WorldCat Identities

Adorno, Theodor W. 1903-1969

Overview
Works: 2,753 works in 7,546 publications in 43 languages and 123,381 library holdings
Genres: Essays 
Roles: Editor, Author of introduction, Creator, Other, Compiler, Composer, Honoree, Collaborator, Contributor, Dedicatee, Performer, Author of afterword, colophon, etc., Interviewee, Adapter, Commentator
Classifications: b3199.a33, 193
Publication Timeline
Key
Publications about  Theodor W Adorno Publications about Theodor W Adorno
Publications by  Theodor W Adorno Publications by Theodor W Adorno
posthumous Publications by Theodor W Adorno, published posthumously.
Most widely held works about Theodor W Adorno
 
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Most widely held works by Theodor W Adorno
by ( Book )
229 editions published between and 2010 in 15 languages and held by 1,546 libraries worldwide
[This book] is undoubtedly the most influential publication of the Frankfurt School of Critical Theory. Written during the Second World War and circulated privately, it appeared in a printed edition in Amsterdam in 1947.... The work goes far beyond a mere critique of contemporary events. Historically remote developments, indeed, the birth of Western history and of subjectivity itself out of the struggle against natural forces, as represented in myths, are connected in a wide arch to the most threatening experiences of the present. -http://www.booksinprint.com.
by ( Book )
147 editions published between and 2008 in 8 languages and held by 1,396 libraries worldwide
Ce texte est l'oeuvre maîtresse de Theodor W. Adorno et l'un des grands textes philosophiques contemporains. L'idée d'Adorno est comparable à celle de la bouteille jetée à la mer : transmettre une vérité au monde sans la lui livrer, sans s'y donner complètement, sans se laisser prendre par le processus historique de récupération et d'assimilation.
by ( Book )
156 editions published between and 2010 in 16 languages and held by 1,362 libraries worldwide
The culmination of a lifetime of aesthetic investigation, Aesthetic Theory is Adorno's major work, a defense of modernism that is paradoxical in its defense of illusion. In it, Adorno takes up the problem of art in a day when "it goes without saying that nothing concerning art goes without saying." In the course of his discussion, Adorno revisits such concepts as the sublime, the ugly, and the beautiful, demonstrating that concepts such as these are reservoirs of human experience. These experiences ultimately underlie aesthetics, for in Adorno's formulation "art is the sedimented history of human misery."
by ( Book )
121 editions published between and 2009 in 8 languages and held by 1,248 libraries worldwide
"In 1947 Theodor Adorno, one of the seminal European philosophers of the postwar years, announced his return after exile in the United States to a devastated Europe by writing Philosophy of New Music. Intensely polemical from its first publication, every aspect of this work was met with extreme reactions, from stark dismissal to outrage. Even Schoenberg reviled it." "Despite the controversy, Philosophy of New Music became highly regarded and widely read among musicians, scholars, and social philosophers. Marking a major turning point in his musicological philosophy, Adorno located a critique of musical reproduction as internal to composition itself, rather than as a matter of the reproduction of musical performance. Consisting of two distinct essays, "Schoenberg and Progress" and "Stravinsky and Reaction," this work poses the musical extremes in which Adorno perceived the struggle for the cultural future of Europe, between human emancipation and barbarism, between the compositional techniques and achievements of Schoenberg and Stravinsky." "In this completely new translation - presented along with an extensive introduction by distinguished translator Robert Hullot-Kentor - Philosophy of New Music emerges as a key to the whole of Adorno's illustrious and influential oeuvre."--Jacket.
by ( Book )
189 editions published between and 2009 in 9 languages and held by 1,188 libraries worldwide
Par une des principales figures de l'Ecole de Francfort. Une série d'articles, études et conférences, écrits entre 1943 et 1967, dans lesquels le penseur aborde le domaine littéraire comme philosophie et connaissance de la société. Parmi les oeuvres abordées citons celles de Balzac, Holderlin, Valéry, Proust, Beckett, Goethe, W. Benjamin. Autres sujets traités: "L'essai comme forme"; "L'art est-il gai?; L'engagement" (Sartre, Brecht, Kafka); "Le réalisme critique" (Lukàcs). Premier public concerné: les sociologues de la littérature et les littéraires. [SDM].
by ( Book )
63 editions published between and 1997 in 5 languages and held by 1,160 libraries worldwide
"Essays on Veblen, Huxley, Benjamin, Bach, Proust, Schoenberg, Spengler, jazz, Kafka"--Jacket subtitle.
by ( Book )
199 editions published between and 2010 in 20 languages and held by 1,145 libraries worldwide
by ( Book )
56 editions published between and 2003 in 6 languages and held by 1,140 libraries worldwide
by ( Book )
81 editions published between and 2009 in 6 languages and held by 994 libraries worldwide
by ( Book )
45 editions published between and 2001 in 3 languages and held by 809 libraries worldwide
by ( Book )
57 editions published between and 2003 in 5 languages and held by 770 libraries worldwide
by ( Book )
30 editions published between and 2008 in English and held by 757 libraries worldwide
"The creation of the Frankfurt School of critical theory in the 1920s saw the birth of some of the most exciting and challenging writings of the twentieth century. It is out of this background that the great critic Theodor Adorno emerged. His finest essays are collected here, offering the reader unparalled insights into Adorno's thoughts on culture. He argued that the culture industry commodified and standardised all art. In turn this suffocated individuality and destroyed critical thinking. At the time, Adorno was accused by his many detractors of everything from overreaction to deranged hysteria. In today's world, where even the least cynical of consumers is aware of the influence of the media, Adorno's work takes on a more immediate significance. The Culture Industry is an unrivalled indictment of the banality of mass culture."--BOOK JACKET.
by ( Book )
90 editions published between and 2008 in 8 languages and held by 756 libraries worldwide
by ( Book )
22 editions published between and 2003 in 4 languages and held by 741 libraries worldwide
by ( Book )
23 editions published between and 2010 in English and German and held by 739 libraries worldwide
This volume makes Adorno's lectures on the problems of moral philosophy available for the first time to English-speaking readers. It is one of several volumes of Adorno's unpublished writings which are currently being published in Germany, and which will be published in translation by Stanford University Press. The book is organized around an account of Kant's moral theory, and introduces most of the central topics of Adorno's far more difficult work Negative Dialectics. He examines concepts such as the primary of practical reason, the relation between freedom and experience, and the desubstantialization of moral thought. These and other concepts are discussed in an accessible and entertaining style which is very different from the rest of Adorno's published work. This volume will be an important resource for scholars drawing on Adorno's thought, and its nature as a lecture course makes it very useful and accessible introduction for students to Adorno's ideas about moral philosophy. It will be of great interest to those working in philosophy and in social and political thought.--Back cover.
by ( Book )
60 editions published between and 2005 in 4 languages and held by 737 libraries worldwide
'Critical Models' combines two of Adorno's most important postwar works - 'Interventions' and 'Catchwords' - and addresses issues such as the dangers of ideological conformity, the fragility of democracy, educational reform, the influence of television and radio and the aftermath and continuity of racism.
by ( Book )
48 editions published between and 2009 in 4 languages and held by 726 libraries worldwide
A concise, synoptic work which subtly interweaves the artistic and ideological qualities of Wagner's music, provides musicological analyses of his scores and compositional techniques, and offers incisive reflections on Wagner's social character and the ideological impulses of his artistic activity.
by ( Book )
24 editions published between and 2004 in 4 languages and held by 632 libraries worldwide
A collection of key articles on the irrational in mass culture, relevant to the understanding of phenomena such as astrology and New Age cults, the power of neo-fascist propaganda and the psychological basis of popular culture.
by ( Book )
596 editions published between and 2008 in 4 languages and held by 320 libraries worldwide
 
