WorldCat Identities

Menil Collection (Houston, Tex.)

Overview
Works: 364 works in 917 publications in 4 languages and 26,426 library holdings
Genres: Exhibition catalogs  Criticism, interpretation, etc  History  Exhibition, pictorial works  Catalogs  Biographies  Art  Interviews  Catalogues raisonnés  Biography 
Roles: Editor, Other, Publisher, Organizer of meeting
Publication Timeline
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Most widely held works about Menil Collection (Houston, Tex.)
 
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Most widely held works by Menil Collection (Houston, Tex.)
The image of the Black in western art( Book )

in English and held by 842 WorldCat member libraries worldwide

In The 1960s, as a response to segregation in the United States, the influential art patron Dominique de Menil began a research project and photo archive called The Image of the Black in Western Art. Now, fifty years later, as the first American president of African American descent serves his historic term in office, her mission has been re-invigorated through the collaboration of Harvard University Press and the W.E.B. Du Bois Institute for African and African American Research to present new editions of the coveted five original books and the anticipated new volumes which shall complete the series. The completed set will include ten sumptuous books in five volumes with up-to-date introductions and more full-color illustrations, printed on high-quality art stock for books that will last a lifetime. This monumental publication offers expert commentary and a lavishly illustrated history of the representations of people of African descent ranging from the ancient images of Pharaohs created by unknown hands to the works of the great European masters such as Bosch, Rembrandt, Rubens, and Hogarth to stunning new creations by contemporary black artists. Featuring thousands of beautiful, moving, and often little-known images of black people, including queens and slaves, saints and soldiers, children and gods, The Image of the Black in Western Art provides a treasury of masterpieces from four millennia--a testament to the black experience in the West and a tribute to art's enduring power to shape our common humanity. Volume II, Part 1, written largely by the noted French scholar Jean Devisse, has established itself as a classic in the field of medieval art. It surveys as never before the presence of black people, mainly mythical, in art from the early Christian era to the fourteenth century. The extraordinary transformation of Saint Maurice into a black African saint, the subject of many noble and deeply touching images, is a highlight of this volume. The new introduction by Paul Kaplan provides a fresh perspective on the image of the black in medieval European art and contextualizes the classic essays on the subject. --Book Jacket
Winslow Homer's images of Blacks : the Civil War and Reconstruction years by Peter H Wood( Book )

6 editions published between 1988 and 1990 in English and held by 825 WorldCat member libraries worldwide

Max Ernst : Dada and the dawn of surrealism by William A Camfield( Book )

9 editions published in 1993 in English and held by 806 WorldCat member libraries worldwide

Jean-Michel Basquiat by Richard Marshall( Book )

2 editions published in 1992 in English and held by 733 WorldCat member libraries worldwide

Complete survey of the work of JeanMichel Basquiat with more than 270 illustrations
Braque : the late works by John Golding( Book )

8 editions published in 1997 in English and held by 710 WorldCat member libraries worldwide

Joseph Beuys : actions, vitrines, environments by Mark Rosenthal( Book )

13 editions published between 2004 and 2005 in English and Undetermined and held by 690 WorldCat member libraries worldwide

"Joseph Beuys (1921-86) - the German sculptor and performance artist - became one of the most influential figures in modern and contemporary art. His charismatic presence, extraordinary life, and unconventional artistic style (incorporating ritualized movement and sound, and materials such as fat, felt, earth, honey, blood, and even dead animals) gained him international fame and notoriety from the 1960s through the 1980s. Beuys's innovative influence is particularly felt in the field of sculpture, whose definition he expanded to encompass performance art, vitrine cases, and site-specific environments." "With a comprehensive chronology of Beuys's activities as an artist and activist, this book is essential for those interested in the life, work, and legacy of one of the art world's most intriguing figures."--Jacket
Eva Hesse drawing by Eva Hesse( Book )

4 editions published in 2006 in English and held by 643 WorldCat member libraries worldwide

