WorldCat Identities

Corn, Wanda M.

Overview
Works: 66 works in 153 publications in 2 languages and 7,848 library holdings
Genres: Exhibition catalogs  Criticism, interpretation, etc  History  Biography 
Roles: Author of introduction, Thesis advisor, Artist, Contributor
Classifications: ND237.W93, 759.13
Publication Timeline
Key
Publications about  Wanda M Corn Publications about Wanda M Corn
Publications by  Wanda M Corn Publications by Wanda M Corn
Most widely held works about Wanda M Corn
 
Most widely held works by Wanda M Corn
The art of Andrew Wyeth by Wanda M Corn ( Book )
15 editions published between 1973 and 1975 in English and Undetermined and held by 2,537 WorldCat member libraries worldwide
Grant Wood, the regionalist vision by Wanda M Corn ( Book )
9 editions published between 1983 and 1995 in English and held by 1,462 WorldCat member libraries worldwide
Catalogue of a traveling exhibition held at the Whitney Museum of American Art, New York, and other galleries
The great American thing : modern art and national identity, 1915-1935 by Wanda M Corn ( Book )
9 editions published between 1999 and 2001 in English and held by 999 WorldCat member libraries worldwide
The author "organizes each chapter around a single work of art, probing first its peculiar poetry, and then its contingent relationships to the history, literature, art criticism, music, and popular culture of the time."--Jacket
Like breath on glass : Whistler, Inness, and the art of painting softly by Marc Simpson ( Book )
8 editions published in 2008 in English and held by 781 WorldCat member libraries worldwide
Through an innovative manner of handling paint, a group of American artists around 1900 created deceptively simple canvases that convey images of shimmering transcience, visions suggested rather than delineated. Focusing on this singular aesthetic characteristic - softness - this book explores this painterly phenomenon
Grant Wood's studio : birthplace of American Gothic by Grant Wood ( Book )
7 editions published in 2005 in English and held by 766 WorldCat member libraries worldwide
From Library Journal: In 1930, painter Grant Wood (1891-1942) created American Gothic, the iconic image of a stolid Midwestern couple complete with three-pronged pitchfork. The Art Institute of Chicago exhibited and purchased the piece, catapulting Wood to national acclaim as a regionalist. In conjunction with the opening of Wood's studio at the Cedar Rapids Museum of Art in Iowa, guest curator Milosch (Smithsonian) presents a survey of Wood's artwork and four highly readable essays on the artist, his career, his connection to the Arts and Crafts movement, and his relationship to Modernism. Included is the bitter campaign against his carefully articulated and representational images and his alleged ties to National Socialism in Germany. Contributors include on-site curator Debra Foxley Leach and art historians Wanda M. Corn, James M. Dennis, and Joni L. Kinsey. Although many books on this artist have been published, especially those concentrating on the iconic painting, this book is recommended for libraries that need a broad and careful survey of Wood and his culture.-Ilene Skeen, Hunter Coll
Seeing Gertrude Stein : five stories by Wanda M Corn ( Book )
5 editions published in 2011 in English and held by 429 WorldCat member libraries worldwide
Gertrude Stein is justly famous for her modernist writings and her patronage of vanguard painters (most notably Matisse and Picasso) in Paris before the First World War. This work is the companion book to an exhibition of the same name, illuminates less familiar aspects of her life. The authors analyze the portraits for which Stein posed, the domestic settings she created with Alice B. Toklas, her partner, and the signature styles of dress the two women adopted. The authors also explore Stein's engagement with multiple art forms and the bonds she formed with younger artists. Focusing on portraits in a range of media, photo essays, press clippings, snapshots, clothing, furniture, and other visual artifacts, this study reveals Stein's sophistication in shaping her public image and cultural legacy. Illustrated throughout, these "five stories" represent Stein's life on a human scale while tracing her influence on a wide variety of visual artists of her own and subsequent generations
Women building history : public art at the 1893 Columbian Exposition by Wanda M Corn ( Book )
9 editions published between 2010 and 2011 in English and Undetermined and held by 411 WorldCat member libraries worldwide
This handsomely illustrated book is a welcome addition to the history of women during America's Gilded Age. Wanda M. Corn takes as her topic the grand neo-classical Woman's Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman's progress in education, arts, and sciences. Looking closely at the paintings and sculptures women artists made to decorate the structure, including the murals by Mary Cassatt and Mary MacMonnies, Corn uncovers an unspoken but consensual program to visualize a history of the female sex and promote an expansion of modern woman's opport
The color of mood: American tonalism, 1880-1910 by Wanda M Corn ( Book )
6 editions published in 1972 in English and held by 242 WorldCat member libraries worldwide
La famille Stein la fabrique de l'arte moderne ( Visual )
1 edition published in 2011 in French and held by 52 WorldCat member libraries worldwide
The Stein family, Americans of German origin, settled in Paris at the start of the 20th century. The family included Gertrude, an avant-garde writer, her brothers Leo and Michael, and Michael's wife Sarah. The Steins were the first to buy works by Matisse and Picasso. They opened up their homes to the artistic avant-garde movement and built an outstanding modern art collection
In the American grain : the billboard poetics of Charles Demuth by Wanda M Corn ( Book )
2 editions published in 1991 in English and held by 28 WorldCat member libraries worldwide
Women building history : public art of the 1893 Columbian Exposition by Wanda M Corn ( Book )
3 editions published between 2010 and 2011 in English and held by 15 WorldCat member libraries worldwide
The Olson house by Linda Connor ( Book )
1 edition published in 2012 in English and held by 11 WorldCat member libraries worldwide
The great American thing : modern art and national identity, 1915-1935 by Wanda M Corn ( Book )
1 edition published in 2005 in English and held by 11 WorldCat member libraries worldwide
La famille Stein La fabrique de l'art moderne by Elizabeth Lennard ( Visual )
1 edition published in 2011 in French and held by 10 WorldCat member libraries worldwide
Andrew Wyeth : the man, his art, and his audience by Wanda M Corn ( Book )
4 editions published between 1974 and 1985 in English and held by 7 WorldCat member libraries worldwide
The return of the native : the development of interest in American primitive painting by Wanda M Corn ( Book )
3 editions published between 1987 and 1988 in English and held by 5 WorldCat member libraries worldwide
The Loss of innocence Paris and New York in the early 20th century ( Visual )
2 editions published between 1998 and 2006 in English and held by 5 WorldCat member libraries worldwide
The International Exhibition of Modern Art of 1913 offered to the American public its introduction to the avant garde art of Europe. Informally called the Armory Show because it was held in a military armory, this exhibition attracted huge crowds encouraging a wide range of criticism and viewpoints. Critics labeled the Cubist works primitive and hard to understand, while there was grudging respect for the cleverness of the compositions and their intellectual control. The most radical American artist was John Sloan of the Ashcan School while, Marcel Duchamp's Nude Descending a Staircase became the key work of the exhibition
Paris: apres la guerre ( Visual )
2 editions published between 1998 and 2006 in English and held by 4 WorldCat member libraries worldwide
Avant garde art in Paris changed radically after World War I, with its horrors of trench warfare and poison gas. France suffered in a way that New York could not understand. There was a new kind of realism or classicim as art became more conservative and tied to traditions. Artists like Picasso and Matisse reverted to more traditional modes of painting and worked against their own innovations and experimentation. In this way they referred back to what was great in a nostalgic attempt to re-create the pre-war days
 
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Audience Level
0
Audience Level
1
  Kids General Special  
Audience level: 0.34 (from 0.00 for La famille ... to 0.96 for The Olson ...)
Languages
English (91)
French (2)
Covers