WorldCat Identities

Ameling, Elly

Overview
Works: 1,014 works in 2,177 publications in 15 languages and 19,246 library holdings
Roles: Performer, Vocalist, Singer, Proofreader, per
Classifications: m1620, 784.3
Publication Timeline
Key
Publications about Elly Ameling Publications about Elly Ameling
Publications by Elly Ameling Publications by Elly Ameling
Most widely held works about Elly Ameling
 
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Most widely held works by Elly Ameling
by ( Recording )
12 editions published between and 1992 in 4 languages and held by 476 libraries worldwide
by ( Recording )
10 editions published between and 1991 in French and held by 432 libraries worldwide
by ( Recording )
32 editions published between and 2009 in 4 languages and held by 407 libraries worldwide
by ( Recording )
62 editions published between and 2009 in 5 languages and held by 376 libraries worldwide
by ( Recording )
46 editions published between and 1999 in 5 languages and held by 361 libraries worldwide
Based on the first London performance of March 23rd, 1743.
by ( Recording )
26 editions published between and 2004 in 4 languages and held by 348 libraries worldwide
by ( Recording )
2 editions published in in French and held by 346 libraries worldwide
by ( Recording )
27 editions published between and 1999 in 5 languages and held by 308 libraries worldwide
by ( Recording )
22 editions published between and 2009 in 3 languages and held by 281 libraries worldwide
by ( Recording )
15 editions published between and 2003 in 3 languages and held by 263 libraries worldwide
by ( Recording )
48 editions published between and 9999 in 4 languages and held by 249 libraries worldwide
Although Bach wrote four (or five) settings of the Passions only two have survived; the St. Matthew Passion (Matthäus-Passion) and the St John Passion. The St. Matthew Passion was probably first performed on Good Friday (11 April) 1727 in the Thomaskirche in Leipzig, where Bach was the Kantor of the School and Directoris Chori musici of Leipzig. He revised it by 1736, performing it again on 30 March 1736, this time including two organs in the instrumentation. He further revised and performed it again on 24 March 1742. Considered to be one of the greatest pieces of sacred music in Western music, it has been recorded many times, and this version, recorded in July 1964 has remained one of the reference recordings of the work, not least for the inclusion of Fritz Wunderlich as performer of the tenor arias, as well as the rest of the supreme vocal cast which includes Pears, Prey, Ameling and Krause. Booklet notes are by the producer of this recording, the great Ray Minshull, and full texts, together with a new English translation are included.
by ( Recording )
23 editions published between and 1995 in 4 languages and held by 243 libraries worldwide
by ( Recording )
9 editions published in in 3 languages and held by 237 libraries worldwide
by ( Recording )
5 editions published between and 2004 in 3 languages and held by 233 libraries worldwide
by ( Recording )
11 editions published between and 1985 in German and English and held by 222 libraries worldwide
by ( Recording )
16 editions published between and 1993 in German and English and held by 205 libraries worldwide
by ( Recording )
24 editions published between and 1994 in 5 languages and held by 199 libraries worldwide
by ( Recording )
17 editions published between and 1994 in 3 languages and held by 195 libraries worldwide
by ( Recording )
16 editions published between and 1994 in 3 languages and held by 191 libraries worldwide
by ( Recording )
4 editions published in in German and held by 18 libraries worldwide
 
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Audience Level
0
Audience Level
1
  Kids General Special  
Audience level: 0.68 (from 0.59 for Messiah ... to 0.77 for Requiem ...)
Mélodies. Vol. I
Alternative Names
Ameling, E. 1934-
Ameling, Elisabeth Sara
Ameling, Elisabeth Sara, 1933-
Ameling, Elisabeth Sara 1934-
Ameling, Elli 1934-
Languages
Covers