Eva Hesse (1936-1970) was a highly experimental artist who continually challenged the conventions of her time. For Hesse, drawing played a unique role, providing the nexus between her works in all media. "Eva Hesse Drawing" is the first book to explore her drawing process, following her work from drawing to painting and sculpture, and always back to drawing. The book features important, recently rediscovered 'working drawings', providing an intimate look at Hesse's everyday practice and methodology. An accomplished draftswoman, Hesse began to develop her wandering, tentative line while studying at Yale University in the late 1950s. Her early 1960s works on paper engaged with visual vocabularies from geometry to biomorphic abstraction. In 1965, Hesse combined her tactile sensibility for materials with her stringlike line to achieve a breakthrough in her astonishing reliefs, bridging the space between two and three dimensions. Balancing the disembodiment of line with its intensified materialisation, Hesse went on to develop one of the most innovative oeuvres of the twentieth century, anticipating the hybridisation of media and crossing borderlines linking one impossible space to another
Robert Rauschenberg : cardboards and related pieces by Robert Rauschenberg( Book )

10 editions published in 2007 in English and held by 590 WorldCat member libraries worldwide

This volume is the first to focus exclusively on Rauschenberg's rarely seen Cardboards, along with related works from his Made in Tampa Clay, Cardbirds, Egyptian, and Venetian series
James Rosenquist : a retrospective by James Rosenquist( Book )

7 editions published in 2003 in English and held by 568 WorldCat member libraries worldwide

In 2003, the Solomon R. Guggenheim Museum mounted a major retrospective of James Rosenquist's works, which traveled to the Menil Collection, Museum of Fine Arts in Houston, and Guggenheim Museum Bilbao. Since the late 1950s, James Rosenquist has been creating an exceptional and consistently intriguing body of work. In the 1960s, following his early days as a billboard painter in the Midwest and New York City, he gained fame as one of the leaders of the American Pop art movement. Along with contemporaries Jim Dine, Roy Lichtenstein, Claes Oldenburg, and Andy Warhol, Rosenquist drew on the iconography of advertising and mass media to conjure a sense of modern life. Rosenquist's paintings directly allude to the cultural and political tenor of the times in which they were created. From his renowned Pop canvases to his billboard-sized works and continuing with his recent use of abstract painting techniques, James Rosenquist: A Retrospective presents the artist's enduring interest in and mastery of texture, color, line, and shape that continues to dazzle audiences and influence younger generations of artists. The book features nearly 300 of the artist's most significant works--
Kurt Schwitters : color and collage by Kurt Schwitters( Book )

9 editions published in 2010 in English and Undetermined and held by 556 WorldCat member libraries worldwide

Best known for his extraordinary abstract collages, Kurt Schwitters is one of the most influential figures of the international avant-garde. This volume emphasizes the significance of colour and light in the artist's work, as well as delving into the relationship between collage and painting
Magritte : the mystery of the ordinary, 1926-1938 by René Magritte( Book )

6 editions published between 2013 and 2014 in English and held by 548 WorldCat member libraries worldwide

The Mystery of the Ordinary, 1926-1938 focuses on the breakthrough surrealist years of René Magritte, creator of some of the 20th century's most extraordinary images. Bringing together nearly 80 paintings, periodicals and early commercial work, it offers fresh insight into Magritte's identity as a revolutionary painter and surrealist artist. Beginning in 1926, when Magritte first aimed to create paintings that would, in his words, challenge the real world, and concluding in 1938 a historically and biographically significant moment just before the outbreak of World War II. The publication traces central strategies and themes from this seminal period, particularly those of displacement, transformation, metamorphosis, the misnaming of objects, and the representation of visions seen in half-waking states. The publication also presents new conservation research on Magritte's materials and techniques, and an illustrated chronology outlining significant moments in the artist's life during this significant period, including travel, connections with other surrealist artists and writers, contributions to journals, and important exhibitions and reviews
Joseph Cornell/Marcel Duchamp --in resonance by Joseph Cornell( Book )

