Duchamp, Marcel 1887-1968Overview
Publication Timeline
Most widely held works about
Marcel Duchamp
more
fewer
Most widely held works by
Marcel Duchamp
Marcel Duchamp
by Anne D'Harnoncourt
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Book
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9 editions published between 1973 and 1989 in English and Undetermined and held by 1,494 libraries worldwide
Dialogues with Marcel Duchamp
by Pierre Cabanne
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Book
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34 editions published between 1967 and 2001 in 5 languages and held by 1,192 libraries worldwide
Unpacking Duchamp : art in transit
by Dalia Judovitz
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Book
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23 editions published between 1995 and 2000 in 3 languages and held by 1,189 libraries worldwide Perhaps no twentieth-century artist utilized puns and linguistic ambiguity with greater effect - and greater controversy - than Marcel Duchamp. Through a careful "unpacking" of his major works, Dalia Judovitz finds that Duchamp may well have the last laugh. She examines how he interpreted notions of mechanical reproduction in order to redefine the meaning and value of the art object, the artist, and artistic production. Judovitz begins with Duchamp's supposed abandonment of painting and his subsequent return to works that mimic art without being readily classifiable as such. Her book questions his paradoxical renouncing of pictorial and artistic conventions while continuing to evoke and speculatively draw upon them. She offers insightful analyses of his major works, including The Large Glass, Fountain, and Given: 1) the waterfall, 2) the illuminating gas.
The complete works of Marcel Duchamp
by Arturo Schwarz
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Book
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35 editions published between 1969 and 2001 in English and held by 1,113 libraries worldwide
Marcel Duchamp
by Marcel Duchamp
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Book
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227 editions published between 1957 and 2009 in 14 languages and held by 913 libraries worldwide Alice Bellony's interview with Marcel Duchamp in the spring of 1963, an earlier version of which was published in the Gazette de Lausanne, May 4-5, 1963.
Salt seller; the writings of Marcel Duchamp
by Marcel Duchamp
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Book
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41 editions published between 1958 and 1996 in 3 languages and held by 854 libraries worldwide
Marcel Duchamp
by Dawn Ades
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Book
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4 editions published in 1999 in English and held by 835 libraries worldwide
Marcel Duchamp : work and life
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Book
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8 editions published in 1993 in English and held by 808 libraries worldwide
Marcel Duchamp : the art of making art in the age of mechanical reproduction
by Francis M Naumann
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Book
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8 editions published in 1999 in English and held by 735 libraries worldwide Examines how appropriation and replication were essential to Duchamp's art and disscusses the significance of the many replicas that he created or authorized.
Duchamp
by Marcel Duchamp
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Book
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31 editions published between 1966 and 2005 in 7 languages and held by 678 libraries worldwide One of the most controversial and enigmatic artists of the twentieth century, Marcel Duchamp (1887-1968) fundamentally altered our way of looking at and understanding art. Associated in his early years with several avant-garde groups, notably the Cubists and Surrealists, Duchamp became most famous as the archetypal artist of the radical Dada movement. Duchamp's art illustrates his conviction that painting, as it had been previously understood, was mere representation; it.
Avant-garde experimental cinema of the 1920s and '30s
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Visual
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3 editions published in 2005 in English and held by 646 libraries worldwide Originally produced as individual silent motion pictures in France, the Netherlands, Germany, and the United States, these twenty-five short films epitomize the avant garde movement of the 1920's and 1930's. The films are drawn from the collection assembled by Raymond Rohauer, one of the nation's foremost proponents of experimental cinema, founder of the Hollywood Film Society, and longtime programmer at the Coronet Theatre in Los Angeles. Rohauer helped preserve and promote avant-garde cinema, and these films from his personal archive are some of the most influential and eclectic short films made during the 20th Century.
