WorldCat Identities

Tupitsyn, Margarita

Overview
Works: 88 works in 308 publications in 8 languages and 3,967 library holdings
Genres: Exhibition catalogs  History  Criticism, interpretation, etc  Pictorial works  Biography  Catalogs 
Roles: Author, Editor, Other, zxx, Collector, Creator, Curator
Classifications: TR647, 779.092
Publication Timeline
.
Most widely held works by Margarita Tupitsyn
El Lissitzky : beyond the Abstract cabinet : photography, design, collaboration by Margarita Tupitsyn( Book )

16 editions published in 1999 in English and held by 589 WorldCat member libraries worldwide

The Soviet photograph, 1924-1937 by Margarita Tupitsyn( Book )

9 editions published in 1996 in English and held by 567 WorldCat member libraries worldwide

Tupitsyn challenges the view that the Soviet avant-garde peaked in the 1920s and was subsequently forced to conform with Bolshevik politics. Instead she asserts that photography during this period represented the last "great experiment" in the search for the most effective ways to connect art, radical politics, and the masses. Investigating the means by which the new visual tools for disseminating revolutionary messages were adapted to the needs of Stalinist propaganda, Tupitsyn relates major examples of single-frame photography and photomontage to such events as the implementation of the New Economic Policy, Lenin's death, and Stalin's first and second Five-Year Plans, and to mounting censorship of the arts. She also establishes a link between the writings of critics and the development of photography and photomontage at this time. The book presents previously unpublished material from Klutsis's letters, Rodchenko's public lectures, Lissitzky's late writings on the mass media, and Kulagina's personal diaries, as well as many previously unknown photographs
Malevich and film by Margarita Tupitsyn( Book )

13 editions published between 2002 and 2003 in English and Spanish and held by 407 WorldCat member libraries worldwide

"Russian Painter Kazimir Malevich (1878-1935), unlike other prominent Soviet artists, has not been much considered in discussions of the contributions of the avant-garde to photography and film. Yet a close examination of theoretical and practical aspects of Malevich's oeuvre not only places him fully in the Soviet post-abstract discourse on these media but also, as Margarita Tupitsyn argues in this book, alters the accepted view of his post-Suprematist period. Exploring Malevich's involvement with film for the first time, Tupitsyn draws on little-known writings about cinema by the artist himself, newly accessible works, and many previously unpublished photographs and documents. Malevich's influence on twentieth-century art extends far more widely than has been claimed for him before, the author concludes." "The book begins with a re-evaluation of Malevich's most famous painting, Black Square, a work whose meaning and function was in constant flux. Through Black Square Malevich began to cross the bridge from the painting medium to mechanically generated production, ultimately influencing the post-revolutionary phase of his Suprematism and leading to his abandonment of abstraction in the late 1920s. Tupitsyn discusses in detail Malevich's writing about the cinema, the cinematic qualities of some of his works, the work of other contemporary artists with bonds to cinematography, and the significant impact of Malevich's thought and work on Russian, European, and American artists of the 1920s and 1930s as well as the post-war period." "This book is the catalogue for an exhibition that opens in Lisbon at the Fundacao Centro Cultural de Belem in May 2002, then travels to Spain."--Jacket
Rodchenko & Popova : defining constructivism by Aleksandr Mikhaĭlovich Rodchenko( Book )

15 editions published in 2009 in English and held by 389 WorldCat member libraries worldwide

"Aleksandr Rodchenko and Liubov Popovaq were leading figures in the Russian avant-garde during its most exciting period, from the 1917 Revolution to Popova's tragically early death in 1924 at the age of thirty-five. Together they believed that new forms of art could play a key role in transforming society and reorganizing everyday life. As leading lights in the Constructivist movement they were responsible for an array of iconic works, from painting to magazine covers and fabric designs. Featuring new scholarship, as well as archival photos and illustrating many previously unpublished works, this book demonstrates the extent of their influence on their circle of friends and collaborators and their wide impact on the course of twentieth-century art."--Jacket
Gustav Klutsis and Valentina Kulagina : photography and montage after constructivism by Margarita Tupitsyn( Book )

16 editions published between 2003 and 2004 in English and held by 338 WorldCat member libraries worldwide

Gegen Kandinsky = Against Kandinsky by Margarita Tupitsyn( Book )

13 editions published in 2006 in 3 languages and held by 230 WorldCat member libraries worldwide

Studies the schism between Expressionism and Geometric Abstraction in Modernist history as represented in the work of Kandinsky as both the originator of Expressionistic painting and defender of the intuitive mode of abstraction
Margins of Soviet art : socialist realism to the present by Margarita Tupitsyn( Book )

11 editions published between 1988 and 1989 in English and held by 149 WorldCat member libraries worldwide

El Lissitzky : Jenseits der Abstraktion : Fotografie, Design, Kooperation by El Lissitzky( Book )

26 editions published in 1999 in 4 languages and held by 141 WorldCat member libraries worldwide

Overzicht van werk van de Russisch beeldend kunstenaar (1890-1941) met een aantal inleidende hoofdstukken met name over de periode dat de kunstenaar in Duitsland verbleef
Bauhaus : Dessau, Chicago, New York : Museum Folkwang( Book )

11 editions published in 2000 in German and held by 127 WorldCat member libraries worldwide

