WorldCat Identities

Fajon, Robert

Overview
Works: 30 works in 64 publications in 1 language and 372 library holdings
Roles: Editor
Classifications: M3, 782.154
Publication Timeline
Key
Publications about  Robert Fajon Publications about Robert Fajon
Publications by  Robert Fajon Publications by Robert Fajon
Most widely held works by Robert Fajon
L'opéra à Paris : du Roi Soleil à Louis le Bien-Aimé by Robert Fajon ( Book )
6 editions published in 1984 in French and held by 155 WorldCat member libraries worldwide
Achante et Céphise : ou, La sympathie : pastorale héroïque en trois actes (1751) : RCT 29 by Jean-Philippe Rameau ( )
17 editions published between 1998 and 1999 in 3 languages and held by 150 WorldCat member libraries worldwide
André Cardinal Destouches et l'évolution du répertoire de l'Académie Royale de Musique de 1687 à 1730 by Robert Fajon ( Book )
6 editions published between 1981 and 1985 in French and held by 13 WorldCat member libraries worldwide
Opera omnia by Jean-Philippe Rameau ( )
2 editions published between 1998 and 1999 in French and held by 10 WorldCat member libraries worldwide
Issé : pastorale héroïque by Destouches ( )
2 editions published in 1984 in No Linguistic content and French and held by 5 WorldCat member libraries worldwide
Adriano Banchieri, un auteur polygraphe entre Renaissance et Baroque il Virtuoso ritrovo academico, Venise 1626 : édition, restitution et proposition d'une lecture dramatique by Cinzia Zotti d'Agostino ( Book )
2 editions published in 2000 in French and held by 3 WorldCat member libraries worldwide
Part I : Adriano Banchieri : Man of the Church, Man of Letters ; an analysis of extracts from his works and Lettere Armoniche, compared to the Maximes of the Jesuit Baltasar Gracian. Teaching considered as an art of caution and balance. Pedagogics; morals, musical Aesthetics. By way of introduction to a restitution of Il Virtuoso Ritrovo Accademico, and in order to outline a suggested dramatic reading, I have attempted to recover the essential aspects of its author's profile. To seek the spirit which inspires Banchieri's work means considering his monactic conditions, his religious education, his love for the language of Bologna and the ironic regard he has for the surrounding society. Part II : Scenic or Academic Madrigals : collections to keep inactivity away. ll Virtuoso Ritrovo Accademico : a collection of canzonettas which suggest a staged performance. Proposal for a dramatic interpretation. The literary world of the Virtuoso. While it is necessary to refer to the Madrigal collections for a better understanding of the Commedia Armonica, the opposite is also true and the comparative analysis of these two forms of one genre helps our knowledge of both. In the light of the preceding considerations concerning the evolution of the madrigal on the one hand and the development of the pastoral poem on the other, one can only conclude that ll Virtuoso Ritrovo Academico brings together in an exemplary way the main characteritics of the "Academic Entertainment" Annex Part III : Il Virtuoso Ritrovo Academico : édition and restitution
Issé : pastorale héroique by Destouches ( Book )
1 edition published in 1984 in Undetermined and held by 3 WorldCat member libraries worldwide
Etude de la perception des transitoires d'attaque des sons de steeldrum particularités acoustiques, transformation par synthèse et catégorisation by Pascal Gaillard ( Book )
2 editions published in 2000 in French and held by 3 WorldCat member libraries worldwide
CETTE ETUDE COUVRE PLUSIEURS DOMAINES, DE LA PERCEPTION AUDITIVE A LA NOTION DE TIMBRE, DANS UNE OPTIQUE PLURIDISCIPLINAIRE RASSEMBLANT DES SONS MUSICAUX, DES ELEMENTS D'ACOUSTIQUE ET DES NOTIONS ET TECHNIQUES DE RECHERCHE ET D'EXPERIMENTATION TIREES DE LA PSYCHOLOGIE COGNITIVE. NOUS ABORDONS PAR LE BIAIS DE LA CATEGORISATION (E. ROSCH ET D. DUBOIS) CERTAINS ASPECTS DE LA PERCEPTION AUDITIVE, ESSENTIELLEMENT CEUX LIES A LA PERCEPTION DES TRANSITOIRES D'ATTAQUE. POUR CELA, NOUS PRENONS POUR BASE DE RECHERCHE ET SOURCE SONORE LE STEELDRUM (OU STEELPAN) SOUVENT REGROUPES EN ORCHESTRES NOMMES STEELBAND. CE CHOIX NOUS PERMET DE METTRE EN OEUVRE DES TESTS DE CATEGORISATION LIBRE OU LE SUJET N'EST PAS SUSCEPTIBLE DE PRENDRE UNE IMAGE STOCKEE EN MEMOIRE EN LIEU ET PLACE DU SON QU'IL ENTEND. EN EFFET, DES TESTS PREALABLES ONT MONTRES QUE CE SON ETAIT INCONNU DE LA TRES GRANDE MAJORITE DES SUJETS. POUR L'ELABORATION DES TESTS, NOUS AVONS PROCEDE A DES MODIFICATIONS INTERNES DU SON ORIGINAL DE STEELDRUM PAR SYNTHESE SONORE. CES TRANSFORMATIONS PORTENT ESSENTIELLEMENT SUR LES QUALITES ACOUSTIQUES DU TRANSITOIRE D'ATTAQUE, DONT LES ANALYSES NOUS ONT REVELE EN PARTIE AU MOINS LA SPECIFICITE. LES RESULTATS RETROUVENT DANS UNE CERTAINE MESURE DES POINTS DEJA RELEVES DANS DIFFERENTS TRA♭ VAUX ANTERIEURS SUR LE TIMBRE (GREY, A PARTIR D'UNE ANALYSE MULTIDIMENSIONNELLE) MAIS AVEC DES STIMULI PLUS HOMOGENES ET D'AUTRES TECHNIQUES D'APPROCHE. NOUS RETROUVONS PAR CONSEQUENT LES TROIS PARAMETRES SENSIBLES DE LA DISCRIMINATION AUDITIVE QUE SONT LA HAUTEUR, LE SPECTRE ET LE TRANSITOIRE D'ATTAQUE. NOUS TROUVONS EGALEMENT UN ELEMENT DISCRIMINANT NON MESURABLE ET VARIABLE, DIRECTEMENT ISSU DU COGNITIF : LE SEUIL TEMPOREL DE PRISE EN COMPTE. L'ENSEMBLE DES RESULTATS PERMET D'IMAGINER DES TRAVAUX ALLANT DANS LE SENS D'UN MODELE PER♭ CEPTIF DE TYPE TOP-DOWN ET TENTANT DE GENERALISER LES CRITERES PERCEPTIFS A D'AUTRES TYPES DE STI♭ MULI (EN CONTEXTE OU HORS CONTEXTE) ET A D'AUTRES TYPES DE SUJETS
