WorldCat Identities

Reusch, Amy

Publication Timeline
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Most widely held works about Amy Reusch
 
Most widely held works by Amy Reusch
Patricia Wilde coaching excerpts from Square dance by George Balanchine Foundation( Visual )

3 editions published between 1997 and 2008 in English and held by 177 WorldCat member libraries worldwide

Wilde, who created the principal ballerina's role in Square dance upon its premiere by the New York City Ballet in 1957, discusses details of Balanchine's choreography, the use of square dance caller Elisha C. Keeler in the original production, and Balanchine's teaching in general
Patricia Wilde coaching excerpts from Raymonda variations( Visual )

3 editions published between 1996 and 2008 in English and held by 173 WorldCat member libraries worldwide

Patricia Wilde, who created the principal ballerina's role in George Balanchine's Raymonda variations (then titled Valses et variations) for the New York City Ballet in 1961, coaches young dancers in the two ballerina variations and pas de deux from the ballet. In the interview sections, she analyzes details of the choreography, describes how Balanchine taught specific steps and movements, and discusses the relationship between his teaching and his choreography. She also recalls the ballet's first performance, and compares it to his previous ballets Raymonda (1946), staged with Alexandra Danilova for the Ballet Russe de Monte Carlo, and Pas de dix, first presented by New York City Ballet in 1955
Water study by Doris Humphrey( Visual )

6 editions published between 1997 and 2008 in English and held by 106 WorldCat member libraries worldwide

Ernestine Stodelle, a former member of the Humphrey-Weidman Company, coaches students in Doris Humphrey's Water study (1928, as reconstructed by Ernestine Stodelle and Eleanor King in 1976), which is performed without musical accompaniment. Analyzing the choreography section by section, she clarifies and refines its details, with attention to shape, timing, dynamics, and motivation. Each section is preceded by a video clip depicting the choreography in performance, and key concepts are identified in subtitles. Finished with a full performance of the work
Two ecstatic themes circular descent, pointed ascent( Visual )

6 editions published between 1997 and 2008 in English and held by 62 WorldCat member libraries worldwide

Ernestine Stodelle, a former member of the Humphrey-Weidman Company, coaches Sarita Smith-Childs in Doris Humphrey's Two ecstatic themes, a solo in two parts, Circular descent and Pointed ascent. Analyzing the choreography section by section, she clarifies and refines its details, with attention to shape, timing, dynamics, and motivation. The sections are preceded by video clips showing the choreography in performance, and key concepts are identified in subtitles. A full performance of the work concludes the tape. This tape is not intended as a means of learning the choreography, nor as a replacement for the notation score or a coach. All works by Doris Humphrey are copyrighted, and permission to perform them must be obtained from her son Charles Humphrey Woodford
Air for the G string by Doris Humphrey( Visual )

5 editions published between 1997 and 1998 in English and held by 52 WorldCat member libraries worldwide

Ernestine Stodelle, a former member of the Humphrey-Weidman Company, coaches students in Doris Humphrey's Air for the G string, a work for five dancers. Analyzing the choreography section by section, she clarifies and refines its details, with attention to shape, timing, dynamics, and motivation. Key concepts are identified in subtitles. A b & w film of the work, recorded in 1934 with Doris Humphrey as the central dancer, is screened in full at the beginning and end of the coaching session, and excerpts from this film precede each section. A full performance of the work, recorded in 1995, concludes the tape. This tape is not intended as a means of learning the choreography, nor as a replacement for the notation score or a coach. All works by Doris Humphrey are copyrighted, and permission to perform them must be obtained from her son Charles Humphrey Woodford
The Shakers : hands to work, hearts to God by Doris Humphrey( Visual )

6 editions published between 1997 and 2008 in English and held by 37 WorldCat member libraries worldwide

Restaging of Doris Humphrey's The Shakers, performed by students at the 5th annual Doris Humphrey Technique Workshop in Oak Park, Ill. Footage from Gail Corbin's preparatory rehearsals with the students provides a detailed breakdown and analysis of the choreography. Ernestine Stodelle's coaching, given after she had viewed a dress rehearsal, is illustrated with still photographs depicting the Shakers' life and arts, and rehearsal and performance excerpts. A full performance of the work concludes the tape. This tape is not intended as a means of learning the choreography, nor as a replacement for the notation score or a coach. All works by Doris Humphrey are copyrighted, and permission to perform them must be obtained from her son Charles Humphrey Woodford
The Doris Humphrey legacy by Doris Humphrey( Visual )

1 edition published in 1998 in English and held by 29 WorldCat member libraries worldwide

