding+-+45374519361574127ocn016351428score19000.60Stravinsky, IgorThe firebird : original 1910 versionHandsome, unabridged, inexpensive edition of modern masterpiece renowned for brilliant orchestration, glowing color, evocative power. Reprinted from authoritative Russian edition. Includes list of characters and instruments, plus new English translation of Table of Contents+-+7080071395144848ocn018133916rcrd19620.39Stravinsky, IgorStravinsky conducts Stravinsky1269129ocn000762095score19270.60Stravinsky, IgorOedipus rex; opéra-oratorio en deux actes d'après Sophocle; opera-oratorio in two acts after Sophocles; Opern-Oratorium in zwei Akten nach Sophokles124876ocn001667393score19450.60Stravinsky, IgorMass for mixed chorus and double wind quintet122377ocn001000270score19490.57Stravinsky, IgorThe rake's progress : opera in 3 acts118255ocn003143565score19240.60Stravinsky, IgorOctet for wind instruments1168135ocn002996457rcrd19530.67Stravinsky, IgorL'Histoire du soldatWritten in 1918, this ballet is a response to the chaos and misery of World War One. The work blends narration, dance, music and characters in changing disguises to tell the story of a common soldier who loses his soul to the devil108652ocn811255830rcrd19550.47Stravinsky, IgorThe soldier's taleBallet for narrator actors, and dancers accompanied by clarinet, bassoon, cornet, trombone, violin, double bass, and percussion105760ocn000928352score19260.67Stravinsky, IgorSymphonies of wind instruments+-+7368716035103068ocn020647101score19450.60Stravinsky, IgorSymphony in three movements : for orchestra : 1945+-+800712042810147ocn000299753score19670.47Stravinsky, IgorPetrushka : an authoritative score of the original version : backgrounds, analysis, essays, views, and comments+-+1522458485100977ocn007849151score19190.60Stravinsky, IgorFirebird suiteComposition de l'orchestre: 2.2*.2.2/4.2.3.1, timbales, tambour de basque, grosse caisse, cymbales, triangle, harpe, xylophone, piano (célesta)+-+5922946625215511ocn000283025book19660.39White, Eric WalterStravinsky: the composer and his works+-+3034855705203315ocn000456117book19600.47Vlad, RomanStravinsky18937ocn057545175com20020.38The Cambridge companion to StravinskyReflecting the breadth of Stravinsky's phenomenal achievement, this Companion contains a wide range of essays covering the contexts within which Stravinsky worked, his key compositions, and the reception of his ideas. It concludes with an interview with the leading Dutch composer Louis Andriessen+-+3209256605324170510ocn047008251com19960.50Taruskin, RichardStravinsky and the Russian traditions a biography of the works through Mavra+-+344525570532416705ocn045908864bks|url20010.39Joseph, Charles MStravinsky inside outAnnotation+-+0280255585159947ocn000715423book19490.63Adorno, Theodor WPhilosophy of modern musicThis is a reissue of the German philosopher's study of the aesthetics of twentieth-century classical music+-+254969173515106ocn044959557com19940.36Craft, RobertStravinsky chronicle of a friendship"For the last twenty-three years of Igor Stravinsky's incredibly full life, the noted musician, conductor, and writer Robert Craft was his closest colleague and friend, a trusted member of the Stravinsky household, and an important participant in virtually all of the composer's worldwide activities. Throughout these years, Craft kept a detailed diary, impressive in its powers of observation and characterization. This diary forms the basis for Stravinsky: Chronicle of a Friendship, now released in this substantially revised and enlarged edition." "The original edition of this classic memoir has long been out of print. This new revised edition extends the material by more than a third. The text now includes several previously unpublished and historically important letters from prominent musicians, including Arnold Schoenberg, Luigi Dallapiccola, and Glenn Gould. More than fifty photographs and drawings (fourteen in color), most of them previously unpublished, illustrate the new edition. Each of the first twenty-three chapter-years now ends with a Postscript that provides supplementary information and a reflective connecting thread to the text. Craft has also added a Postlude in which he shares important moments of his friendship with Vera Stravinsky during the last years of her life. The whole Chronicle offers both a personal testament and an expansive embrace of the author's world."