Marcel Duchamp, the bachelor stripped bare : a biography
by Alice Goldfarb Marquis
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Book
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4 editions published in 2002 in English and held by 546 libraries worldwide "Marcel Duchamp: The Bachelor Stripped Bare is not the first full-length biography of Duchamp, but it is the first to present him in all his human contradictions and to take a refreshingly objective look at his real contribution to twentieth-century art. The well-known facts are explored here: Duchamp's myriad personal relations (with family, lovers, collectors, and artists ranging from Man Ray, Picabia, and Breton to the Stettheimer sisters and the Arensbergs); the creation of major works such as the "readymades" and the Large Glass; his passion for chess and presumed abandonment of painting. But beyond this, Alice Goldfarb Marquis looks past the diffident, humorous mask that Duchamp wore with friend and acquaintance alike, to explore the passions and insecurities that motivated many of his artistic and personal evolutions. And she separates the artist from the con artist, to determine just how profound an influence Duchamp has been."--BOOK JACKET.
Joseph Cornell/Marcel Duchamp --in resonance
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Book
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20 editions published between 1998 and 1999 in English and German and held by 522 libraries worldwide "This book chronicles the friendship and working relationship between Marcel Duchamp (1887-1968) and Joseph Cornell (1903-1972), two of the twentieth century's most innovative and influential artists. Joseph Cornell/Marcel Duchamp...in resonance publishes for the first time the Duchamp Dossier (c. 1942-53) - a hitherto publicly unknown collection compiled by Cornell and discovered in the artist's estate following his death in 1972. The small objects, typed and handwritten notes, and ephemera found within the Duchamp Dossier provide an absorbing record of the interchange between these two artists, which included Cornell's assisting Duchamp on the assembly of his edition de ou par Marcel Duchamp ou Rrose Selavy (commonly referred to as the Boite-en-valise)."--BOOK JACKET. "Both artists were intrigued by the connection between art and the found object, and they shared a fascination with replicated images and the processes of reproduction. They had parallel interests in optical devices, ephemeral mediums (such as glass, dust, and paper), filmmaking, and graphic design. The book focuses in depth on Duchamp's box editions and Cornell's often neglected "explorations," arranged files of printed matter, notes, and ephemera related to individuals or specific themes."--BOOK JACKET.
Debating American modernism : Stieglitz, Duchamp, and the New York avant-garde
by Debra Bricker Balken
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Book
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7 editions published in 2003 in English and held by 458 libraries worldwide "From the crossfire between Marcel Duchamp and Alfred Stieglitz and their respective circles there emerged what Debra Bricker Balken calls "a critical reformulation of modernism, one that imprinted the direction of subsequent American art." Balken traces the fascinating threads of the debate between Duchamp and Stieglitz and their respective camps through the 1910s and '20s, and also addresses the sexualized imagery that appears in nearly all of these artists' works, a phenomenon that ironically unifies the two seemingly opposed factions. Jay Bochner provides an absorbing analysis of the artists' respective violations of American expectations about art." "Debating American Modernism includes reproductions of work by artists from both factions, from Arthur Dove, Georgia O'Keeffe, and Paul Strand to Man Ray, Francis Picabia, and Marsden Hartley, as well as by a group who melded the concerns of each, among them, Charles Demuth, Charles Sheeler, John Storrs, and Stuart Davis."--BOOK JACKET.
Notes and projects for the Large Glass
by Marcel Duchamp
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Book
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8 editions published in 1969 in English and German and held by 455 libraries worldwide
The bride stripped bare by her bachelors, even
by Marcel Duchamp
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Book
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40 editions published between 1934 and 2002 in 5 languages and held by 417 libraries worldwide Huile, vernis, fil et feuille de plomb, poussière sur verre ; 1915-1923 ; 277,5 x 175,8 cm.
Marcel Duchamp, notes
by Marcel Duchamp
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Book
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27 editions published between 1980 and 2008 in 4 languages and held by 411 libraries worldwide Notes, dont quelques-unes sont reproduites en fac-similé, de l'inventeur du ready-made, des réflexions sur l'art et la culture contemporains.
