Wed Nov 17 06:37:43 2010 UTClccn-n79-89419Composers--United StatesComposers--United States--20th centuryComposers0.560.640.73Aaron_Coplandn 79089419oca00321790aCopland, Aaron,1900-1990Koplend, Aaron,1900-1990Kopland, Aaron,1900-1990lccn-n50-7704Bernstein, Leonard1918-1990cndlccn-n81-139912New York Philharmonicprflccn-n81-14472London Symphony Orchestraprflccn-no2004-73655Naxos Digital Serviceslccn-n81-15460Barber, Samuel1910-1981cmplccn-n79-70061Stravinsky, Igor1882-1971cndlccn-n79-77265Gershwin, George1898-1937cmplccn-n79-6779Lincoln, Abraham1809-1865lccn-n79-54166Dickinson, Emily1830-1886lyrlccn-n81-42604Dorati, AntalcndCopland, Aaron1900-1990Copland, Aaron1900-1990100Orchestral musicBalletsWestern art musicSuites (Orchestra)Dance musicOrchestral music, ArrangedMusicalsPiano musicMotion picture musicMonologues with music (Orchestra)Passacaglias (Piano)Piano quartetsVariations (Orchestra), ArrangedPiano music, ArrangedOverturesOperasOperas--ExcerptsBibliographySongs, EnglishImaginationCreation (Literary, artistic, etc.)Billy,--the KidInstrumental ensemblesMotion picture music--ExcerptsSymphonies--ScoresSongs (Medium voice) with pianoSongs (High voice) with pianoFriendshipSuites (Orchestra)--ScoresOrchestral music, ArrangedConcertos (Piano)Folk songs, EnglishDramaSonatas (Piano)Suites (Chamber orchestra)English horn and trumpet with string orchestraConcertos (Clarinet with string orchestra)Orchestral music--ScoresVariations (Piano)Suites (Orchestra), ArrangedDickinson, Emily,--1830-1886Monologues with music (Orchestra)Ballets--Excerpts, ArrangedLincoln, Abraham,--1809-1865MusicMusic appreciationMusical settingsPiano musicBalletsFanfaresSymphoniesCriticism, interpretation, etc.Music--Instruction and studyOrchestral musicBiographyBallets--ExcerptsComposersSuites (Orchestra)United StatesCopland, Aaron,--1900-19901900199019001916191719181919192019211922192319241925192619271928192919301931193219331934193519361937193819391940194119421943194419451946194719481949195019511952195319541955195619571958195919601961196219631964196519661967196819691970197119721973197419751976197719781979198019811982198319841985198619871988198919901991199219931994199519961997199819992000200120022003200420052006200720082009201051874819129420rcrd784.2ml410.c756ocn052281949ocn048202818ocn006134847ocn002975710ocn658875063ocn024779262ocn661297385ocn048500896ocn658572320ocn025778147ocn010418895ocn056569041ocn034044946ocn002844157ocn162121282ocn053907246ocn028829400ocn057717739ocn020043599ocn080313070ocn123898377ocn658637729ocn658900450ocn003115383ocn122606454ocn661640470ocn662128144ocn658637712ocn661319306ocn659021467ocn659279663ocn661504252ocn658290081ocn658356660ocn661319265ocn661721437ocn658356070ocn661561161ocn071300541ocn658287652ocn659083552ocn045368353ocn081801670ocn079926549ocn171030355ocn080103316ocn024779262ocn078481905ocn079372803ocn083662796ocn658119312ocn081018855ocn083579453ocn077688168ocn008411959ocn315487365ocn257026202ocn082251255ocn045356160ocn312662725ocn084338180ocn024653713ocn662010644ocn018298766ocn042631563ocn081987394ocn264791046ocn661725710ocn062477365ocn661830062ocn003122440ocn659226238ocn079778718ocn042592535ocn042592547ocn230737797ocn428817086ocn294955823ocn230736731ocn644755202ocn026486104ocn658930754ocn463658059ocn016161521ocn046491190ocn063068044ocn070746467ocn056029584ocn052960765ocn044543635ocn062173234ocn051152997ocn062173003ocn443917621ocn438452542ocn443122277ocn496852225ocn494707121ocn044263260ocn462197887ocn043965797ocn227175432ocn081025446ocn082591873ocn662038923ocn042592625262774231柯普生柯普蘭3224457992ocn000269329sw000269329:lccn-n79-89419Falsebook19570.57Copland, Aaron

Explains how to listen from the composers point of view.

