WorldCat Identities

Adderley, Cannonball

Publication Timeline
Most widely held works about Cannonball Adderley
moreShow More Titles
fewerShow Fewer Titles
Most widely held works by Cannonball Adderley
Kind of blue by Miles Davis( Recording )

151 editions published between 1959 and 2016 in 6 languages and held by 2,982 WorldCat member libraries worldwide

The DVD incorporates Columbia staff photographer Don Hunstein's black-and-white still photography of the studio sessions, the voice of Miles at the sessions, and excerpts of radio interviews with Evans and Adderley. There are interviews with David Amram, the late Ed Bradley, Ron Carter, Jimmy Cobb, Bill Cosby, Herbie Hancock (who demonstrates "So what" at he the piano), funk-rocker Me'Shell Ndegeocello, hip-hop's Q-Tip, Carlos Santana, John Scofield, Horace Silver, and many others. It also unearths the group's entire 26 minute in-session appearance on "Robert Herridge Theatre: The sound of Miles Davis, " a CBS television program recorded in 1959 and broadcast in 1960. The documentary was produced by Nell Mulderry, directed by Chris Lenz, edited by Paul Rachman, co-produced by Ashley Kahn, and written by Michael Cuscuna
Somethin' else by Cannonball Adderley( Recording )

136 editions published between 1958 and 2017 in 7 languages and held by 1,196 WorldCat member libraries worldwide

Una de las mejores grabaciones de la larga historia del jazz fue hecha cuando cinco de los mejores músicos de jazz, Miles Davis, Cannonball Adderly, Art Blakey, y los otros grandes, se reunieron para esta grabación. "Somethin' else" es una manera perfecta de introducir a una persona que nunca escuchó jazz, en el fantástico, complejo, mundo del jazz. Es un álbum que cada entusiasta del jazz DEBE tener en su colección
Milestones by Miles Davis( Recording )

70 editions published between 1958 and 2014 in 5 languages and held by 832 WorldCat member libraries worldwide

What is immediately noticeable upon listening to this delicately and superbly remastered version of Miles Davis classic first -- and only -- album with his original sextet is how deep the blues presence is on it. Though it is true that the album's title cut is rightfully credited with introducing modalism into jazz, and defining Davis' music for years to come, it is the sole selection of its kind on the record. The rest is all blues in any flavor you wish you call your own. For starters, there's the steaming bebop blues of "Dr. Jackie"--Recorded in 1955 for a Prestige session with Jackie McLean. Davis is still in his role as a trumpet master, showing a muscularity of tone that reveals something more akin to Roy Eldridge or Louis Armstrong than Dizzy or Fats Navarro. The tempo is furious as all the members of the sextet solo except for Jones. The saxophonists trade choruses and come off sounding like mirrored images of one another in the slower, post-bop blues that is "Sid's Ahead." With a slippery melody line that quotes two harmonic lines from early New Orleans-styled blues, Davis drives the band into the rhythm section's garage. It's Cannonball first with his stuttered, angular lines, hiccuping halfway through the interval before continuing on with a squeak here and the slightest squawk there. Next up is Davis, blowing fluid and straightened lines, ribbons through the rhythm section's center as Red Garland lays out and leaves it to Paul Chambers and Philly Joe Jones to provide the earnest, time-keeping 4/4 that Davis sidles to in the tune. When Coltrane solos, all best are off as he plays as pure a blues as he was capable at the time. Nonetheless, there are the long lines of slurred notes, smattered against Garland's harmonies and he slips into quoting "Skip to my Lou" before knotting it back down to the basics and even then not for long. Coltrane was already exploring the edges of mode and harmony; he used an intervallic invention in the choruses to juxtapose his solo against the rhythm section and it worked -- but it must have made Davis raise an eyebrow. Chambers' solo is as tasteful and as breezy and free as only he could be. His contrapuntal soloing rides the rhythm out, Garland striding along quietly until the tune returns
Know what I mean? by Cannonball Adderley( )

73 editions published between 1900 and 2014 in 5 languages and held by 629 WorldCat member libraries worldwide

Cannonball Adderley's soulful emoting combines with Bill Evans's equally passionate introspection for a sublime album that also feature the rhythm section from the Modern Jazz Quartet
Nancy Wilson/Cannonball Adderley by Nancy Wilson( Recording )

38 editions published between 1657 and 2015 in 4 languages and held by 489 WorldCat member libraries worldwide

Things are getting better by Cannonball Adderley( )

48 editions published between 1958 and 2014 in 4 languages and held by 475 WorldCat member libraries worldwide

Mercy, mercy, mercy by Cannonball Adderley( Recording )

26 editions published between 1966 and 2014 in 3 languages and held by 400 WorldCat member libraries worldwide

The Cannonball Adderley Quintet in San Francisco by Cannonball Adderley Quintet( Recording )

26 editions published between 1961 and 2007 in 3 languages and held by 378 WorldCat member libraries worldwide

Jazz : the Smithsonian anthology( Recording )

