WorldCat Identities

Spiegelman, Art

Overview
Works: 367 works in 744 publications in 24 languages and 38,088 library holdings
Genres: Graphic novels  Interactive multimedia 
Roles: Editor, Compiler, Illustrator, Author of introduction, Creator, Interviewee, Director, Arranger, Interviewer
Classifications: pn6727.s6, 741.5973
Publication Timeline
Key
Publications about  Art Spiegelman Publications about Art Spiegelman
Publications by  Art Spiegelman Publications by Art Spiegelman
Most widely held works about Art Spiegelman
 
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Most widely held works by Art Spiegelman
by ( Book )
55 editions published between and 2008 in 5 languages and held by 3,380 libraries worldwide
The author-illustrator traces his father's imprisonment in a Nazi concentration camp through a series of disarming and unusual cartoons arranged to tell the story as a novel.
by ( Book )
29 editions published between and 2010 in English and held by 2,738 libraries worldwide
A memoir of Vladek Spiegleman, a Jewish survivor of Hitler's Europe, and about his son, a cartoonist who tries to come to terms with his father, his story, and history. Cartoon format portrays Jews as mice, Nazis as cats. Using a unique comic-strip-as-graphic-art format, the story of Vladek Spiegelman's passage through the Nazi Holocaust is told in his own words. Acclaimed as a "quiet triumph" and a "brutally moving work of art," the first volume of Art Spiegelman's Maus introduced readers to Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist trying to come to terms with his father, his father's terrifying story, and History itself. Its form, the cartoon (the Nazis are cats, the Jews mice), succeeds perfectly in shocking us out of any lingering sense of familiarity with the events described, approaching, as it does, the unspeakable through the diminutive. As the New York Times Book Review commented," [it is] a remarkable feat of documentary detail and novelistic vividness...an unfolding literary event." This long-awaited sequel, subtitled And Here My Troubles Began, moves us from the barracks of Auschwitz to the bungalows of the Catskills. Genuinely tragic and comic by turns, it attains a complexity of theme and a precision of thought new to comics and rare in any medium. Maus ties together two powerful stories: Vladek's harrowing tale of survival against all odds, delineating the paradox of daily life in the death camps, and the author's account of his tortured relationship with his aging father. Vladek's troubled remarriage, minor arguments between father and son, and life's everyday disappointments are all set against a backdrop of history too large to pacify. At every level this is the ultimate survivor's tale -- and that too of the children who somehow survive even the survivors.
by ( Book )
23 editions published in in 4 languages and held by 2,142 libraries worldwide
For Art Spiegelman, the Pulitzer Prize-winning author of Maus, the terrorist attacks of September 11, 2001 were both highly personal and intensely political. In the Shadow of No Towers, his first new book of comics since the groundbreaking Maus, is a masterful and moving account of the events and aftermath of that tragic day. Spiegelman and his family bore witness to the attacks in their lower Manhattan neighborhood: his teenage daughter had started school directly below the towers days earlier, and they had lived in the area for years. But the horrors they survived that morning were only the beginning for Spiegelman, as his anguish was quickly displaced by fury at the U.S. government, which shamelessly co-opted the events for its own preconceived agenda. He responded in the way he knows best. In an oversized, two-page-spread format that echoes the scale of the earliest newspaper comics (which Spiegelman says brought him solace after the attacks), he relates his experience of the national tragedy in drawings and text that convey-with his singular artistry and his characteristic provocation, outrage, and wit-the unfathomable enormity of the event itself, the obvious and insidious effects it had on his life, and the extraordinary, often hidden changes that have been enacted in the name of post-9/11 national security and that have begun to undermine the very foundation of American democracy.
by ( Book )
2 editions published in in English and held by 1,233 libraries worldwide
The hardcover edition of Dr. Seuss Goes to War was published to extraordinary acclaim, selling out four printings and featured in publications from the New York Times and the Los Angeles Times to Entertainment Weekly and Mother Jones. Now, for the first time, the book that the New York Times Book Review hailed as "fascinating" is available in paperback.
by ( Book )
23 editions published between and 1997 in English and held by 1,175 libraries worldwide