+-+75337160952030268422ocn000436312sw000388195:lccn-n79-89419Falsebook19680.62Copland, Aaron

The composer provides and introduction to the formative musical ideas of our century, and a survey of recent and current trends.

1934339133ocn000376663sw000376663:lccn-n79-89419Falsebook19600.62Copland, Aaron1880193316ocn010876473sw010876473:lccn-n79-89419Falsebook19840.56Copland, Aaron1872207950ocn000248989sw000248989:lccn-n79-89419Falsebook19520.64Copland, Aaron

Considers many of the problems of the contemporary composer: the qualities of the sensitive listener, the meaning of music, the creative versus the interpretive mind, the pull of tradition and the attraction of innovation. Also discusses the musical minds of 20th century composers. 1980.

+-+455430921514053266133ocn013632222sw000272887:lccn-n79-89419Falsercrd19450.66Copland, Aaron

Archival photographs of the first performance of Copland's ballet on October 30, 1944 at the Library of Congress, and other visual materials, are used to accompany a recording of the ballet suite.

+-+9785092089721400345369ocn000501272sw000501272:lccn-n79-89419Falsercrd19470.65Copland, Aaron+-+27526469437513582566124ocn010816644sw001033847:lccn-n79-89419Falsercrd19820.68Copland, AaronBallets

An excellent recording of Leonard Bernstein and the New York Philharmonic's lively interpretation of Aaron Copland compositions.

+-+4720728919251221129416ocn019921227sw019921227:lccn-n79-89419Falsebook19890.56Copland, Aaron11152114168ocn014057297sw001413597:lccn-n79-89419Falsescor19390.70Copland, AaronMusicals

Concerto for clarinet and string orchestra with harp and piano / El Salon Mexico for orchestra / Music for The Theatre: Suite for small orchestra / Connotations for orchestra.

10882443213ocn020652806sw000903922:lccn-n79-89419Falsercrd19740.65Copland, Aaron

Side A. Appalachian Spring : Side B. The Tender Land.

+-+07753108132510581765120ocn003131118sw001011012:lccn-n79-89419Falsercrd19460.66Copland, Aaron

Introduces students to Aaron Copland's musical composition entitled Rodeo. Visuals accompany the music.

+-+1750243441411008187689ocn009908552sw002951241:lccn-n79-89419Falsercrd19410.67Copland, Aaron

A performance of Copland's music illustrated with the paintings of Russell, Remington and other artists of the old west.

+-+4795421123739691836105ocn000544025sw000544025:lccn-n79-89419Falsercrd19560.65Copland, AaronWestern art music

A presentation of Copland's opera, which looks at the heartland of America during the Great Depression. He created a story which explores a recurring human drama, the passage from adolescence to adulthood. The three acts tell a simple tale of a country girl who, having reached womanhood, chooses freedom to security with her family.

+-+6753928744459021585118ocn000291821sw000291821:lccn-n79-89419Falsescor19430.69Copland, Aaron880143683ocn000187267sw000187267:lccn-n79-89419Falsescor19620.66Copland, Aaron

Old American Songs: First set for voice & small orchestra. Text: var.authors / Old American Songs: Second set for voice & small orchestra. Text: var.authors / Eight Poems of Emily Dickinson for voice & chamber orchestra / Billy The Kid: Excerpts for small orchestra / Down A Country Lane: Version for small orchestra.

