WorldCat Identities

Franklin, David 1961-

Overview
Works: 211 works in 496 publications in 3 languages and 5,503 library holdings
Genres: Exhibition catalogs  Criticism, interpretation, etc  Catalogs  Conference papers and proceedings 
Roles: Author, Editor, Collector, Contributor, Curator, Author of introduction
Classifications: ND621.F7, 759.5
Publication Timeline
.
Most widely held works about David Franklin
 
Most widely held works by David Franklin
Painting in Renaissance Florence, 1500-1550 : "spirit, beauty, and perfection" by David Franklin( Book )

16 editions published in 2001 in English and Italian and held by 831 WorldCat member libraries worldwide

"This book overturns longstanding assumptions about the way art evolved in Renaissance Florence. David Franklin challenges the reliability and usefulness of the terms 'High Renaissance' and 'Mannerism', which have been used commonly to describe and define the extraordinary paintings of the Florentine Renaissance. Franklin offers instead a new perspective on the progress and development of art in Florence, structuring his discussion around the lives and works of twelve influential Italian painters of the era."
Leonardo Da Vinci, Michelangelo, and the Renaissance in Florence by David Franklin( Book )

14 editions published in 2005 in English and held by 697 WorldCat member libraries worldwide

The decades from 1500 to 1550 in Florence encompassed one of the most original and outstanding periods in the entire history of art. This gloriously illustrated book gathers and describes many of the beloved paintings, drawings, and sculptures created by the greatest masters of the period along with less familiar but equally beautiful and intriguing works. The contributors to the book explore the masterpieces of Florence and challenge conventional interpretations of the evolution of this art. The book outlines the historical context of the Florentine High Renaissance and then discusses drawings, paintings, and sculpture in turn. Focusing on major artists and their contemporaries and allies, the authors demonstrate the great importance of drawing during this period and show that there was a consistency in the brand of creativity found in such artists as Michelangelo, Fiorentino, Cellini, and Bronzino. The authors question the relevance of terms like High Renaissance and Mannerism, and they contend that, contrary to commonly held assumptions, there was no strong stylistic division between art produced in Florence before and after the death of Raphael in 1520
Rosso in Italy : the Italian career of Rosso Fiorentino by David Franklin( Book )

10 editions published in 1994 in English and Italian and held by 697 WorldCat member libraries worldwide

Om den italienske renæssancemaler Giovanni Battista Rosso, kaldet Rosso Fiorentino (1494-1540) i perioden indtil 1530, hvor han flyttede til Frankrig
Caravaggio & his followers in Rome by David Franklin( Book )

14 editions published in 2011 in English and French and held by 639 WorldCat member libraries worldwide

"The Italian artist Caravaggio (1571-1610) had a profound impact on a wide range of baroque painters of Italian, French, Dutch, Flemish, and Spanish origin who resided in Rome either during his lifetime or immediately afterward. This captivating book illustrates the notion of "Caravaggism," showcasing 65 works by Peter Paul Rubens and other important artists of the period who drew inspiration from Caravaggio. Also depicted are Caravaggio canvases that fully exhibit his distinctive style, along with ones that had a particularly discernible impact on other practitioners. Caravaggio's influence was greatest in Rome, where his works were seen by the largest and most international group of artists, and was at its peak in the early decades of the 17th century both before and after his untimely death at the age of 39. Not since Michelangelo or Raphael has one European artist affected so many of his contemporaries and over such broad geographic territory. Essays by an array of major Caravaggio scholars illuminate the underlying principles of the exhibit, reveal how Caravaggio altered the presentation and interpretation of many traditional subjects and inspired unusual new ones, and explore the artist's legacy and how he irrevocably changed the course of painting."--Publisher's description
The art of Parmigianino by David Franklin( Book )

16 editions published between 2003 and 2004 in English and held by 622 WorldCat member libraries worldwide