Betr. u.a. Paul Klee
Sots art : Eric Bulatov, Vitaly Komar and Alexander Melamid, Alexander Kosolapov, Leonid Lamm, Leonid Sokov, Kazimir Passion Group by Margarita Tupitsyn( Book )

10 editions published between 1986 and 1988 in English and held by 109 WorldCat member libraries worldwide

Neokonchennai︠a︡ dissertat︠s︡ii︠a︡, ili, Besedy samomu sebe by Boris Michailov( Book )

2 editions published in 1998 in French and English and held by 107 WorldCat member libraries worldwide

El Lissitzky : experiments in photography : April 17 to June 1, 1991 by El Lissitzky( Book )

6 editions published in 1991 in English and Spanish and held by 100 WorldCat member libraries worldwide

Fotografia verbal : Ilya Kabakov, Boris Mikhailov e o Arquivo de Moscovo da Nova Arte = Verbal photography : Ilya Kabakov, Boris Mikhailov and the Moscow Archive of New Art by Margarita Tupitsyn( Book )

9 editions published in 2004 in 3 languages and held by 74 WorldCat member libraries worldwide

Glaube, Hoffnung, Anpassung : sowjetische Bilder, 1928-1945 by Margarita Tupitsyn( Book )

3 editions published in 1995 in German and held by 72 WorldCat member libraries worldwide

Utopía, ilusión y adaptación : arte soviético 1928-1945 : IVAM Centre Julio González, 25 abril-23 junio 1996 by Margarita Tupitsyn( Book )

8 editions published in 1996 in Spanish and held by 43 WorldCat member libraries worldwide

Liebe in Zeiten der Revolution : Künstlerpaare der russischen Avantgarde( Book )

2 editions published in 2015 in German and held by 31 WorldCat member libraries worldwide

Das Kunstforum Wien beleuchtet die bahnbrechenden Errungenschaften der russischen Avantgarde unter einem neuen Aspekt: dem Künstlerpaar. Gleichberechtigte Produktions- und Lebensformen von Künstlern und Künstlerinnen im Kontext der Oktoberrevolution (1917) unterlaufen nicht nur das Image vom »einsamen künstlerischen Genie±, sondern forcieren auch die Verflechtung von Kunst und Leben, Öffentlichem und Privatem. Künstlerpaare wie Warwara Stepanowa und Alexander Rodtschenko oder Natalja Gontscharowa und Michail Larionow verknüpften sämtliche Sparten künstlerischen Schaffens mit Theoriebildung und ästhetischer Aktion und formulierten über ihre Kunst den politischen Anspruch nach einer Lebensveränderung. Obgleich das künstlerische Duo auch oft nicht entsprechend gleichberechtigt umgesetzt werden konnte und ein theoretisches Konstrukt blieb, kristallisiert sich in dieser Lebens- und Schaffensform doch die Geschlechterideologie einer Gesellschaft heraus. Der Katalog zur Ausstellung geht der Frage nach, welche Arbeitspraxis und Ausprägungen von Beziehungs- und Machtverhältnissen die russische Avantgarde hervorgebracht hat und welche strukturellen Besonderheiten sich daraus im Hinblick auf künstlerische Identität, Kreativität und Produktion ergeben. 00Exhibition: Bank Austria Kunstforum, Wien, Austria (14.10.15 - 31.01.2016)
Kriticheskoe opticheskoe : statʹi o sovremennom russkom iskusstve by Margarita Tupitsyn( Book )

3 editions published in 1997 in Russian and held by 25 WorldCat member libraries worldwide

The Green show by Gia Abramishvilli( Book )

3 editions published in 1989 in English and held by 25 WorldCat member libraries worldwide

Russian new wave by Margarita Tupitsyn( Book )

6 editions published in 1981 in English and held by 24 WorldCat member libraries worldwide

Kräftemessen : eine Ausstellung ost-östlicher Positionen innerhalb der westlichen Welt( Book )

3 editions published in 1995 in German and held by 24 WorldCat member libraries worldwide

 
moreShow More Titles
fewerShow Fewer Titles
Audience Level
0
Audience Level
1
  Kids General Special  
Audience level: 0.60 (from 0.46 for El Lissitz ... to 0.89 for Kräftemes ...)

El Lissitzky : beyond the Abstract cabinet : photography, design, collaborationEl Lissitzky : Jenseits der Abstraktion : Fotografie, Design, Kooperation
Alternative Names
Margarita Tupitsyn Russian art historian and author

Margarita Tupitsyn Russisch kunsthistorica

Margarita Tupitsyn russische Kunsthistorikerin

Masterkova-Tupit︠s︡yna, Margarita

Toupitsyna Margarita 1955-....

Tupicyn, Margarita 1955-

Tupicyna, Margarita

Tupicyna, Margarita 1955-

Tupitsyn, Margarita

Tupitsyn Margarita 1955-....

Tupit︠s︡yna, Margarita

Тупитсын, Маргаритa

Тупицына, Маргарита

Languages
Covers
The Soviet photograph, 1924-1937Malevich and filmRodchenko & Popova : defining constructivismGustav Klutsis and Valentina Kulagina : photography and montage after constructivismGegen Kandinsky = Against KandinskyEl Lissitzky : Jenseits der Abstraktion : Fotografie, Design, KooperationNeokonchennai︠a︡ dissertat︠s︡ii︠a︡, ili, Besedy samomu sebe