WorldCat Identities

Goodman, David G. 1946-

Overview
Works: 34 works in 119 publications in 2 languages and 2,744 library holdings
Genres: History  Drama  Criticism, interpretation, etc  Catalogs  Biography  Exhibition catalogs 
Roles: Author, Translator, Editor, Author of introduction, Other
Classifications: PL782.E5, 305.8924052
Publication Timeline
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Most widely held works about David G Goodman
 
Most widely held works by David G Goodman
Jews in the Japanese mind : the history and uses of a cultural stereotype by David G Goodman( Book )

15 editions published between 1994 and 2000 in English and held by 690 WorldCat member libraries worldwide

The popularity in Japan of books about Jews has climbed to staggering proportions. Such books have sold millions of copies and often top the best-seller list. What explains the virtual obsession with Jews in Japan - a country that has no Jews? Many of the Japanese books about Jews are overtly antisemitic; but even a large number of otherwise respectable scholarly books are replete with egregious distortions and antisemitic canards, such as references to the Protocols of the Elders of Zion, a notorious antisemitic forgery, as though it were a serious work of social and historical analysis; and most propagate the myth that Jews control the American media and dominate international finance. How can we account for the indiscriminate mixture of fact and fantasy in the Japanese view of the Jews? Is Japanese antisemitism a growing phenomenon, and what does it portend for Japan's relations with the West as a whole? In this highly original cultural and intellectual history of modern Japan, authors David Goodman and Masanori Miyazawa use the Japanese image of the Jews to illuminate the Japanese mind. Skillfully tracing the sources and historical development of this image of the Jews against the background of Japan's emergence from centuries of cultural isolation, the authors reveal how its subtle alterations over time also reflect the changing character of Japanese social and political experience in this century. But while the Japanese do seem to have accepted all of the worst anti-Jewish stereotypes at face value, the remarkable fact is that, unlike Western antisemites, the Japanese frequently admire the Jews for achieving such disproportionate power, and argue that their countrymen should follow their example. This history of the Jewish image in Japan thus sheds important light on the ambiguous character of philosemitism for Jews and non-Jews alike, as well as affording valuable insight into the Japanese penchant for adapting imported ideas and images to peculiar cultural ends
After apocalypse : four Japanese plays of Hiroshima and Nagasaki by David G Goodman( Book )

14 editions published between 1986 and 1994 in English and held by 641 WorldCat member libraries worldwide

Japanese drama and culture in the 1960's : the return of the gods by David G Goodman( Book )

6 editions published in 1988 in English and held by 402 WorldCat member libraries worldwide

Angura : posters of the Japanese avant-garde by David G Goodman( Book )

8 editions published in 1999 in English and held by 287 WorldCat member libraries worldwide

"Angura: Posters of the Japanese Avant-Garde presents the extraordinary posters created for a group of experimental Japanese theater troupes during the 1960s and 1970s. The term angura (underground) accurately describes the nature of this countercultural theater movement. Rejecting the standards and mores of modern drama and dance, the politically-charged plays and performances of these theater groups were purposefully outrageous and provocative. Similarly, the designers who created posters for these companies rebelled against the conventions of contemporary Japanese design culture and international modernism. Combining the vivid and sexually explicit elements of sixties psychedelia with traditional Japanese design and printmaking techniques, these posters are artifacts of a tumultuous period in both Japanese graphic arts and society as a whole." "Author David G. Goodman illuminates the theatrical movement for which these posters were created, provides a brief history of modern Japanese graphic design, and describes both the posters themselves and the artists who created them."--Jacket
Long, long autumn nights : selected poems of Oguma Hideo, 1901-1940 by Hideo Oguma( Book )

7 editions published between 1989 and 1999 in English and held by 225 WorldCat member libraries worldwide

[Hideo is] a poet whose political engagement and literary excellence easily bear comparison to those of such internationally known poets as Federico Garcia Lorca, Vladimir Mayakovski, and Osip Mandelstam. --Journal of Japanese Studies
Land of volcanic ash : a play in two parts by Sakae Kubo( Book )

15 editions published between 1986 and 1993 in English and held by 192 WorldCat member libraries worldwide

Ju ben miao hui le ri ben jiu de sheng chan guan xi ru he zu ai xin de nong ye ji shu zai huo shan hui di zhe yi te shu di qu de shi yong yu fa zhan, fan ying le dang shi ri ben de she hui mian mao he zhong zhong mao dun
The return of the gods : Japanese drama and culture in the 1960s by David G Goodman( Book )