"The beauty and range of the work of the sixteenth-century artist Parmigianino as painter, draughtsman, and printmaker make him one of the most remarkable figures of the Italian Renaissance. He was an artist who seemed to discover his style without any effort, and his art was universally recognized as being graceful, or full of grace. In his day, "grace" was understood to be a spiritual endowment, conferring qualities that could not be taught. It was one of the preconditions of natural genius, so highly valued among Renaissance artists. But nothing as effortlessly elegant as Parmigianino's drawings and paintings could have been achieved without effort. It is through a close study of the drawings, in particular, that one is able to discern the sources of Parmigianino's style and the creative struggles he endured." "This illustrated study offers a comprehensive reassessment of his work as a draughtsman. More than eighty works on paper, selected from collections around the world, are discussed in detail. Among Renaissance artists, Parmigianino was perhaps more conscious than any of the potential of the graphic arts to convey, and indeed broadcast, complex ideas. He explored this potential himself, not only by means of his numerous drawings but also through the etchings he produced on his own (effectively introducing this print medium into Italian art) and through the engravings and chiaroscuro woodcuts that were made after his designs. In these media, his influence travelled farther and wider than it could have through his paintings alone." "This book coinciding with the quincentenary of the artist's birth in Parma in 1503, accompanies an exhibition presented at the National Gallery of Canada, Ottawa, from October 3, 2003 to January 4, 2004, and at The Frick Collection, New York, from January 27 to April 18, 2004"--Jacket
Treasures of the National Gallery of Canada by National Gallery of Canada( Book )

15 editions published between 2002 and 2009 in English and French and held by 450 WorldCat member libraries worldwide

"This volume, featuring 128 full-page colour illustrations, showcases a wide-ranging selection of the most outstanding works from Canada's largest art museum. Each of the pieces chosen for inclusion is introduced by a curatorial specialist, who sets it in its historical context and comments on its meaning and its place in the artist's oeuvre." "Pride of place is given to the Gallery's unparalleled holdings in Canadian art, but European art - paintings, sculptures, prints and drawings - is equally well represented. Masterworks from the Inuit art collection are also included, as well as examples from the Gallery's small but distinguished Asian collection. In recent decades, photographs have become an increasingly important part of the Gallery's collecting mandate, both through its own collection and that of its affiliate the Canadian Museum of Contemporary Photography, and this emphasis too is amply reflected here."--Jacket
From Raphael to Carracci : the art of Papal Rome by David Franklin( Book )

7 editions published in 2009 in English and held by 254 WorldCat member libraries worldwide

Piero di Cosimo : the poetry of painting in Renaissance Florence by Gretchen A Hirschauer( Book )

4 editions published in 2015 in English and held by 242 WorldCat member libraries worldwide

Born in 1462, an auspicious time for hopeful young painters in Renaissance Florence, Piero di Cosimo left the city's artistic landscape forever changed upon his death in 1522. The singular vision of this highly esteemed painter is beautifully presented in this important publication, which accompanies the first-ever retrospective of di Cosimo's astonishing career. A contemporary of luminaries such as Botticelli, Leonardo and Michelangelo, Piero di Cosimo was regarded in his day as a creative spirit of uncommon imagination. As a poet his fantastic inventions rivalled the verses of the shining lights of ancient Greece and Rome, whose myths and allegories he set out to transform in a strange language all his own. As a masterful painter of both sacred and profane subjects he could flit between complex, crowded compositions and scenes of intimate, tranquil lyricism. This groundbreaking publication demonstrates di Cosimo's range through in-depth discussions of individual works that help to substantiate specific interpretations and cases of authorship while also addressing the broader social and religious functions of image-making in the period. This unique publication makes a significant contribution to our understanding of a true Italian master, arguably Renaissance art's most spellbinding storyteller
Italian drawings from the National Gallery of Canada by National Gallery of Canada( Book )

11 editions published in 2003 in English and held by 157 WorldCat member libraries worldwide

Treasures from the Cleveland Museum of Art by Cleveland Museum of Art( Book )

3 editions published in 2012 in English and held by 124 WorldCat member libraries worldwide

Dutch and Flemish drawings from the National Gallery of Canada by National Gallery of Canada( Book )

5 editions published in 2004 in English and held by 93 WorldCat member libraries worldwide

Italian Renaissance masters( Book )

3 editions published in 2001 in English and held by 78 WorldCat member libraries worldwide

The Cleveland Museum of Art by Cleveland Museum of Art( Book )

