WorldCat Identities

Hayley, Barbara

Overview
Works: 37 works in 104 publications in 2 languages and 1,132 library holdings
Genres: Fiction  Domestic fiction  Romance fiction  Bildungsromans  Novels  Drama  History  Criticism, interpretation, etc  Bibliography  Theatrical adaptations 
Roles: Author, Editor, Interviewer, Other, Dancer
Classifications: PR4034, 823.7
Publication Timeline
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Most widely held works about Barbara Hayley
 
Most widely held works by Barbara Hayley
Carleton's Traits and stories and the 19th century Anglo-Irish tradition by Barbara Hayley( Book )

9 editions published between 1982 and 1983 in English and held by 263 WorldCat member libraries worldwide

Ireland and France, a bountiful friendship : literature, history, and ideas : essays in honor of Patrick Rafroidi( Book )

12 editions published between 1991 and 1992 in English and held by 197 WorldCat member libraries worldwide

A bibliography of the writings of William Carleton by Barbara Hayley( Book )

6 editions published in 1985 in English and held by 154 WorldCat member libraries worldwide

Three hundred years of Irish periodicals by Barbara Hayley( Book )

10 editions published in 1987 in English and held by 147 WorldCat member libraries worldwide

An invaluable collection of Irish Periodicals edited by Barbara Hayley and Enda McKay
Jane Austen, Mansfield Park by Barbara Hayley( Book )

8 editions published between 1983 and 1992 in English and held by 75 WorldCat member libraries worldwide

Samuel Ferguson : a centenary tribute( Book )

4 editions published between 1987 and 1988 in English and held by 64 WorldCat member libraries worldwide

Jane Austen : Emma by Barbara Hayley( Book )

10 editions published between 1981 and 1991 in English and held by 43 WorldCat member libraries worldwide

Emma : notes by Barbara Hayley( Book )

1 edition published in 1981 in English and held by 29 WorldCat member libraries worldwide

Juno and the paycock : notes by Barbara Hayley( Book )

6 editions published between 1981 and 1993 in English and held by 25 WorldCat member libraries worldwide

Sean O'Casey Juno and the paycock by Barbara Hayley( Book )

7 editions published between 1981 and 1998 in English and held by 23 WorldCat member libraries worldwide

Gavin Maxwell, Ring of bright water : notes by Barbara Hayley( Book )

2 editions published in 1986 in English and held by 15 WorldCat member libraries worldwide

Studies on the contemporary Irish theatre : actes du colloque de Caen (11-12 janvier 1991)( )

in English and held by 13 WorldCat member libraries worldwide

Ce livre commence par l'un des plus illustres représentants du théâtre contemporain irlandais, Brian Friel, chez qui Nicholas Grene explore différents modes de vérité à travers une analyse de quelques-unes de ses plus grandes pièces comme The Freedom of the City, Faith Healer ou Dancing at Lughnasa. Terence Brown étudie le rôle de la musique dans le théâtre de Stewart Parker, sa vision de Belfast, la ville natale, qui s'élargit à l'histoire de la province et à celle de l'Irlande. Lynda Henderson souligne les relations problématiques qui, dans les premières pièces de Tom Murphy, relient le monde intérieur et le monde extérieur jusqu'au moment où, à partir de The Gigli Concert, le premier l'emporte clairement. L'abnégation est, dans le théâtre de Thomas Kilroy, nous explique Barbara Hayley, le seul moyen qui permette à certaines personnalités de s'affirmer. Quant aux thèmes de l'œuvre de Frank McGuinness, ce sont, selon le dramaturge lui-même, perte, désespoir, échec, violence, damnation, Heaney, The Cure at Troy, donne lieu de la part de Colin Meir à un compte rendu de la représentation au Lyric Players Theatre de Belfast en octobre 1990, suivi d'une analyse du texte. Christopher Murray choisit enfin d'étudier les thèmes de dramaturges moins célèbres, pour la plupart des jeunes, qui seront peut-être les grands noms de demain. Ainsi cet ouvrage nous offre un large panorama de la production théâtrale dans l'Irlande contemporaine
Juno and the Paycock, By Sean o'Casey : Ill. : Bib. by Barbara Hayley( Book )

