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Each interview is enhanced with film segments, video segments and still photographs from the life and work of each interviewee. The interviews are followed by question and answer sessions with the audience.</summary></citation><citation><uniqueHoldings>1</uniqueHoldings><holdings>1</holdings><numEditions>2</numEditions><oclcnum>ocn213484424</oclcnum><exprid>sw213484424:lccn-n92-72414</exprid><isFiction>False</isFiction><recordType>visu</recordType><date>1998</date><languages count="1"><lang code="eng" count="2"/></languages><dates different="1" first="1998" last="1998"/><title>Inside the Actors Studio. Mary Stuart Masterson</title><summary>James Lipton hosts an evening of discussion with actor Mary Stuart Masterson. Masterson discusses her upbringing in a theater and film oriented household headed by her parents, writer/director Peter Masterson and actor Carlin Glynn; her decision to pursue acting, and landing a role in the motion picture Heaven help us (1985) at 17; being cast as a &quot;tough, vulnerable, misfit&quot; in a series of motion pictures, including At close range (1986), in which she played opposite Sean Penn and Christopher Walken; Immediate family (1989); as Idgie Threadgoode in Fried green tomatoes (1991); and Benny &amp; Joon (1993), in which she played a young psychotic woman, and worked closely with co-stars Johnny Depp and Aidan Quinn. Masterson describes the chemistry she feel when working with other actors; acting for the stage versus the screen; what she seeks from a director; and her interest in making films. She is joined for the last ten minutes of discussion by her parents, who speak about their drama training and their work with the Actors Studio. A brief question and answer session with Masterson, her parents, and the Actors Studio master's degree students concludes the program.</summary></citation><citation><uniqueHoldings>1</uniqueHoldings><holdings>1</holdings><numEditions>1</numEditions><oclcnum>ocn184987010</oclcnum><exprid>sw184987010:lccn-n92-72414</exprid><isFiction>False</isFiction><recordType>rcrd</recordType><date>2007</date><languages count="1"><lang code="eng" count="1"/></languages><dates different="1" first="2007" last="2007"/><title>Masterson takes on a new role Not an actress by choice, Masterson's first acting experiences were attributed to parental involvement in stage and film. Today, her choices to either act or direct are the result of a passion for telling a good story, or portraying an individual in as real and accurate an expression possible. She reflects on the possibility that acting debilitates directing, and vice versa. 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In the late 80s and early 90s, Mary Stuart Masterson chose unconventional big-screen roles ranging from a tomboy teen in John Hughes' Some Kind of Wonderful, to a headstrong Georgian in Fried Green Tomatoes, to an unstable dreamer in Benny and Joon.</summary></citation><citation><uniqueHoldings>1</uniqueHoldings><holdings>1</holdings><numEditions>1</numEditions><oclcnum>ocn084160254</oclcnum><exprid>sw084160254:lccn-n92-72414</exprid><isFiction>False</isFiction><recordType>visu</recordType><date>1994</date><languages count="1"><lang code="eng" count="1"/></languages><dates different="1" first="1994" last="1994"/><title>It was a dangerous time to be a woman; and a good time to have friends Madeleine Stowe, Mary Stuart Masterson, Bad Girls, Andie MacDowell, Drew Barrymore</title><genres><genre count="1" norm="film posters american">Film posters, American</genre></genres></citation><citation><uniqueHoldings>1</uniqueHoldings><holdings>1</holdings><numEditions>1</numEditions><oclcnum>ocn083780295</oclcnum><exprid>sw083780295:lccn-n92-72414</exprid><isFiction>False</isFiction><recordType>book</recordType><date>1994</date><languages count="1"><lang code="eng" count="1"/></languages><dates different="1" first="1994" last="1994"/><title>Bad girls</title><summary>Contains synopsis, credits, biographies, and still photographs.</summary></citation></about><bestCover oclc="ocn144635446" type="isbn">+-+K374839406</bestCover><Identity>Thu Dec 02 19:01:08 EST 2010<Identity/></Identity></Identity>
