WorldCat Identities

Arnheim, Rudolf

Overview
Works: 382 works in 1,122 publications in 22 languages and 25,766 library holdings
Roles: Creator, Author of introduction, Honoree, Editor, Other, Interviewee, Collaborator
Classifications: n70, 701.15
Publication Timeline
Key
Publications about  Rudolf Arnheim Publications about Rudolf Arnheim
Publications by  Rudolf Arnheim Publications by Rudolf Arnheim
Most widely held works about Rudolf Arnheim
 
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Most widely held works by Rudolf Arnheim
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83 editions published between and 2009 in 7 languages and held by 2,560 libraries worldwide
Since its publication fifty years ago, this work has established itself as a classic. It casts the visual process in psychological terms and describes the creative way one's eye organizes visual material according to specific psychological premises. In 1974 this book was revised and expanded, and since then it has continued to burnish Rudolf Arnheim's reputation as a groundbreaking theoretician in the fields of art and psychology.--From publisher description.
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70 editions published between and 2009 in 8 languages and held by 2,209 libraries worldwide
For the general reader.
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20 editions published between and 2010 in English and held by 1,436 libraries worldwide
From the Publisher: Presents an interpretation of the expression of art and the relationship between this psychology and the art form.
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66 editions published between and 2009 in 11 languages and held by 1,428 libraries worldwide
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48 editions published between and 2006 in 5 languages and held by 1,418 libraries worldwide
Rudolf Arnheim explores the creative process through the sketches executed by Picasso for his mural Guernica. The drawings and paintings shown herein, as well as the photographs of the stages of the final painting, represent the complete visual record of the creative stages of a major work of art.
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20 editions published between and 2009 in 3 languages and held by 1,241 libraries worldwide
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15 editions published between and 2010 in English and held by 1,001 libraries worldwide
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7 editions published between and 2006 in English and held by 967 libraries worldwide
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16 editions published between and 2008 in 4 languages and held by 934 libraries worldwide
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11 editions published in in English and held by 806 libraries worldwide
The provocative title of this new collection of essays was chosen by Rudolf Arnheim for good reason. He has spent a lifetime analyzing the basic psychological principles that make works of visual art meaningful, stirring, indispensable, and lasting. But recent fashionable attitudes and theories about art, he argues, are undermining the foundation of artistic achievement itself. He says that we must face the threat "that the work crew charged with erecting the edifice of our principles is infiltrated by termites." As the leading explorer of the psychology of art, Arnheim has always sought to let works of art speak for themselves. His many books have reached innumerable students, teachers, museum visitors, and theorists. The essays collected in this volume are written in his familiar, careful, and solidly supported manner, but under present circumstances they amount to a call to arms. Included is a series of miniature monographs on a variety of great works of art. In other essays, Arnheim uncovers enlightening perspectives in the art of the blind, in architectural space, in caricature, and in the work of psychotics and autistic children. He also presents new scientific aspects of the psychology of art, and he widens our range of vision by reaching out to connect art with language, literature, and religion. Anyone who prizes vital, spirited interaction with works of art will find this new volume of Arnheim essays a personal treasure.
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10 editions published between and 1990 in English and held by 627 libraries worldwide
For many years Rudolf Arnheim, known as the leading psychologist of art, has been keeping notebooks in which to jot down observations, ideas, questions, and even (after a stay in Japan for a year) poems in the haiku pattern. Some of these notes found their way into his books--known and prized the world over--such as Art and Visual Perception, Visual Thinking, and The Power of the Center (see list below).
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16 editions published between and 1993 in 4 languages and held by 582 libraries worldwide
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31 editions published between and 2005 in 5 languages and held by 482 libraries worldwide
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17 editions published between and 2000 in German and English and held by 450 libraries worldwide
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5 editions published in in English and held by 438 libraries worldwide
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27 editions published between and 2010 in 4 languages and held by 374 libraries worldwide
"In the fall of 1957 the University of California Press expanded Arnheim's 1933 book Film by four essays and brought that landmark work back into print as Film as Art. Now nearly fifty years after that re-edition, the book continues to occupy an important place in the literature of film. Arnheim's method, provocative in this age of technological wizardry, was to focus on the way art in film was derived from that medium's early limitations: no sound, no color, no three-dimensional depth." -- Publisher's description.
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7 editions published in in English and held by 273 libraries worldwide
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29 editions published between and 2004 in 8 languages and held by 232 libraries worldwide
 
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Alternative Names
Arnchejm, Rudol'f 1904-2007
Arnhajm, Rudolf 1904-2007
Arnheim, Rudolf 1904
Arnhejm, Rudol'f.
Rudolf Arnheim 1904-2007
安海姆
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