1 edition published in 1996 in English and held by 13 WorldCat member libraries worldwide

Mansfield Park by Jane Austen( Book )

2 editions published between 1989 and 1991 in Undetermined and English and held by 8 WorldCat member libraries worldwide

When a poor cousin, Fannie Price, comes to live at the estate of the sophisticated Bertram family, she suffers from the condescension of her haughty relatives and from the hopeless love she bears for their youngest son. Life becomes even more complicated when she is forced into a rivalry with a charming and vivacious newcomer. Fannie will have to question her most cherished beliefs about herself and her world as she struggles to make a home for herself. Displaying Austen's characteristic irony and perception, Mansfield Park delivers a scathing attack on social conventions that earned it a reputation as her most controversial novel
Traits and stories of the Irish peasantry by William Carleton( Book )

2 editions published in 1990 in English and held by 4 WorldCat member libraries worldwide

Traits and stories of the Irish peasantry by William Carleton( Book )

1 edition published in 1990 in English and held by 4 WorldCat member libraries worldwide

Juno and the paycock : Sean O'Casey : notes by Barbara Hayley( Book )

1 edition published in 1999 in English and held by 2 WorldCat member libraries worldwide

Ai ma = Emma by Barbara Hayley( Book )

2 editions published in 1998 in Chinese and English and held by 2 WorldCat member libraries worldwide

Phyllis Lamhut interview : Oral History Interview( Visual )

1 edition published in 1996 in English and held by 1 WorldCat member library worldwide

[Video 1] Phyllis Lamhut discusses her childhood in Brooklyn, N.Y., early aspirations and experiences in dance, she tells an anecdote about her first meeting with Alwin Nikolais, she discusses the transference of the Henry Street Playhouse's dance directorship from Hanya Holm to Nikolais, her developing a commitment to become a professional dancer and her class schedule, she recalls details of Nikolais' classes, teachings, choreography and his continuation of Holm's dance lineage, she discusses Nikolais' approaches as a choreographer, his choice to not dance in his own works, how the school and Nikolais encouraged and facilitated training in composition and improvisation, she discusses her experiences (as a 16 year old dancer) in the Nikolais dance, Extrados (1949). [28:27 screen black to 29:10, begin Video 2], Lamhut briefly discusses her own early dance compositions, their development through classes at the Henry St. School, and their subject matter, her personal life at that time, she speaks about Nikolais' contributions to the performances given by the school's young choreographers, performing in the Nikolais Dance, Masks, props and mobiles (1953), and the use of improvisation, responding to a question about the thrust of Nikolais' work, she discusses his many talents including as a lighting designer, his philosophical vision of a "total theater" and his creation of immediacy through theatrical experiences, she disputed the Doris Hering review (1953) of the company that describes Nikolais' work as dehumanizing, she mentions the opinions of other reviewers including Louis Horst and John Martin, she discusses the early development of the company's reputation, she briefly recalls Nikolais' dances, including Kaleidoscipe (1953) and Tent (1969), how Nikolais utilized his multi-faceted creative talents and developed costume/props for dances such as these, she describes her own movement tendencies and style in comparison to other company dancers at that time, she further discusses Nikolais' choreographic philosophies and her translation of them as a dancer; she speaks about the transition into starting her own company in 1969, and her dance, Extended voices (1970). [57:26 black screen, 57:29 resumes, Begin Video 3], Lamhut continues to discuss her own company's early formation and briefly describes several dances from this time, Field of view (1971) and House (1971), she describes her own choreographic process in determining the movement theme of a work, and the structural choices that follow, she discusses the impact of Nikolais' ideas and teachings on her choreography, she gives a brief overview of her early company career including funding sources and frequency of new works, she describes a shift in approach through her dance, Mirage blanc (1979), and briefly describes the way the dance community, in her opinion misinterpreted her dance, Passing (1980), she briefly describes several dances and her collaborators from the early 1980's including the dances Collapsing spaces and tilting times (1984), For spirits and kings (1983), performed at the Joyce Theatre, N.Y., she names dancers whom have danced in her works, she speaks about her changing economic strategies and the impact of a recent fellowship award, she discusses how aging and maturity currently influence her choreography, and how to stay current as an artist. [1:24;11 black screen, 1:24:18 resumes, Begin Video 4] Lamhut discusses the social subject matter in some of her choreography from 1985-1996, including themes relating to the Weimar period in Germany, the re-election of Ronald Regan, the Cold War, and AIDS, she specifies these themes in her dances Utopia, Collapsing spaces, tilting times, and Man (1989), she tells a brief anecdote about the maturity of Eleo Pomare as a dancer in the dance, Man, she briefly discusses her 20th anniversary as a choreographer and setting her work, Cavatina (1990) on the Jose Limon Dance Company as the beginning of her association with them, she briefly describes the themes in her dance, Cleave (1991) that responds to the fall of the Berlin Wall, she briefly discusses her dance Fantomes (1994) set on the Juilliard dancers, she again discusses her earlier work and themes, including the dance Disclinations (1983) and working with Rob O'Neill, she again discusses the various influences of Nikolais, she recalls the Henry St. Playhouse space prior to renovations, she tells an anecdote about the Nikolais costume designer Helena Lapchuck, [as Lamhut gets emotional, she asks to pause the tape at 1:43:32, resumes 1:43:47], Lamhut continues to discuss her good fortune to have worked with Nikolais and the company, she describes the lower east side, New York, as she remembers it from her early years, changes in the area since, and some of the people she remembers and that influenced her over the years
Studies on the contemporary Irish theatre : actes du colloque de Caen, 11-12 janvier 1991 by Terence Brown( )