Opera omnia by Jean-Philippe Rameau ( )
2 editions published in 2005 in Undetermined and held by 3 WorldCat member libraries worldwide
Opera omnia by Jean-Philippe Rameau ( )
2 editions published between 1998 and 1999 in French and held by 2 WorldCat member libraries worldwide
Opera omnia by Jean-Philippe Rameau ( Book )
2 editions published between 2006 and 2007 in Undetermined and held by 2 WorldCat member libraries worldwide
Les personnages féminins dans les tragédies en musique de Jean-Baptiste Lully d'une approche quantitative à l'étude de la psychologie des personnages by Muriel Adamo ( Book )
2 editions published in 2002 in French and held by 2 WorldCat member libraries worldwide
The world of Jean-Baptiste Lully's operas appears to revolve entirely around the feeling of love, which dominates virtually all his characters, shaping their relations and the situations they face. Women characters in particular are given a privileged place in his dramatic story lines, often triggering basic situations while the manifestation of their sometimes highly complex psychology contributes to the works rich expressiveness. An in-depth analysis of Lully's works reveals the existence of a "system" intervening at every level : from limited dramatic situations to character types, and to their musical and literary discourse, codified and inserted in a strict framework. By their subtely and refinement, their ability to analyze and express the slightest motives of human psychology, and above all by their capacity to integrate and transcend this system based on a typology and musical and situational stereotypes, the authors have created women characters endowed with strong personalities, each of whom reveals something unique, original and profoundly moving
Opera omnia by Jean-Philippe Rameau ( Book )
1 edition published in 1998 in Undetermined and held by 2 WorldCat member libraries worldwide
Issé : Pastorale héroïquè (1697) : [Reprint]. ( )
1 edition published in 1984 in Undetermined and held by 2 WorldCat member libraries worldwide
Opera omnia by Jean-Philippe Rameau ( )
1 edition published in 2002 in Undetermined and held by 2 WorldCat member libraries worldwide
Opera omnia by Jean-Philippe Rameau ( Book )
1 edition published in 1999 in Undetermined and held by 2 WorldCat member libraries worldwide
Images de l'opéra à travers le Mercure Galant (1672-1748) by Elvie Kéraudren-Rességuier ( Book )
1 edition published in 2005 in French and held by 1 WorldCat member library worldwide
Le dépouillement de soixante-quinze années de parution du Mercure galant permet de découvrir différentes images de l'opéra de Jean-Baptiste Lully à Jean-Philippe Rameau. Variété des lieux de représentations, des auteurs, des formes revêtues par le "spectacle opéra", éloge des concepteurs, la grande histoire et les petites histoires se côtoient dans ce périodique, qui, tout en étant généraliste dans les sujets qu'il aborde, porte un regard sur la musique de cette période demeurant pour nous aujourd'hui, un témoignage capital. Cette étude trace un portrait musical de la période 1672-1748 : il faut dépasser l'aspect "organe officiel" du journal reflété par ses abondantes louanges, au profit de la mise en parallèle d'éléments plus discrets, qui permettent d'appréhender le goût du public de l'opéra et de la cour. Le recoupement des informations laisse deviner les évolutions de l'opéra et la position du périodique face aux grands débats esthétiques de la période : querelle des Anciens et des Modernes, goût pour la musique italienne, l'opéra considéré comme genre littéraire ou musical. Le Mercure change plusieurs fois de rédacteurs durant ces années, qui ont presque tous été aussi des hommes de théâtre : il est intéressant de lire leurs opinions et prendre la mesure de leurs silences, afin de comprendre la ligne de conduite du journal et de juger de ses forces et de ses faiblesses
Opera omnia by Jean-Philippe Rameau ( Book )
1 edition published in 1997 in Undetermined and held by 1 WorldCat member library worldwide
André Cardinal Destouches et l'évolution du répertoire de l'Académie Royale de musique de 1697 à 1730 by Robert Fajon ( Book )
1 edition published in 1985 in French and held by 1 WorldCat member library worldwide
L'opera a Paris du Roi Soleil a Louis le Bien-Aime by Robert Fajon ( )
1 edition published in 1984 in French and held by 1 WorldCat member library worldwide
 
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Audience level: 0.81 (from 0.00 for Opera omni ... to 0.92 for L'opéra a ...)
Languages
French (41)
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