WorldCat Identities

Palisca, Claude V.

Overview
Works: 298 works in 887 publications in 13 languages and 24,891 library holdings
Genres: Criticism, interpretation, etc  History  Instrumental music  Vocal music 
Roles: Author, Editor, Translator, Author of introduction, Contributor, Compiler, Bibliographic antecedent, ed, Dedicator
Classifications: ML160, 780.9
Publication Timeline
Key
Publications about  Claude V Palisca Publications about Claude V Palisca
Publications by  Claude V Palisca Publications by Claude V Palisca
posthumous Publications by Claude V Palisca, published posthumously.
Most widely held works about Claude V Palisca
 
Most widely held works by Claude V Palisca
A history of Western music by Donald Jay Grout ( Book )
108 editions published between 1980 and 2014 in 7 languages and held by 5,611 WorldCat member libraries worldwide
History and criticism of western music with chronologies and bibliographies following each chapter
Norton anthology of western music ( )
39 editions published between 1980 and 2014 in 5 languages and held by 3,552 WorldCat member libraries worldwide
A collection of musical scores, with brief commentaries, illustrating every significant trend and genre of Western classical music, from the classic era through the 20th century
Baroque music by Claude V Palisca ( Book )
34 editions published between 1968 and 2000 in 5 languages and held by 2,860 WorldCat member libraries worldwide
This book invites the reader to study with ear and eye some typical examples of the music of the baroque period. Is is not a comprehensive survey or a gallery of the most famous composers and their works. Certain important figures are hardly named, while others lesser known are treated at length, and this goes also for the various categories of composition. The emphasis is upon giving the reader an entry into the most significant manners of composition through concrete examples. The reader will gain a method of approaching the principle styles and genres, keys to intimate understanding and further exploration. The approach to analysis is based as much as possible on criteria and terminology common in the baroque period. -- from Preface
Musicology by Frank Ll Harrison ( Book )
20 editions published between 1963 and 1974 in English and Undetermined and held by 1,169 WorldCat member libraries worldwide
Humanism in Italian Renaissance musical thought by Claude V Palisca ( Book )
11 editions published between 1985 and 1990 in English and Undetermined and held by 839 WorldCat member libraries worldwide
Music and ideas in the sixteenth and seventeenth centuries by Claude V Palisca ( Book )
10 editions published in 2006 in English and held by 782 WorldCat member libraries worldwide
"Music and Ideas in the Sixteenth and Seventeenth Centuries shows Claude V. Palisca - one of the preeminent musicologists of our time - at the height of his powers, discussing the relationships between musical style and intellectual history, the influence of humanism on the revival of music theory, the competing notions of style, and the intermingled effects of rhetoric, poetics, religion, and science. Palisca's discussions demonstrate how this period's musical thought was penetrated by many aspects of culture, including religious reform, secularization, the emergence of vernacular literature, documentary historiography, the rise and decline of neo-Platonism, Aristotelian poetics, the scientific movement, the revival of rhetoric, and openness of emotional experience
The art of counterpoint : part three of Le istitutioni harmoniche, 1558 by Gioseffo Zarlino ( Book )
11 editions published between 1968 and 2011 in English and held by 735 WorldCat member libraries worldwide
"Zarlino's Le Istitutioni harmoniche, published in 1558, is one of the most influential music treatises of all time. To his contemporaries it revealed the secrets of composition he had learned from Adrian Willaert, who brought to Italy the polyphonic art of the Netherlands. To the modern scholar Zarlino's treatise illumines as does no other of its time the compositional technique of the golden age of vocal polyphony. The essence of this art is contained in Part III, "The Art of Counterpoint," which is translated here for the first time. Zarlino's instructions became the basis for counterpoint teaching for two centuries before they were obscured by the neo-Palestrinian method of Johann Joseph Fux. In the past fifty years, with the revival of the music of Zarlino's age, scholars have returned to the purity of his rules. The Art of Counterpoint ranges over every aspect of composition in the strict sixteenth-century style. Zarlino defines the nature of the consonances and dissonances and their usage. He considers the motion of parts, parallel and contrary; he defines and describes note-against-note and diminished counterpoint for two voices written both on plain chant subjects and on rhythmically varied subjects."--Publisher's description
The Florentine Camerata : documentary studies and translations by Claude V Palisca ( Book )
8 editions published in 1989 in 3 languages and held by 663 WorldCat member libraries worldwide
Hucbald, Guido, and John on music : three medieval treatises by Guido Hucbald ( Book )
11 editions published between 1977 and 1995 in English and Undetermined and held by 572 WorldCat member libraries worldwide
