WorldCat Identities
Fri Mar 21 17:09:39 2014 UTClccn-n886095140.23Analyzing four-part vertical sonorities in fifteenth-century sacred polyphony a comparison of selected Ockeghem kyries according to contrapuntal theory of Pietro Aaron /0.871.00[Epistolae familiarium]286431484Pietro_Aronn 886095142199527Aaron, Petro.Aaron, PetrusAaron, Pietro.Aaron, Pietro (1480?-1550?).Aaron, Pietro ca.1480-1545Aaron, Pietro, sec. XVIAron, Petro.Aron, Petrus ca.1480-1545Aron, Piero.Aron, Piero ca. 1480-ca. 1545Aron, Pietrolccn-n82099738Zarlino, Gioseffo1517-1590lccn-nr95014220Judd, Cristle Collinslccn-no98124573Heyden, Sebald-1561lccn-n84006965Glareanus, Henricus1488-1563lccn-n85309297Elders, Willemlccn-n83156027Bergquist, Petertrlviaf-2616752Flaminio, Giovanni Antonio1464?-1536trledtlccn-n81061976Marpurg, Friedrich Wilhelm1718-1795np-link, john wLink, John W.lccn-n85127345Frey, GeorgauiedtAaron, PietroHistoryCriticism, interpretation, etcMusic theoryAaron, PietroMusic--Instruction and studyHeyden, Sebald,Glareanus, Henricus,Zarlino, Gioseffo,Music printingEuropeGregorian chants--Instruction and studyMusical temperamentTuningGregorian chantsEarly printed booksCounterpointMusical intervals and scalesMasses (Ockeghem, Johannes)HarmonyOckeghem, Johannes,Kyrie eleison (Music)HumanistsFlam., Antonio--(Flaminio),ItalyGaffurius, Franchinus,Vocal music1489154515001507151615231525152915321539154515501562159918101954195719631964196519661969197019721974197519761978197919801982198619881990199519992000200220032006242470336781ML171ocn84308058324937ocn002528179book15160.94Aaron, PietroLibri tres de institutione harmonicaHistory2407ocn000137638book19700.84Aaron, PietroToscanello in music22332ocn001330811book15160.94Aaron, PietroCompendiolo di molti dubbi, segreti et sentenze intorno al canto fermo, et figuratoHistory21027ocn005160499book15450.92Aaron, PietroLucidario in musicaHistory21027ocn007036436book15250.90Aaron, PietroTrattato della natura et cognitione di tutti gli tuoni di canto figurato non da altrui piu scrittiHistoryCriticism, interpretation, etc16341ocn000809791book15000.95Aaron, PietroToscanello in musicaHistory16216ocn000332444book19700.86Aaron, PietroToscanello in musicaHistory976ocn002057844book19690.92Aaron, PietroThoscanello de la musicaHistory7720ocn022019196book15250.96Aaron, PietroTrattato della natvra et cognitione di tvtti gli tvoni di canto figvrato non da altrvi piv scrittiHistory655ocn000919851book19630.93Link, John WTheory and tuning : Aron's meantone temperament and Marpurg's temperament "I"2810ocn027294997book15230.95Aaron, PietroThoscannello de la mvsica di messer Pietro AaronHistory204ocn023486076book19690.95Aaron, PietroThoscanello de la musica : a facsimile of the Venice 1523 edition1812ocn029412598book15230.97Aaron, PietroThoscanello de la musica122ocn021774941book19700.95Aaron, PietroToscanello in musica : Faksimile-Nachdruck der 3. Auflage, Venedig 1539History65ocn024015147book15390.81Aaron, PietroToscanello in musica di messer Piero Aron Nuouamente sta[m]pato con la gionta da lui fatta [et] con diligentia co[r]retto42ocn300155883book19700.27Aaron, PietroToscanello in music42ocn251657867book19700.27Aaron, PietroToscanello in music42ocn251657859book19700.27Aaron, PietroToscanello in music31ocn611074408score19660.47Aaron, PietroTrattato della natura et cognitione di tutti gli tuoni di canto figurato non da altrui piu scritti32ocn023621944book15620.96Aaron, PietroToscanello. ... Nella quale, dopo le laudi, la origine, la difinitione, & la diuisione della musica; con essatissimo, & ageuolissimo trattato s'insegna tutto quello, che alla pratica del cantare, & del comporre canti in musica, & a diuenire perfetto musico, è necessario. Con l'aggivnta fatta dall'avtore stesso, innanzi che morisse, hora nuouamente con sommo studio, & diligentia riueduta, ricorretta, & ristampata4824ocn491985983book20000.70Judd, Cristle CollinsReading Renaissance music theory : hearing with the eyesHistoryCriticism, interpretation, etc"This book offers a new perspective on a central group of music theory treatises that have long formed a background to the study of Renaissance music. Taking theorists' music examples as a point of departure, it explores fundamental questions about how music was read, and by whom, situating the reading in specific cultural contexts. In particular this study illuminates the ways in which Renaissance theorists' choices have shaped later interpretation of earlier practice, and reflexively the ways in which modern theory has been mapped on to that practice."--BOOK JACKET+-+64637567057111ocn001967555book19640.94Bergquist, PeterThe theoretical writings of Pietro AaronHistoryCriticism, interpretation, etc74ocn039272548book19880.88Moll, Kevin NAnalyzing four-voice vertical sonorities in fifteenth-century sacred polyphony : a comparison of selected Ockeghem Kyries according to contrapuntal theory of Pietro AaronHistoryCriticism, interpretation, etc21ocn225827887book19880.23Moll, Kevin NAnalyzing four-part vertical sonorities in fifteenth-century sacred polyphony a comparison of selected Ockeghem kyries according to contrapuntal theory of Pietro AaronHistoryCriticism, interpretation, etc11ocn053236917book1.00Flam., Antonio[Epistolae familiarium]Records and correspondence11ocn731260736score19640.47Bergquist, PeterThe theoretical writings of Pietro Aaron+-+6463756705Fri Mar 21 16:12:00 EDT 2014batch17083