13 editions published between 1998 and 1999 in English and German and held by 541 WorldCat member libraries worldwide

"This book chronicles the friendship and working relationship between Marcel Duchamp (1887-1968) and Joseph Cornell (1903-1972), two of the twentieth century's most innovative and influential artists. Joseph Cornell/Marcel Duchamp ... in resonance publishes for the first time the Duchamp Dossier (c. 1942-53) - a hitherto publicly unknown collection compiled by Cornell and discovered in the artist's estate following his death in 1972. The small objects, typed and handwritten notes, and ephemera found within the Duchamp Dossier provide an absorbing record of the interchange between these two artists, which included Cornell's assisting Duchamp on the assembly of his edition de ou par Marcel Duchamp ou Rrose Selavy (commonly referred to as the Boite-en-valise)." "Both artists were intrigued by the connection between art and the found object, and they shared a fascination with replicated images and the processes of reproduction. They had parallel interests in optical devices, ephemeral mediums (such as glass, dust, and paper), filmmaking, and graphic design. The book focuses in depth on Duchamp's box editions and Cornell's often neglected "explorations," arranged files of printed matter, notes, and ephemera related to individuals or specific themes."--Jacket
The surreal Calder by Alexander Calder( Book )

8 editions published between 2005 and 2006 in English and held by 539 WorldCat member libraries worldwide

From the Publisher: Alexander Calder (1898-1976) is a key presence in the history of modern art, and yet he is rarely seen or remembered in the context from which he initially emerged as an artist. When Calder became "Calder"--Well known for his signature mobiles and stabiles-it was due to a unique variety of presiding influences. His artistic parentage consisted of Marcel Duchamp, who provided the name of and concept for the mobile; Piet Mondrian, who introduced pure abstraction to him; and Joan Miro, who communicated the central theses of Surrealism. Although Calder went on to play a major role in Surrealist manifestations during the formative years of the movement, including being shown in the defining 1936 "Exposition surrealiste d'objets" in Paris, he has since been separated from those beginnings. Indeed, at this point in time, Calder is never included in exhibitions of Surrealist art, even though he was incubated by that phenomenon and contributed mightily to it. This book will put the artist back in midst of Surrealism so that his achievement is more profoundly understood within that context. Works by artists such as Miro, Max Ernst, Yves Tanguy, and Rene Magritte will delineate the Surrealist milieu and some of its chief aspects. The following theses are also explored: Calder's wit, caricature, and linear flights of fancy; his marvelous personages and fantastic creatures; biomorphic forms from an imaginary vision of nature; and his constellations, apparent views of celestial space
Klee and America by Paul Klee( Book )

14 editions published in 2006 in English and German and held by 528 WorldCat member libraries worldwide

Exploring the reasons for Paul Klee's enthusiastic reception in the United States, especially during the 1930s and 40s, this publication also includes a selection of his 'American' works from this period
Frank Stella 1958 by Harry Cooper( Book )

9 editions published in 2006 in English and held by 508 WorldCat member libraries worldwide

From the Publisher: For Frank Stella, 1958 was a crucial year. After graduating from Princeton University, he moved to Manhattan and painted a series of monumental, colorful canvases that culminated in the first of his famous "black paintings." This fascinating book focuses on the thirty works he painted that year. The paintings reflect his transformation from a student experimenting with abstract expressionism to a highly original artist whose works changed the course of postwar art. Presenting the entire series of paintings in color for the first time (except lost works known only through black-and-white photographs), this handsome book details the course of Stella's career in 1958. The authors situate his work in relation to that of Carl Andre, with whom Stella shared studio space that year, and Jasper Johns. Their analysis draws on concepts of originality, repetition, assemblage, and optimality. Drawing on new archival findings, firsthand observations of the paintings, and interviews with Stella and members of his circle, this volume enriches our understanding of a fascinating and critical stage in the artist's development
Pop art : U.S./U.K. connections, 1956-1966 by David E Brauer( Book )