1 edition published in 2010 in English and held by 330 WorldCat member libraries worldwide

Kung Fu( Visual )

1 edition published in 2005 in English and held by 272 WorldCat member libraries worldwide

Kwai Chang Caine is a Shaolin monk who is on the run after he killed the Chinese Emperor's nephew. The nephew had killed Caine's teacher in cold blood with a gun, like a coward. Caine flees to America both to escape retaliation and to search for his brother in order to settle down in this new land. However, he can not help but continually run into trouble from gunfighters and others as they oppress the innocent, while bounty hunters pursue the price on his head. Against this, he has his Kung-fu martial arts skill which proves to be devastatingly effective in this gun-dominated land
Cannonball Adderley live in '63 by Cannonball Adderley( Visual )

9 editions published between 2007 and 2008 in 3 languages and held by 255 WorldCat member libraries worldwide

Performances featuring the sextet filmed for Swiss and West German television
Miles Davis & John Coltrane : the complete Columbia recordings, 1955-1961 by Miles Davis( Recording )

12 editions published between 2000 and 2004 in 3 languages and held by 249 WorldCat member libraries worldwide

What does your world sound like?( )

2 editions published in 2002 in Latin and held by 238 WorldCat member libraries worldwide

Phenix by Cannonball Adderley( )

14 editions published between 1975 and 2008 in 3 languages and held by 235 WorldCat member libraries worldwide

Latin jazz by Papo Lucca( Recording )

6 editions published between 1999 and 2007 in 3 languages and held by 234 WorldCat member libraries worldwide

Cannonball's bossa nova by Cannonball Adderley( Recording )

33 editions published between 1963 and 2014 in 6 languages and held by 229 WorldCat member libraries worldwide

Greatest hits by Cannonball Adderley( )

13 editions published between 1962 and 2008 in 3 languages and held by 229 WorldCat member libraries worldwide

Cannonball and Coltrane by Cannonball Adderley( Recording )

29 editions published between 1959 and 1999 in 5 languages and held by 222 WorldCat member libraries worldwide

Portrait of Cannonball by Cannonball Adderley Quintet( )

17 editions published between 1959 and 1991 in Undetermined and No Linguistic content and held by 220 WorldCat member libraries worldwide

In New York by Cannonball Adderley Sextet( )

18 editions published between 1962 and 2008 in 3 languages and held by 218 WorldCat member libraries worldwide

moreShow More Titles
fewerShow Fewer Titles
Audience Level
Audience Level
  Kids General Special  
Audience level: 0.37 (from 0.20 for Kung Fu ... to 0.91 for Fankī jaz ...)

WorldCat IdentitiesRelated Identities
Contemporary Black biography. profiles from the international Black communityContemporary musicians : profiles of the people in music
Alternative Names
Adderley, Cannonball

Adderley, Cannonball, 1928-1975

Adderley, Julian.

Adderley, Julian 1928-1975

Adderley, Julian C. 1928-1975

Adderley, Julian ‘Cannonball’

Adderley Julian "Cannonball" 1928-1975

Adderley, Julian E. 1928-1975

Adderley, Julian Edwin.

Adderley, Julian Edwin 1928-1975

Adderley, Julian Edwin 1938-1975

Adderly, Cannonball

Adderly, Cannonball, 1928-1975

Adderly, Julian

Adderly, Julian 1928-1975

Adderly, Julian C. 1928-1975

Adderly, Julian Cannonball 1928-1975

Adderly, Julian E. 1928-1975

Buckshot La Funke 1928-1975

Cannonball 1928-1975

Cannonball Adderley

Cannonball Adderley Amerikaans orkestleider (1928-1975)

Cannonball Adderley amerikai dzsesszzenész, szaxofonos

Cannonball Adderley amerikansk jazzsaxofonist

Cannonball Adderley amerykański saksofonista jazzowy

Cannonball Adderley Quintet, The

Cannonball Adderley saxofonista estadounidense de jazz

Cannonball Adderley US-amerikanischer Jazz-Saxophonist

Cannonball Adderly

Julian Adderley

Julian ‘Cannonball’ Adderley

Julian Cannonball Adderley sassofonista statunitense

Julian Cannonball Adderley saxophoniste alto de jazz américain

Julian Cannonball Adderly

Julian Edwin Adderley

Kenonbol Ederli

La Funke, Buckshot 1928-1975

Κάνονμπολ Άντερλι Αμερικανός τζαζ μουσικός

Кеннонболл Еддерлі американський джазовий саксофоніст

Кенонбол Едерли

Кенънбол Адърли

Эддерли, Кэннонболл

Քեննոնբոլ Էդդերլի ամերիկյան ջազ ալտո սաքսոֆոնիստ

קנונבול אדרלי

کننبال ادرلی

แคนนอนบอล แอดเดอร์ลีย์

캐넌볼 애덜리



English (198)

German (18)

Spanish (11)

French (3)

Japanese (2)

Latin (2)

Portuguese (1)

Dutch (1)