5 editions published between 2012 and 2013 in English and held by 67 WorldCat member libraries worldwide

Caravaggio and his circle in Rome : a barbaric and brutal manner by David Franklin( Book )

3 editions published in 2011 in English and held by 30 WorldCat member libraries worldwide

L'art de Parmesan by David Franklin( Book )

9 editions published in 2003 in French and held by 28 WorldCat member libraries worldwide

Caravaggio & les peintres caravagesques à Rome by David Franklin( Book )

4 editions published in 2011 in French and held by 18 WorldCat member libraries worldwide

Rosso Fiorentino e Jacopo V Appiani : [consorso internazionale, Piombino, 1994-1995] by Carlo Falciani( Book )

5 editions published in 1996 in Italian and held by 16 WorldCat member libraries worldwide

"Ce livre est né dans le cadre du "projet Appiani" à la suite d'un concours international (1994-1995) organisé par la ville de Piombino en hommage au peintre Rosso Fiorentino et de ses rapports avec les Appiani, seigneurs de la ville
Dessins italiens du Musée des beaux-arts du Canada by National Gallery of Canada( Book )

5 editions published between 1983 and 2003 in French and held by 11 WorldCat member libraries worldwide

Painting in Florence, 1500-1550 by David Franklin( Book )

1 edition published in 2001 in English and held by 10 WorldCat member libraries worldwide

The last days of Pompeii : decadence, apocalypse, resurrection by Victoria C Gardner Coates( Book )

1 edition published in 2012 in English and held by 8 WorldCat member libraries worldwide

Destroyed yet paradoxically preserved by the eruption of Mount Vesuvius in A.D. 79, Pompeii and other nearby sites are usually considered places where we can most directly experience the daily lives of ancient Romans. Rather than present these sites as windows to the past, however, the authors of this book exlore Pompeii as a modern obsession, in which the Vesuvian sites function as mirrors of the present. Through cultural appropriation and projection, outstanding visual and literary artists of the last three centuries have made the ancient catastrophe their own, expressing contemporary concerns in diverse media, from paintings, prints, and sculpture, to theatrical performances, photography, and film. This volume, featuring the works of artists such as Piranesi, Fragonard, Kaufmann, Ingres, Chasseriau, and Alma-Tadema, as well as Duchamp, Dali, Rothko, Rauschenberg, and Warhol, surveys the legacy of Pompeii in the modern imagination under the three overarching rubrics of decadence, apocalypse, and resurrection. The section on decadence investigates the perception of Pompeii as a site of impending and well-deserved doom due to the excesses of the ancient Romans, such as paganism, licentiousness, greed, gluttony, and violence. The catastrophic demise of the Vesuvian sites has become inexorably linked with the understanding of antiquity, turning Pompeii into a fundamental allegory for apocalypse, to which all subsequent disasters (natural or man-made) are related, from the San Francisco earthquake of 1906 to Hiroshima, Nagasaki, 9/11, and Hurricane Katrina. The section on resurrection examines how Pompeii and the Vesuvian cities have been reincarnated in modern guise through both scientific archaeology and fantasy, as each successive cultural reality superimposed its values and ideas on the distant past
 
moreShow More Titles
fewerShow Fewer Titles
Audience Level
0
Audience Level
1
  Kids General Special  
Audience level: 0.49 (from 0.39 for Leonardo D ... to 0.87 for Franklin, ...)

Painting in Renaissance Florence, 1500-1550 : "spirit, beauty, and perfection"Painting in Florence, 1500-1550
Alternative Names
David Franklin Amerikaans microbioloog

Franklin, David G. 1961-

Дэвид Франклин

Languages
English (124)

French (21)

Italian (7)

Covers
Leonardo Da Vinci, Michelangelo, and the Renaissance in FlorenceRosso in Italy : the Italian career of Rosso FiorentinoCaravaggio & his followers in RomeThe art of ParmigianinoTreasures of the National Gallery of CanadaFrom Raphael to Carracci : the art of Papal RomeCaravaggio and his circle in Rome : a barbaric and brutal mannerCaravaggio & les peintres caravagesques à RomePainting in Florence, 1500-1550