1 edition published in 2012 in English and held by 0 WorldCat member libraries worldwide

Ce livre commence par l'un des plus illustres représentants du théâtre contemporain irlandais, Brian Friel, chez qui Nicholas Grene explore différents modes de vérité à travers une analyse de quelques-unes de ses plus grandes pièces comme The Freedom of the City, Faith Healer ou Dancing at Lughnasa. Terence Brown étudie le rôle de la musique dans le théâtre de Stewart Parker, sa vision de Belfast, la ville natale, qui s'élargit à l'histoire de la province et à celle de l'Irlande. Lynda Henderson souligne les relations problématiques qui, dans les premières pièces de Tom Murphy, relient le monde intérieur et le monde extérieur jusqu'au moment où, à partir de The Gigli Concert, le premier l'emporte clairement. L'abnégation est, dans le théâtre de Thomas Kilroy, nous explique Barbara Hayley, le seul moyen qui permette à certaines personnalités de s'affirmer. Quant aux thèmes de l'œuvre de Frank McGuinness, ce sont, selon le dramaturge lui-même, perte, désespoir, échec, violence, damnation, Heaney, The Cure at Troy, donne lieu de la part de Colin Meir à un compte rendu de la représentation au Lyric Players Theatre de Belfast en octobre 1990, suivi d'une analyse du texte. Christopher Murray choisit enfin d'étudier les thèmes de dramaturges moins célèbres, pour la plupart des jeunes, qui seront peut-être les grands noms de demain. Ainsi cet ouvrage nous offre un large panorama de la production théâtrale dans l'Irlande contemporaine
 
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Carleton's Traits and stories and the 19th century Anglo-Irish tradition
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Ireland and France, a bountiful friendship : literature, history, and ideas : essays in honor of Patrick RafroidiA bibliography of the writings of William CarletonTraits and stories of the Irish peasantryTraits and stories of the Irish peasantry