Norton recorded anthology of western music ( Recording )
26 editions published between 1996 and 2014 in 6 languages and held by 563 WorldCat member libraries worldwide
Fundamentals of music by Boethius ( Book )
5 editions published in 1989 in English and held by 551 WorldCat member libraries worldwide
15th-century copy of a Latin treatise on the Pythagorean-based theory of ancient Greek music, in which the text reflects an older (10th-century) tradition and the numerous diagrams related to ratio and pitch demonstrate later developments in the tradition
Musicology in the 1980s : methods, goals, opportunities ( Book )
9 editions published in 1982 in English and held by 479 WorldCat member libraries worldwide
Musicology I: Current methodology, opportunities and limitations, Musicology II: The Musicologist today and in the future
Ancient music adapted to modern practice by Nicola Vicentino ( Book )
7 editions published in 1996 in English and held by 479 WorldCat member libraries worldwide
First published in Rome in 1555, Nicola Vicentino's treatise was one of the most influential music theory texts of the sixteenth century. This translation by Maria Rika Maniates is the first English-language edition of Vicentino's important work. Unlike most early theorists, Vicentino did not simply summarize the practice of his time. His aim was to change how composers wrote and how musicians thought about music
On the modes : part four of Le istitutioni harmoniche, 1558 by Gioseffo Zarlino ( Book )
3 editions published in 1983 in English and French and held by 479 WorldCat member libraries worldwide
Studies in the history of Italian music and music theory by Claude V Palisca ( Book )
10 editions published between 1994 and 2001 in English and held by 450 WorldCat member libraries worldwide
The book is in two parts: studies on the History of Italian Music Theory and studies in the History of Italian Music. The thread that runs through the book is the interaction between music theory and practice and between the humanist revival of antiquity and modern ideals of expression in the decades around 1600, a time of transition between the Renaissance and Baroque
Dialogue on ancient and modern music by Vincenzo Galilei ( Book )
4 editions published in 2003 in English and held by 432 WorldCat member libraries worldwide
The treatise sheds new light on his importance, both as a musician who advocated a new philosophy of music history and theory based on an objective search for the truth, and as an experimental scientist who was one of the founders of modern acoustics."--BOOK JACKET
Musica enchiriadis ; and, Scolica enchiriadis ( Book )
9 editions published in 1995 in English and held by 417 WorldCat member libraries worldwide
This book provides the first complete English translation of two significant early music theory texts, the so-called Musica enchiriadis and its longer companion, the Scolica enchiriadis. Written in the late ninth century, both texts influenced many subsequent medieval authors. The two treatises are most famous for providing the earliest descriptions of organum, the oldest form of Western polyphony. They also include the oldest notated forms of many chant melodies, a more developed theory of the modes than found in Aurelian and other early theoretical writings, information about performance practice (including rhythm and the use of instruments), and numerous references to and quotations from a wide range of earlier authors, from Vergil through Augustine to Boethius. The treatises are introduced by an essay that places them in their historical context, showing their debt to earlier intellectual and musical traditions, their connection to then-current musical thought and practices, and their relationships to later writings on music
The theory of music by Franchinus Gaffurius ( Book )
4 editions published between 1993 and 2005 in English and held by 416 WorldCat member libraries worldwide
Norton anthology of western music by C Palisca ( Book )
46 editions published between 1980 and 2014 in 3 languages and held by 326 WorldCat member libraries worldwide
This comprehensive collection of 205 scores illustrates every significant trend and genre of Western music from antiquity to modern times. Highlights of the repertoire include new works from all periods: more contrasting virelais, ballades, and other chansons from the fourteenth through the sixteenth centuries; large-scale choral works, including Gabrieli's In ecclesiis, Lully's Te Deum, Haydn's Creation, and Prokofiev's Alexander Nevsky; more opera, including Norma, Les Huguenots, and Madama Butterfly; orchestral and chamber works by Schubert, Schumann, Brahms, Dvorák, and Tchaikovsky; and new twentieth-century works by Satie, Bartók, Milhaud, Prokofiev, Varèse, Hindemith, Cowell, Cage, Feldman, Stockhausen, Boulez, Berio, Reich, Adams, Ligeti, Schnittke, and Michael Daugherty
Musical humanism and its legacy : essays in honor of Claude V. Palisca by Nancy Kovaleff Baker ( Book )
5 editions published in 1992 in English and held by 305 WorldCat member libraries worldwide
 
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Alternative Names
Palisca Claude Victor 1921-2001
パリスカ, C. V
パリスカ, クロード・V
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