WorldCat Identities

Kinsey, Joni

Overview
Works: 22 works in 60 publications in 1 language and 3,158 library holdings
Genres: Art  Exhibition catalogs  Criticism, interpretation, etc  Pictorial works  Biography  Case studies  Surveys  History 
Roles: Author, Thesis advisor, Other
Classifications: N6797.M576, 760.092
Publication Timeline
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Most widely held works by Joni Kinsey
Thomas Moran by Nancy K Anderson( Book )

6 editions published in 1997 in English and held by 936 WorldCat member libraries worldwide

"A survey of Moran's work throughout his career ... [with] nearly one hundred of his works, reproduced in color, along with essays by leading authorities that explore his virtuosity in various fields."--Jacket
Thomas Moran and the surveying of the American West by Joni Kinsey( Book )

4 editions published in 1992 in English and held by 612 WorldCat member libraries worldwide

Plain pictures : images of the American prairie by Joni Kinsey( Book )

6 editions published in 1996 in English and held by 516 WorldCat member libraries worldwide

One hundred twenty color and black-and-white reproductions showcase works by George Catlin, Worthington Whittredge, Albert Bierstadt, Georgia O'Keeffe, Grant Wood, Thomas Hart Benton, Laura Gilpin, Dorothea Lange, Terry Evans, and many others
Thomas Moran's West : chromolithography, high art, and popular taste by Joni Kinsey( Book )

6 editions published between 2005 and 2013 in English and held by 395 WorldCat member libraries worldwide

The majesty of the Grand Canyon : 150 years in art by Joni Kinsey( Book )

4 editions published between 1998 and 2004 in English and held by 139 WorldCat member libraries worldwide

New forms : the avant-garde meets the American scene, 1934-1949 : selections from the University of Iowa Museum of Art( Book )

1 edition published in 2013 in English and held by 99 WorldCat member libraries worldwide

Essays on the development of American art and its audience; the history of the Art program at the University of Iowa; and images of art by 20th century modernists held in the University of Iowa Museum of Art collections. Includes discussion of the influence at the UI of work by Grant Wood, Jackson Pollock, and Mauricio Lasanzky among others
Beyond the horizon : paintings by Keith Jacobshagen, 1990-2005 by Keith Jacobshagen( Book )

1 edition published in 2005 in English and held by 22 WorldCat member libraries worldwide

Creating a sense of place : Thomas Moran and the surveying of the American West by Joni Kinsey( )

8 editions published between 1989 and 1992 in English and held by 13 WorldCat member libraries worldwide

Drawn to Yellowstone( Visual )

1 edition published in 2009 in English and held by 12 WorldCat member libraries worldwide

The story of how the art of Thomas Moran and the photography of William H. Jackson were critical in persuading Congress to make Yellowstone the world's first national park in 1872. Besides Moran and Jackson, it also mentions other artists, such as Frederic Mizen, Abby Williams Hill, and Carl Rungius
Creating a sense of place : Thomas Moran and the surveying of the American West by Joni Kinsey( )

2 editions published between 1989 and 1990 in English and held by 8 WorldCat member libraries worldwide

The American civil war and collective memory : reconstructing the national conflict in paintings and prints, 1869-1894 by Barbaranne Elizabeth Mocella Liakos( )

1 edition published in 2009 in English and held by 4 WorldCat member libraries worldwide

Not so plain : art of the American prairies by Joni Kinsey( Book )

2 editions published between 1995 and 2001 in English and held by 3 WorldCat member libraries worldwide

Capturing the game : the artist-sportsman and early animal conservation in American hunting imagery, 1830s-1890s by Doyle Leo Buhler( )

1 edition published in 2011 in English and held by 2 WorldCat member libraries worldwide

During the last half of the nineteenth century, American sportsmen-artists painted hunting-related images that were designed to promote the ideals of sporting behavior, conservationist thought, and the interests of elite sportsmen against non-elite hunters. Upper-class American attitudes regarding common hunters and trappers, the politics of land use, and the role of conservation in recreational hunting played a significant part in the construction of visual art forms during this period, art which, in turn, helped shape national dialogue on the protection and acceptable uses of wildlife. This dissertation takes issues critical to mid-century American conservation thought and agendas, and investigates how they were embodied in American hunting art of the time. Beginning with depictions of recreational sportsmen during the era of conservationist club formation (mid-1840s), the discussion moves to representations of the lone trapper at mid-century. These figures were initially represented as a beneficial force in the conquest of the American frontier, but trappers and backwoodsmen became increasingly problematic due to an apparent disregard for game law and order. I explore the ways in which market hunting was depicted, and how it was contrasted with acceptable "sportsmanlike" hunting methods. Subsequent chapters consider the portrayal of the boy hunter, an essential feature to the sportsman's culture and its continuance, and the tumultuous relationship between elite sportsmen and their guides, who were known to illegally hunt off-season. The last chapters address the subject of the wild animal as heroic protagonist and dead game still life paintings, a pictorial type that represented the lifestyle of sportsmen and their concern for conservative catches and adherence to game law
America's portraitist : Ralph E.W. Earl and the imaging of the Jacksonian era by Rachel Stephens( )

2 editions published in 2010 in English and held by 2 WorldCat member libraries worldwide

This thesis serves as the first in-depth study of the works of Jacksonian-era portraitist Ralph E.W. Earl (1788-1838). Earl's multi-faceted contributions to the development of culture in Nashville, Tennessee complimented his work in formation of the public image of Andrew Jackson. As a young man from New England, Earl painted portraits as an itinerant artist, eventually making enough money to travel to England. He lived and worked in England for five years before spending a year in Paris and returning to the United States in 1816. Determined to paint the heroes of the Battle of New Orleans, Earl traveled to Nashville, Tennessee. He met with great success there and found a clear niche painting, thereafter settling in the up-and-coming city. Earl painted Jackson's portrait dozens of times in Tennessee and then in Washington during Jackson's presidency. The focus of this thesis is multifaceted. The story of American art is enriched with the telling of Earl's endeavors, and Earl's career functions as a unique case-study in early American art. Most importantly, Earl's portraits of Jackson helped fashion an acceptable image of the nation's seventh president. Furthermore, Earl's museum and printmaking endeavors helped expand early American culture in unique ways. This thesis contributes to the story of American art, history, and culture, by revealing the multi-faceted career of a forgotten American cultural hero
Epic encounters : first contact imagery in nineteenth and early-twentieth century American art by Katherine Lynn Elliott( )

1 edition published in 2009 in English and held by 1 WorldCat member library worldwide

Reading these First Contact paintings can help to illuminate a nineteenth-century understanding of history and also begin to elucidate the troubled legacy of Native/white relations since Columbus first encountered the New World
Mary Nimmo Moran, Mary Cassatt and the painter-etcher movement : gender, identity and paths to professionalism by Elizabeth Carroll Schmid( )

1 edition published in 2014 in English and held by 1 WorldCat member library worldwide

Harold Gregor : from the road, from the trail, from the sky( Book )

1 edition published in 2001 in English and held by 1 WorldCat member library worldwide

 
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Audience level: 0.39 (from 0.05 for Drawn to Y ... to 0.97 for [Rezension ...)

Thomas Moran
Alternative Names
Kinsey, Joni L.

Kinsey, Joni L. 1958-

Kinsey, Joni Louise 1958-

Languages
English (58)

Covers
Thomas Moran and the surveying of the American WestPlain pictures : images of the American prairieThomas Moran's West : chromolithography, high art, and popular tasteThe majesty of the Grand Canyon : 150 years in artCreating a sense of place : Thomas Moran and the surveying of the American West