Memoir about Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and about his son, a cartoonist who tries to come to terms with his father, his story, and with history itself. The second volume follows the family's move from Auschwitz to the Catskills.
by ( Book )
11 editions published between and 2004 in English and Undetermined and held by 962 libraries worldwide
This captivating story of Hiroshima was one of the original Japanese manga series. New and unabridged, this is an all-new translation of the author's first-person experiences of Hiroshima and its aftermath, a reminder of the suffering war brings to innocent people. Its emotions and experiences speak to children and adults everywhere. Volume One of this ten-part series details the events leading up to and immediately following the atomic bombing of Hiroshima.
by ( Book )
3 editions published between and 2009 in English and held by 826 libraries worldwide
Mom and Dad give Jack a new toy, but what's in the box? Is it silly or scary, or something else entirely?
by ( Book )
7 editions published in in English and held by 782 libraries worldwide
The creator of the Pulitzer Prize-winning Maus reflects on the comics form and its influence on his life and art as he traces his evolution from comics obsessed boy to a neurotic adult exploring the effects of his parents' memories of Auschwitz on his own son, in a volume that includes a facsimile of Breakdowns, the artist's comics from the 1970s.
by ( Book )
2 editions published in in English and held by 528 libraries worldwide
by ( Book )
1 edition published in in English and held by 520 libraries worldwide
From the eve of the Great Depression to the onset of World War II, Lynd Ward, America's first great graphic novelist, bore witness to the roiling, dizzying national scene as both a master printmaker and a socially committed storyteller. His medium of expression, the wordless "novel in woodcuts," was his alone in the United States, and he quickly brought it from bold iconic infancy to a still unrivaled richness of drama, characterization, imagery, and technique. In this , the first of two volumes collecting all his woodcut novels, The Library of America brings together Ward's earliest books, published when the artist was still in his twenties. Gods' Man (1929), the audaciously ambitious work that made Ward's reputation, is a modern morality play, an allegory of the deadly bargain a striving young artist often makes with life. Madman's Drum (1930), a multigenerational saga worthy of Faulkner, traces the legacy of violence haunting a family whose stock-in-trade is human souls. Wild Pilgrimage (1932), perhaps the most accomplished of these early books, is a study in the brutalization of an American factory worker whose heart can still respond to beauty but whose mind is twisted in rage against the system and its shackles. The images reproduced in this volume are taken from prints pulled from the original woodblocks or first-generation electrotypes. Ward's novels are presented, for the first time since the 1930s, in the format that the artist intended, one image per right-hand page, and are followed by four essays in which he discusses the technical challenges of his craft. Art Spiegelman contributes an introductory essay. "Reading Pictures," that defines Ward's towering achievement in that most demanding of graphic-story forms, the wordless novel in woodcuts.
by ( Book )
11 editions published between and 2009 in 4 languages and held by 465 libraries worldwide
A graphic poem on an all-night party during the Roaring Twenties which ends in a murder. The book was banned in Boston when it was first published in 1928.
by ( Book )
3 editions published in in English and held by 312 libraries worldwide
For years Jack Cole labored dutifully as a cartoonist, comic book illustrator, and Playboy's premier artist. He was, on the outside, a mild-mannered and easygoing guy. One look at his most famous creation--the manic, surreal Plastic Man--and there is no question that much more lurked in the mind of the artist than anyone suspected. Pulitzer Prize-winning writer and cartoonist Art Spiegelman and renowned graphic artist Chip Kidd pay homage to Plastic Man and his creator, Jack Cole.
by ( Book )
1 edition published in in English and held by 288 libraries worldwide
Two volumes consisting of six wordless woodcut novels of Lynd Ward.
by ( Book )
5 editions published in in 3 languages and held by 249 libraries worldwide
A dog explains how he came to be a book after falling foul of a wizard's curse, in a book that includes a leash, a wagging tale, and fuzzy endpapers.
by ( Book )
2 editions published in in English and held by 27 libraries worldwide
 
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Audience Level
0
Audience Level
1
  Kids General Special  
Audience level: 0.44 (from 0.13 for Open me-- ... to 0.76 for Prelude to ...)
Alternative Names
Art Spiegelman lived1948
Spiegelman, Art
Spiegelmann, Art 1948- falsche Schreibweise
ספיגלמן, ארט
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