Drawing on art : Duchamp and company
by Dalia Judovitz
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Book
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7 editions published in 2010 in English and held by 410 libraries worldwide This volume explores the central importance of appropriation, collaboration, influence, and play in French artist Marcel Duchamp's (1887-1968) work -- and in Dada and Surrealism in general -- to show how the concept of art itself became the critical fuel and springboard for questioning art's fundamental premises. Duchamp was a French artist whose work is most often associated with the Dadaist and Surrealist movements. The author maintains that rather than simply negating art, Duchamp's readymades (Duchamp's "readymades" are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art") and later works, including films and conceptual pieces, demonstrating the impossibility of defining art in the first place. Through his readymades, Duchamp explicitly critiqued the commodification of art and inaugurated a profound shift from valuing art for its visual appearance to understanding the significance of its mode of public presentation.
New York Dada: Duchamp, Man Ray, Picabia ; Städt. Galerie im Lenbachhaus, München, 15. Dez. 1973-27. Jan. 1974; Kunsthalle Tübingen, 9. März 1974-28. April 1974
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Book
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2 editions published in 1973 in English and held by 312 libraries worldwide
Manual of instructions for Marcel Duchamp Etant donnés : 1 ̊la chute d'eau, 2 ̊le gaz d'éclairage
by Marcel Duchamp
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Book
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4 editions published between 1987 and 2009 in French and English and held by 201 libraries worldwide more
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Audience Level
 Related Identities
Associated Subjects
Aesthetics Aesthetics, Modern Appropriation (Art) Art Art, American Art, Modern Art and science Artists Art--Philosophy Art--Reproduction Arts, Modern Avant-garde (Aesthetics) Biography Bride stripped bare by her bachelors, even (Duchamp, Marcel) Cage, John Catalogs Cornell, Joseph Criticism, interpretation, etc. Cubism Dadaism Dalí, Salvador,--1904-1989 Duchamp, Marcel,--1887-1968 Duchamp-Villon, Raymond,--1876-1918 Etant donnés (Duchamp, Marcel) Exhibition catalogs Experimental films France Friendship History Influence (Literary, artistic, etc.) Installations (Art) Interviews Man Ray,--1890-1976 Modernism (Art) Motion pictures New York (State)--New York Painters Philadelphia Museum of Art Philosophy Picabia, Francis,--1879-1953 Picasso, Pablo,--1881-1973 Postmodernism Rauschenberg, Robert,--1925-2008 Records and correspondence Stieglitz, Alfred,--1864-1946 Stieglitz Circle (Group of artists) Surrealism Tinguely, Jean,--1925-1991 United States Villon, Jacques,--1875-1963
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Alternative Names
Duchamp, H. R. M. (Henri Robert Marcel), 1887-1968
Duchamp, Henri-Robert-Marcel 1887-1968
Duchamp, Marcel
Duchamp-Villon, Marcel.
Duchamp-Villon, Marcel, 1887-1968
Dushan, Marsel, 1887-1968
Duxiang, 1887-1968
Dyutsuyan, Maruseru 1887-1968
Marcel Duchamp 1887-1968
Pseud. Sélavy, Rrose 1887-1968
Rrose Sélavy, 1887-1968
Sélavy, Rose
Sélavy, Rose 1887-1968
Sélavy, Rrose.
Sélavy, Rrose, 1887-1968
Villon, Marcel Duchamp-.
Villon, Marcel Duchamp-, 1887-1968
דושאן, מרסל
דושאן, מרסל 1887-1968
デユシヤンマルセル, 1887-1968 דושאן, מרסל陈君 マルセル・デュシャン Languages
English
(2,007)
French (851) German (309) Undetermined (195) Italian (159) No Linguistic content (150) Spanish (110) Japanese (75) Chinese (21) Dutch (21) Multiple languages (20) Portuguese (19) Hebrew (17) Swedish (14) Catalan (13) Polish (9) Czech (9) Romanian (5) Hungarian (5) Slovenian (3) Vietnamese (2) Persian (2) Korean (2) Danish (2) Serbian (2) (1) Provenal (1) more
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