13 editions published in 2001 in English and held by 455 WorldCat member libraries worldwide

"Pop Art: U.S./U.K. Connections, 1956-1966 looks only at artwork by American and British practitioners that is considered "pure" Pop. This definition of Pop rests on the adoption of preexisting or received images from mass media sources of advertising, television, and movies - images that convey the personalities, common objects, and scenery of vernacular culture. The techniques utilized, however, varied: the Americans generally used a more reductive method, arriving at a centralized iconic image, while the British preferred an episodic approach that generated an implied narrative. As the essays in this book make clear, Pop Art promoted no specific agenda beyond the investigation of the prevailing American environment."--Jacket
The Rothko Chapel paintings : origins, structure, meaning by Sheldon Nodelman( Book )

6 editions published in 1997 in English and held by 452 WorldCat member libraries worldwide

Studie over de wisselwerking tussen schilderijen, plaats en licht, in de Rothko Chapel in Houston van de Amerikaanse artist (1903-1970)
Richard Serra, drawing : a retrospective by Bernice Rose( Book )

12 editions published in 2011 in English and Undetermined and held by 448 WorldCat member libraries worldwide

This text brings together Richard Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice
African art : from the Menil collection by Kristina Van Dyke( Book )

4 editions published in 2008 in English and held by 441 WorldCat member libraries worldwide

"Bamana masks and headdresses, Lega ivories, Dogon sculpture, and Benue bronzes are among the many exquisite African artifacts found in the renowned Menil Collection. This stunning book - the first comprehensive catalogue on the de Menil's collection of African art - features 115 of the museum's finest pieces. Dating primarily from the nineteenth and twentieth centuries, these works come from North Africa and the Sahel, Coastal West Africa, and Central and East Africa." "An essay by Kristina Van Dyke discusses the formation of the collection, which was inspired in part by its relationship to modernist works and by the de Menils' interest in human rights. This insightful text also explains how the couple's visionary spirit was influenced by African art, and it places the African pieces within the context of the whole of the de Menils' collection, in which works from ancient, Byzantine, medieval, modern, Oceanic, and Native American cultures speak to the universal struggle for human understanding. Entries for the selected objects, written by leading scholars in the field, are grouped into sections based on regions."--Jacket
Marlene Dumas : measuring your own grave by Marlene Dumas( Book )

4 editions published in 2008 in English and held by 417 WorldCat member libraries worldwide

Director's foreword / Jeremy Strick -- Acknowledgments / Cornelia Butler -- Marlene Dumas : Painter as Witness / Cornelia Butler -- Less Dead / Richard Shiff -- The Binding Factor : The Maternal Gaze of Marlene Dumas / Lisa Gabrielle Mark -- Victoria Falls (for MD) / Matthew Monahan -- Selected Exhibitions -- Selected Bibliography -- Checklist of the Exhibition
 
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WorldCat IdentitiesRelated Identities
The image of the Black in western art
Alternative Names
de Menil Collection

Houston (Tex.)

Menil Collection

Menil Collection (Houston)

Menil Collection, Houston Tex.

Menil Collection Museum

Menil Collection Museum Houston, Tex

Menil Family Foundation Collection

Menil Foundation

Menil Foundation Collection

Menil Foundation Collection (Houston, Tex.)

Menil Foundation Collection (Houston, Texas)

Sobranie Menil

Sobranie Menil Houston, Tex

Մենիլ հավաքածու

メニル・コレクション

曼尼爾美術館

Languages
English (219)

French (8)

Italian (4)

German (2)

Covers
Max Ernst : Dada and the dawn of surrealismJean-Michel BasquiatBraque : the late worksJoseph Beuys : actions, vitrines, environmentsEva Hesse drawingRobert Rauschenberg : cardboards and related piecesJames Rosenquist : a retrospectiveKurt Schwitters : color and collage