4 editions published between 1988 and 2003 in English and held by 79 WorldCat member libraries worldwide

Five plays by Kunio Kishida( Book )

8 editions published between 1989 and 1995 in English and Undetermined and held by 60 WorldCat member libraries worldwide

The head of Mary : a Nagasaki fantasia by Chikao Tanaka( Book )

2 editions published between 1994 and 1995 in Undetermined and English and held by 45 WorldCat member libraries worldwide

The Protocols of the Elders of Zion : Aum and antisemitism in Japan by David G Goodman( Book )

7 editions published in 2005 in English and held by 36 WorldCat member libraries worldwide

Concerned theatre Japan the graphic art of Japanese theatre, 1960-1980( )

1 edition published in 1998 in English and held by 14 WorldCat member libraries worldwide

Features a collection of over seventy theatre posters documenting the development of modern Japanese culture. This fully interactive CD-ROM offers viewers a layered presentation of images, video clips of performances by theatre troupes, text, and music
Hashiru : kokusaika jidai no chichioyajutsu by David G Goodman( Book )

3 editions published in 1989 in Japanese and held by 11 WorldCat member libraries worldwide

Satoh Makoto and the post-shingeki movement in Japanese contemporary theatre by David G Goodman( )

4 editions published in 1982 in English and held by 9 WorldCat member libraries worldwide

Yudayajin inbōsetsu : Nihon no naka no han Yudaya to shin Yudaya by David G Goodman( Book )

1 edition published in 1999 in Japanese and held by 4 WorldCat member libraries worldwide

Simplifile a complete practice set by Joseph S Fosegan( Visual )

2 editions published between 1987 and 1995 in English and held by 4 WorldCat member libraries worldwide

Prepares student for manual filing procedures, such as those found in the modern office
Fujisan mieta : Satō Makoto ni okeru kakumei no engeki by David G Goodman( Book )

1 edition published in 1983 in Japanese and held by 3 WorldCat member libraries worldwide

Current Japanese attitudes toward the Jews and their implications for U.S.-Japanese relations by David G Goodman( Book )

1 edition published in 1989 in English and held by 3 WorldCat member libraries worldwide

Office filing procedures by David G Goodman( Visual )

1 edition published in 1987 in English and held by 2 WorldCat member libraries worldwide

The dreams of our generation ; and, Selections from Beijing's people by Xinxin Zhang( Book )

1 edition published in 1988 in English and held by 2 WorldCat member libraries worldwide

Wounds in time: the aesthetic afterlives of the Cultural Revolution by Yiju Huang( )

1 edition published in 2011 in English and held by 2 WorldCat member libraries worldwide

My dissertation, ⁰́Wounds in Time: the Aesthetic Afterlives of the Cultural Revolution, ⁰́₊ departs from the traditional historicist approach to the Cultural Revolution, contributing instead an investigation of the Cultural Revolution through its aesthetic afterlives. This study crosses disciplines and seeks to grasp the traumatic traces embedded within works of literature, art, and cinema that deal with the Cultural Revolution consciously or unconsciously, in lucidity or encryption. My analysis of the Cultural Revolution as a traumatic wound endeavors to bring the concealed political crimes, disavowed pains and absent feelings into historical consciousness. Figures central to this study include writers Han Shaogong, Yu Hua, and Hong Ying, artist Zhang Xiaogang, as well as filmmakers Jia Zhangke and Jiang Wen. Drawing on classical theory of trauma by Freud as well as works by subsequent theorists such as Nicholas Abraham and Maria Torok, Cathy Caruth and Dominick LaCapra, I maintain that the Cultural Revolution is not a fixed temporal entity but a phantom that stretches beyond history, finding contemporary cultural avenues of expression, and rematerializing to demand recognition and reparation. Further, by means of bringing trauma theory into a new historical/cultural context, this study translates/revises trauma theory beyond its Eurocentric provenance
 
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Jews in the Japanese mind : the history and uses of a cultural stereotype
Alternative Names
David G. Goodman Amerikaans schrijver (1946-2011)

Goodman, Dabid G

グッドマン, ディヴィッド

グッドマン, デイヴィッド

デイヴィッド・グッドマン

デイヴィッド・グッドマン 1946-

Languages
Covers
Angura : posters of the Japanese avant-gardeLand of volcanic ash : a play in two partsThe return of the gods : Japanese drama and culture in the 1960sFive playsThe head of Mary : a Nagasaki fantasiaSimplifile a complete practice set