--BOOK JACKET+-+7037601735146717ocn002872436book19360.47Stravinsky, IgorIgor Stravinsky: an autobiography+-+373560962532413645ocn000241626book19720.34Craft, RobertStravinsky: chronicle of a friendship, 1948-1971This book of pericopes from a chronicle of twenty-three years represents only about a third of the whole. It is incumbent on me, therefore, to explain my principles of selection. But readableness-comparative readableness, anyway is the only one. It is the reason that the fifties are so thinly represented, for my actual notes covering the first decade of my association with Stravinsky are more voluminous than those dealing with the second decade, but they are in no sense written-up, and are personal in a way that this book is not. They can be used only in the different medium of the biography12703ocn000333642book19720.38Libman, LillianAnd music at the close: Stravinsky's last years, a personal memoir12665ocn659392326com19890.57Andriessen, LouisThe Apollonian clockwork on StravinskyThe one book about Stravinsky Stravinsky would have liked. Richard Taruskin+-+010310805412378ocn002780284book19720.36Horgan, PaulEncounters with Stravinsky; a personal record+-+406710463532411914ocn004076571book19780.32Stravinsky, VeraStravinsky in pictures and documents11706ocn000125844book19710.47Peyser, JoanThe new music; the sense behind the sound11318ocn000896750book19590.47Stravinsky, IgorConversations with Igor StravinskyRemarks on composing, musicians, contemporary music, Stravinsky's own life, and other topics. Includes a selection of photographs and letters111711ocn042774503book19990.29Walsh, StephenStravinsky : a creative spring : Russia and France, 1882-1934Widely regarded the greatest composer of the twentieth century, Igor Stravinsky was central to the development of modernism in art. Deeply influential and wonderfully productive, he is remembered for dozens of masterworks, from The Firebird and The Rite of Spring to The Rake's Progress, but no dependable biography of him exists. Previous studies have relied too heavily on his own unreliable memoirs and conversations, and until now no biographer has possessed both the musical knowledge to evaluate his art and the linguistic proficiency needed to explore the documentary background of his life--a life whose span extended from tsarist Russia to Switzerland, France, and ultimately the United States. In this revealing volume, the first of two, Stephen Walsh follows Stravinsky from his birth in 1882 to 1934. He traces the composer's early Russian years in new and fascinating detail, laying bare the complicated relationships within his family and showing how he first displayed his extraordinary talents within the provincial musical circle around his teacher, Nikolay Rimsky-Korsakov. Stravinsky's brilliantly creative involvement with the Ballets Russes is illuminated by a sharp sense of the internal artistic politics that animated the group. Portraying Stravinsky's circumstances as an émigré in France trying to make his living as a conductor and pianist as well as a composer while beset by emotional and financial demands, Walsh reveals the true roots of his notorious obsession with money during the 1920s and describes with sympathy the nature of his long affair with Vera Sudeykina. While always respecting Stravinsky's own insistence that life and art be kept distinct, Stravinsky makes clear precisely how the development of his music was connected to his life and to the intellectual environment in which he found himself. But at the same time it demonstrates the composer's remarkably pragmatic psychology, which led him to consider the welfare of his art to be of paramount importance, before which everything else had to give way. Hence, for example, his questionable attitude toward Hitler and Mussolini, and his reputation as a touchy, unpredictable man as famous for his enmities as for his friendships. Stephen Walsh, long established as an expert on Stravinsky's music, has drawn upon a vast array of material, much of it unpublished or unavailable in English, to bring the man himself, in all his color and genius, to glowing life. Written with elegance and energy, comprehensive, balanced, and original, Stravinsky is essential reading for anyone interested in the adventure of art in our time [Publisher description]+-+8939694215110910ocn000415397book19680.57Boretz, BenjaminPerspectives on Schoenberg and StravinskyContains the first collected representation of the recent thoughts on the musical conjunction of Schoenberg and Stravinsky from within the community of American composers and the first of a projected series of anthologies dervied principally from "Perspectives of new music"--Princeton University's journal from The Fromm Music Foundation+-+736155848511025ocn000301205book19630.50Lang, Paul HenryStravinsky; a new appraisal of his work. With a complete list of works+-+244655848510447ocn027267017book19920.36Griffiths, PaulStravinsky100714ocn000416410book19590.47Siohan, RobertStravinsky+-+1522458485+-+1522458485Tue Dec 17 14:45:12 EST 2013batch497463