Provides behind-the-scenes analysis of each movement, phrase-by-phrase, of five Doris Humphrey works. Ernestine Stodelle, an original member of the Humphrey-Weidman Company, provides meticulous, inspiring coaching and commentary for each dance. Each video concludes with a complete performance of the work
Frederic Franklin recreating the male solo from Raymonda, Act III( Visual )

1 edition published in 1998 in English and held by 27 WorldCat member libraries worldwide

Frederic Franklin, a former premier danseur of the Ballet Russe de Monte Carlo, works in the studio with Nikolaj Hübbe, a principal dancer of New York City Ballet, on the male variation from the Pas Classique Hongrois from Raymonda, Act III. The variation was choreographed by George Balanchine for Franklin, although an injury prevented him from performing in the ballet's premiere. Hübbe first marks the variation, then dances it full-out in its entirety or in sections as he and Franklin discuss and refine its components. In the ensuing interview with Nancy Reynolds, Franklin reminisces about Balanchine's creation of Raymonda for the Ballet Russe de Monte Carlo in 1946, with a cast headed by Alexandra Danilova as Raymonda, himself (alternating with Nicholas Magallanes) as Jean de Brienne, and Nikita Talin as the Emir Abd-er-Raham. He also recalls other works staged by Balanchine for the Ballet Russe de Monte Carlo, notably Jeu de cartes, La sonnambula, Danses concertantes, Concerto barocco, and the musical Song of Norway
The call Breath of fire( Visual )

2 editions published between 1997 and 1998 in English and held by 22 WorldCat member libraries worldwide

Ernestine Stodelle, a former member of the Humphrey-Weidman Company, coaches Nina Watt in two solos choreographed by Doris Humphrey, The call and Breath of Fire. Analyzing the choreography section by section, she clarifies and refines its details, with attention to shape, timing, dynamics, and motivation. Key concepts are identified in subtitles. A full performance of the two solos concludes the tape. This tape is not intended as a means of learning the choreography, nor as a replacement for the notation score or a coach. All works by Doris Humphrey are copyrighted, and permission to perform them must be obtained from her son Charles Humphrey Woodford
The source experience : enriching the Humphrey legacy( Visual )

2 editions published between 2005 and 2008 in English and held by 10 WorldCat member libraries worldwide

Based on Shaker ritual, The Shakers weaves Humphrey's fascination with the sect with her interest in formal dance composition. The dance portrays the shaking off of sin by celibate members who achieve a state of religious ecstacy. This program features performance excerpts from The Shakers inter-cut with workshop footage and commentary
The call Breath of fire( Visual )

2 editions published in 1997 in English and held by 7 WorldCat member libraries worldwide

Ernestine Stodelle, a former member of the Humphrey-Weidman Company, coaches Nina Watt in two solos choreographed by Doris Humphrey, The call and Breath of Fire. Analyzing the choreography section by section, she clarifies and refines its details, with attention to shape, timing, dynamics, and motivation. Key concepts are identified in subtitles. A full performance of the two solos concludes the tape. This tape is not intended as a means of learning the choreography, nor as a replacement for the notation score or a coach. All works by Doris Humphrey are copyrighted, and permission to perform them must be obtained from her son Charles Humphrey Woodford
Dance links( )

in English and held by 4 WorldCat member libraries worldwide

Collection of world wide web sites on various aspects of dance
Rêves, verres et fenêtres [and] Träume( Visual )

in French and held by 1 WorldCat member library worldwide

Planets by Gustav Holst( Visual )

1 edition published in 1992 in English and held by 1 WorldCat member library worldwide

Journey through space and time, witnessing the birth of the sun and traveling to the outer limits of the solar system
Glazunov variations( Visual )

1 edition published in 1992 in English and held by 1 WorldCat member library worldwide

Sacred and profane [videorecording]( Visual )

1 edition published in 1991 in English and held by 1 WorldCat member library worldwide

Kansas City Ballet( Visual )

1 edition published in 2001 in English and held by 1 WorldCat member library worldwide

Franklin Court [videorecording]( Visual )

1 edition published in 1991 in English and held by 1 WorldCat member library worldwide

Four new ballets by Leigh Witchel( Visual )

1 edition published in 2001 in English and held by 1 WorldCat member library worldwide

In the vestry( Visual )

1 edition published in 1992 in English and held by 1 WorldCat member library worldwide

 
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Audience Level
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  Kids General Special  
Audience level: 0.41 (from 0.19 for Planets / ... to 0.83 for Franklin C ...)

Water study
Languages
English (46)

French (1)

Covers
The Shakers : hands to work, hearts to GodThe source experience : enriching the Humphrey legacy