+-+7644298796791138868ocn007028835sw000271515:lccn-n79-89419Falsescor19510.71Copland, Aaron784155350ocn032084470sw002860057:lccn-n79-89419Falsescor19520.70Copland, Aaron764190127ocn018453382sw003429894:lccn-n79-89419Falsercrd1988Copland, AaronBallets+-+876897991925722131057ocn034667147sw001649851:lccn-n79-89419Falsercrd19630.73Copland, Aaron+-+372722481945172417705ocn039381264sw039381264:lccn-n79-89419Falsebook19990.58Pollack, Howard+-+1454950535120712898ocn000863495sw000206431:lccn-n79-89419Falsebook19530.66Berger, Arthur88910907ocn012974711sw012500120:lccn-n79-89419Falsebook19860.60Butterworth, Neil+-+325431254583090910ocn057208840sw057208840:lccn-n79-89419Falsebook20050.73Crist, Elizabeth Bergman

From the Publisher: Music for the Common Man: Aaron Copland during the Depression and War is the first sustained attempt to understand some of Copland's best known music in the context of leftwing social, political, and cultural currents of the Great Depression and Second World War. In the 1930s Aaron Copland began to write in an accessible style he called "imposed simplicity." Works like El Salon Mexico, Billy the Kid, Lincoln Portrait, and Appalachian Spring not only brought the composer unprecedented popular success but also came to define an American sound. Yet the political alignment behind this musical idiom-the social agenda that might be heard within these familiar pieces-has been largely overlooked, even though it has long been acknowledged that Copland subscribed to leftwing ideals. His politics never merely accorded with mainstream New Deal liberalism or wartime patriotism, however, but advanced a progressive vision of American society and culture. His music from the thirties and forties relates to the politics of radical progressivism, which affirmed a fundamental sensitivity toward those less fortunate, support of multiethnic pluralism, belief in social democracy, and faith that America's past could be put in service of a better future. Investing symbols of America-whether the West, folk song, patriotism, or the people-with progressive social ideals, Copland's music wrestles with the political complexities and cultural contradictions of the era.

+-+22060604657517512ocn000719040sw000719040:lccn-n79-89419Falsebook19670.49Dobrin, Arnold7057051ocn031331298sw031331298:lccn-n79-89419Falsebook19950.15Venezia, Mike

A biography of the man who kept adding jazz rhythms and experimented with other sounds to make his music as original and modern as possible.

+-+03809516056486654ocn061217632sw061217632:lccn-n79-89419Falsebook20050.65+-+65297664156486493ocn003651975sw003651975:lccn-n79-89419Falsebook19550.65Smith, Julia63612724ocn045723871sw045723871:lccn-n79-89419Falsebook20000.64Levin, Gail+-+056655873562264212ocn061162214sw061162214:lccn-n79-89419Falsebook20060.81Copland, Aaron+-+067666558559411884ocn011291083sw011291083:lccn-n79-89419Falsebook19850.71Skowronski, JoAnn4454466ocn052086238sw038578343:lccn-n79-89419Falsebook20040.67Copland, Aaron

Interview with Aaron Copland.

+-+759484069535336910ocn043050267sw043050267:lccn-n79-89419Falsebook20010.75Robertson, Marta+-+83267806353293282ocn076944151sw076944151:lccn-n79-89419Falsevisu2006Documentary films

"Michael Tilson Thomas and the San Francisco Symphony explore the music of Copland and the cityscapes, landscapes, and social and political developments that shaped it"--Container.

+-+7406551846733103102ocn000003754sw000003754:lccn-n79-89419Falsebook19690.15Peare, Catherine Owens

A biography of one of the prominent twentieth-century American composers whose music encompasses many forms including opera, ballet, symphony, and concerto.

30518632ocn028605974sw016389616:lccn-n79-89419Falsercrd19930.53Copland, Aaron

Performed and recorded in the Coolidge Auditorium of the Library of Congress, Washington, D.C., Nov. 14, 1981 in celebration of the 81st birthday of Aaron Copland under the auspices of the Elizabeth S. Coolidge Foundation in the Library of Congress.

+-+759484069530232514ocn019755252sw019029995:lccn-n79-89419Falsevisu1987

Reminiscences by composer Aaron Copland about his musical life. Features a wealth of Copland's music, including ballet sequences with Agnes de Mille dancing in Rodeo and Martha Graham in Appalachian Spring, scenes of Copland conducting, and interviews with Leonard Bernstein and Ned Rorem.

2732734ocn049312696sw049312696:lccn-n79-89419Falsebook20020.79+-+37540660352652652ocn056191901sw056191901:lccn-n79-89419Falsebook20040.75Felsenfeld, Daniel+-+53452192061651651ocn000775759sw000775759:lccn-n79-89419Falsebook19600.72+-+7533716095Fri Dec 03 00:46:29 EST 2010