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Alternative Names

controlled identity Pseud. Zwieback, Castor 1903-1969

Adorno.
Adorno, T. W.
Adôrnô, T. W. 1903-1969
Adorno, Teodor 1903-1969
Adorno, Teodor V., 1903-1969
Adorno, Teodors V. 1903-1969
Adorno, Th. W.
Adorno, Th. W. 1903-1969
Adorno, Theodor.
Adorno, Theodor, 1903-1969
Adorno, Theodor 1903-1969 Baker (8. ed.)
Adorno, Theodor W.
Adorno, Theodor W.- 1903-1969
Adorno, Theodor W. (Theodor Wiesengrund), 1903-1969
Adorno, Theodor Wiesen Grund, 1903-1969
Adorno, Theodor Wiesengrund
Adorno, Theodor Wiesengrund- 1903-1969
Adorno, Theodor Wiesengrund 1903-1969 vollständigere Namensform
Adorŭno, 1903-1969
Adorŭno, T. W. 1903-1969
Adorŭno, T'eodorŭ 1903-1969
Adoruno, Teodōru W. 1903-1969
Antorno, Teontor
Antorno, Theodor W., 1903-1969
Bauchschleifer, Archibald 1903-1969
Pseud. Rottweiler, Hektor 1903-1969
Theodor W. Adorno 1903-1969
W.-Adorno, Theodor 1903-1969
Wiesengrund-Adorno, Theodor
Wiesengrund-Adorno, Theodor, 1903-1969
Wiesengrund-Adorno, Theodor Ludwig 1903-1969
Wiesengrund, Teddie 1903-1969
Wiesengrund, Theodor
Wiesengrund, Theodor, 1903-1969
אדורנו, ת. ו.
אדורנו, תאודור
テオドール・W.アドルノ, 1903-1969
אדורנו, ת. ו
テオドール・W.アドルノ
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