WorldCat Identities

Diederichs, Helmut H.

Overview
Works: 30 works in 122 publications in 2 languages and 1,073 library holdings
Genres: Criticism, interpretation, etc  History  Reviews 
Roles: Author, Editor, Publishing director, Author of afterword, colophon, etc., Author of introduction
Classifications: PN1994, 791.4
Publication Timeline
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Most widely held works by Helmut H Diederichs
Geschichte der Filmtheorie : Kunsttheoretische Texte von Méliès bis Arnheim( Book )

7 editions published between 2003 and 2005 in German and held by 124 WorldCat member libraries worldwide

Schriften zum Film by Béla Balázs( Book )

30 editions published between 1982 and 1984 in 3 languages and held by 118 WorldCat member libraries worldwide

Konzentration in den Massenmedien; systematischer Überblick zer Situation in der BRD by Helmut H Diederichs( Book )

8 editions published in 1973 in German and Undetermined and held by 118 WorldCat member libraries worldwide

Die Seele in der Silberschicht : medientheoretische Texte : Photographie - Film - Rundfunk by Rudolf Arnheim( Book )

6 editions published in 2004 in German and held by 100 WorldCat member libraries worldwide

Anfänge deutscher Filmkritik by Helmut H Diederichs( Book )

6 editions published in 1986 in German and held by 79 WorldCat member libraries worldwide

Der sichtbare Mensch : oder, Die Kultur des Films by Béla Balázs( Book )

6 editions published between 2001 and 2011 in German and held by 74 WorldCat member libraries worldwide

Kritiken und Aufsätze zum Film by Rudolf Arnheim( Book )

9 editions published between 1977 and 1979 in German and held by 66 WorldCat member libraries worldwide

Radio by Rudolf Arnheim( Book )

2 editions published in 2001 in German and held by 65 WorldCat member libraries worldwide

Film as art by Rudolf Arnheim( Book )

6 editions published between 1979 and 1988 in German and held by 63 WorldCat member libraries worldwide

This book presents a theory of film. The greater part is an adaptation of the book originally published in 1933, long out of print but still in demand because it raises fundamental questions that the intervening years have by no means answered. Arnheim's provocative thesis is that the peculiar virtues of film as art derive from an exploitation of limitations of the medium: the absence of sound, the absence of color, the lack of three-dimensional depth. Silent-film artists made virtues of these necessities and were on their way to developing a new and distinctive art form. Mechanical advancement has led to greater realism, and a corresponding loss in artistry. The four essays which make up the rest of the book are supplementary in nature. The final one discusses the general aesthetic rules for the combination of different media--word, image, and sound--and leads to an evaluation of the talking picture as a medium for artistic expression.--Adapted from back cover
Der Filmtheoretiker Herbert Tannenbaum by Herbert Tannenbaum( Book )

6 editions published in 1987 in German and Undetermined and held by 55 WorldCat member libraries worldwide

Der Student von Prag : Einführung und Protokoll by Helmut H Diederichs( Book )

8 editions published between 1985 and 1995 in German and held by 35 WorldCat member libraries worldwide

Jenseits der Einstellung : Schriften zur Filmtheorie by Sergei Eisenstein( Book )

1 edition published in 2006 in German and held by 33 WorldCat member libraries worldwide

'Der sichtbare Mensch' : Kritiken und Aufsätze, 1922-1926 by Béla Balázs( Book )

5 editions published between 1982 and 1984 in German and held by 27 WorldCat member libraries worldwide

Der Stummfilm als Gesamtkunstwerk( Book )

1 edition published in 1990 in German and held by 22 WorldCat member libraries worldwide

Frühgeschichte deutscher Filmtheorie ihre Entstehung und Entwicklung bis zum Ersten Weltkrieg by Helmut H Diederichs( )

5 editions published between 1991 and 2001 in German and held by 22 WorldCat member libraries worldwide

Ziel der Arbeit ist die umfassende Darstellung und systematische Einordnung der Entwicklung der deutschsprachigen Filmtheorie bis zum Ersten Weltkrieg. Mit den Kinoreformern (Pädagogen und Juristen), der literarischen Intelligenz (Schriftsteller und Feuilletonjournalisten) und den Autoren der Kino-Fachpresse sind die drei wesentlichen Gruppierungen benannt, die sich in den Jahren ab 1907 an der heftigen und vor allem umfangreichen Debatte über das neue Massenmedium und künstlerische Mittel Film beteiligten. Die Untersuchung konzentriert sich auf die spezifisch filmtheoretische Seite der Vorkriegsdiskussionen, die filmästhetische Theorie, verstanden als Prozess der zunehmenden Bewusstwerdung der filmischen Gestaltungsmittel, der filmischen Formen, der "Filmsprache". Entwicklungsmodelle der Filmform in der filmgeschichtlichen Praxis bzw. der formästhetischen Theorie des Films geben der Arbeit ihren kategorialen und systematischen Rahmen
Béla Balázs und sein Beitrag zur formästhetischen Filmtheorie( )

1 edition published in 1997 in German and held by 13 WorldCat member libraries worldwide

Der Filmkritiker und Filmtheoretiker Rudolf Arnheim( )

1 edition published in 1997 in German and held by 13 WorldCat member libraries worldwide

Der Filmtheoretiker Herbert Tannenbaum( )

1 edition published in 1987 in German and held by 13 WorldCat member libraries worldwide

Zur Rhetorik der Filmkritik( Book )

1 edition published in 1987 in German and held by 5 WorldCat member libraries worldwide

 
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Audience Level
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Audience Level
1
  Kids General Special  
Audience level: 0.83 (from 0.44 for Film as ar ... to 0.95 for 'Der sicht ...)

Languages
German (105)

English (1)