WorldCat Identities

Noseda, Gianandrea

Overview
Works: 481 works in 1,015 publications in 9 languages and 18,457 library holdings
Genres: Musical settings  Live sound recordings  Concertos  Requiems  Arrangements (Music)  Sonatas  Excerpts  Operas  Variations (Music)  Art music 
Roles: Conductor, Performer, msd, Author, Director, Other, Commentator, Interviewee
Classifications: M1010, 784.262
Publication Timeline
.
Most widely held works by Gianandrea Noseda
Aria : the opera album by Andrea Bocelli( Recording )

21 editions published between 1998 and 2005 in 8 languages and held by 883 WorldCat member libraries worldwide

Symphonic poems by Franz Liszt( )

7 editions published in 2005 in 3 languages and held by 439 WorldCat member libraries worldwide

Orchestral works by Bedřich Smetana( )

6 editions published in 2007 and held by 436 WorldCat member libraries worldwide

Opera arias by Anna Netrebko( Recording )

24 editions published between 2003 and 2012 in 8 languages and held by 344 WorldCat member libraries worldwide

Piano concertos nos. 1-5 by Sergey Prokofiev( )

11 editions published between 2013 and 2014 in No Linguistic content and Undetermined and held by 330 WorldCat member libraries worldwide

Jean-Efflam Bavouzet tackles Prokofiev's five formidable piano concertos
Piano concertos by Wolfgang Amadeus Mozart( )

8 editions published in 2010 in 3 languages and held by 314 WorldCat member libraries worldwide

Anna Vinnitskaya has now joined Alpha Classics. Her first recording for the label is devoted to one of her repertories of choice: the concertos of Shostakovich.'When I performed the Second Piano Concerto for the first time at the age of eleven, his music seemed very optimistic to me. Only later did I understand everything else that is concealed behind the "façade" of Shostakovich's music.'[The Russian pianist reveals two facets of the composer's music on this disc by juxtaposing the First Piano Concerto in C minor op. 35, an 'insolent' composition with a kaleidoscope of atmospheres and stylistic registers (Russian Romanticism, American jazz, neoclassicism) that constantly surprise the listener, and the more traditional Concerto in F major, which radiates youthful high spirits.] A pupil of Sergey Ossipenko at the Serge Rachmaninoff Conservatory, then of the great Evgeni Koroliov at the Musikhochschule in Hamburg, Anna Vinnitskaya won the Leonard Bernstein Prize, but it was her First Prize at the Queen Elisabeth Competition in Brussels in 2007 that launched her career. For this recording, Anna Vinnitskaya is surrounded by partners of the front rank: the famous Kremerata Baltica, regarded as one of the most creative ensembles on today's musical scene, and the prestigious wind players of the Staatskapelle Dresden
Violin and viola concertos by Béla Bartók( )

5 editions published in 2011 and held by 306 WorldCat member libraries worldwide

Tartiniana ; Due pezzi ; Piccola musica notturna ; Frammenti sinfonici dal balletto Marsia ; Variazioni per orchestra by Luigi Dallapiccola( )

2 editions published in 2004 and held by 304 WorldCat member libraries worldwide

War requiem by Benjamin Britten( )

11 editions published in 2012 in 3 languages and held by 294 WorldCat member libraries worldwide

Just because the definitive recording of Britten's War Requiem has already been made by Britten himself is no reason not to keep recording it. For one thing, the work is simply too affecting and too important to ignore. And for another, the work is too deep and too varied to be encompassed by only one recording, even one so superlative and so sympathetic as the composer's own. Thus, one can have in principle no objections to this live 2007 recording led by Helmuth Rilling. After all, the stalwart German conductor is a highly skilled and deeply experienced choral director who clearly knows his way around monumental scores: his recordings of Bach's Passions are proof of that. But though this is a fine performance with many points to recommend it, it is not a great performance. Rilling does an outstanding job of guiding his forces through the work and a more than adequate job of aiming them toward the work's meaning. But one wants more than "more than adequate" in the War Requiem, and in Rilling's hands, the big moments and its intimate moments fail to strike as profoundly as they ought. The soloists are a mixed lot. Tenor James Taylor and baritone Christian Gerhaher have strong and steady voices, but though soprano Annette Dasch has a lovely voice, she tends to get a bit wobbly above the staff. The chorus of the Festivalensemble Stuttgart and the Aurelius S?ngerknaben are both excellent and they do wonders with the work's huge choruses. But the orchestra of the Festivalensemble, while colorful, does not have quite enough size and weight to bring off the big climaxes. H?nssler's super audio sound is definitely a plus -- the sheer size of the sound is amazing -- but not all that much of an improvement over Decca's fabulous stereo sound for Britten. In sum, then, those who don't know the War Requiem are directed toward Britten's recording, while those who do might consider Rilling's as a third or fourth choice after Hickox's or Shaw's. James Leonard, All Music Guide
The stone flower : op. 118 by Sergey Prokofiev( )

7 editions published between 2003 and 2009 in 3 languages and held by 280 WorldCat member libraries worldwide

Bassoon concertos by Karen Geoghegan( )

3 editions published in 2010 and held by 273 WorldCat member libraries worldwide

Francesca da Rimini by Sergei Rachmaninoff( )

12 editions published in 2007 in Russian and Undetermined and held by 270 WorldCat member libraries worldwide

Francesca da Rimini: Oper in zwei Bildern, einem Prolog und einem Epilog, op.25. Libretto: Modest Tschaikowsky
Orchestral works by Luigi Dallapiccola( )

6 editions published in 2010 in Latin and Italian and held by 266 WorldCat member libraries worldwide

Orchestral works by Ermanno Wolf-Ferrari( )

10 editions published in 2009 in No Linguistic content and Undetermined and held by 265 WorldCat member libraries worldwide

Orchestral works by Mieczysław Karłowicz( )

4 editions published in 2005 and held by 263 WorldCat member libraries worldwide

La boutique fantasque : P 120 ; La pentola magica : P 129 ; Prelude and fugue, P 158 by Ottorino Respighi( )

3 editions published in 2003 in No Linguistic content and English and held by 263 WorldCat member libraries worldwide

Words of Michelangelo by Dmitriĭ Dmitrievich Shostakovich( )

5 editions published in 2006 in Russian and held by 259 WorldCat member libraries worldwide

Symphonic poems by Franz Liszt( )

8 editions published in 2005 in No Linguistic content and Undetermined and held by 258 WorldCat member libraries worldwide

Piano concerto, op. 33 (B 63) ; Violin concerto, op. 53 (B 96) by Antonín Dvořák( )

7 editions published in 2005 and held by 253 WorldCat member libraries worldwide

Mozart by Wolfgang Amadeus Mozart( )

10 editions published in 2011 in Italian and Undetermined and held by 253 WorldCat member libraries worldwide

Spoken word tracks on Mozart's life are combined with excerpts from his Symphony no. 40 in G minor and Symphony no. 41 in C minor on disc 1 ; the complete works are contained on disc 2
 
moreShow More Titles
fewerShow Fewer Titles
Audience Level
0
Audience Level
1
  Kids General Special  
Audience level: 0.37 (from 0.24 for Aria : the ... to 0.46 for Francesca ...)

WorldCat IdentitiesRelated Identities
Alternative Names
Gianandrea Noseda chef d'orchestre italien

Gianandrea Noseda Italiaans dirigent

Gianandrea Noseda Italian conductor

Нозеда, Джанандреа

노세다, 잔안드레아 1964-

노세다, 지아난드레아 1964-

ジャナンドレア・ノセダ

賈南德雷亞·諾賽德

Languages