WorldCat Identities

Saltzman, Lisa

Overview
Works: 28 works in 93 publications in 2 languages and 2,804 library holdings
Genres: Exhibition catalogs  Criticism, interpretation, etc  History 
Roles: Author, Other, Author of introduction, zxx
Classifications: N6888.K43, 709.2
Publication Timeline
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Most widely held works by Lisa Saltzman
Anselm Kiefer and art after Auschwitz by Lisa Saltzman( Book )

19 editions published between 1999 and 2000 in English and held by 675 WorldCat member libraries worldwide

Kiefer's work mediates the relation between a deeply traumatic history that he, as a German born after the Second World War, and we, his post-Holocaust spectators, cannot fully know but to which his work bears witness and provides access
Making memory matter : strategies of remembrance in contemporary art by Lisa Saltzman( Book )

6 editions published in 2006 in English and held by 388 WorldCat member libraries worldwide

Anselm Kiefer : the heavenly palaces, Merkabah by Peter Nisbet( Book )

6 editions published in 2003 in English and held by 385 WorldCat member libraries worldwide

"While most major museums in the United States and abroad hold examples of the German artist Anselm Kiefer's work, the nature and extent of his achievement are the subject of intense debate. This volume reproduces in full The Heavenly Palaces, Merkabah, an important large-scale artist's book created by Kiefer in 1990. Featuring images reproduced here in full color, this work is accompanied by three essays by experts who approach the book from various perspectives, explicating its many layers of meaning to an unprecedented degree." "The first essay deals impressionistically with the motifs and iconography of The Heavenly Palaces Merkabah. The next treats its themes and meaning, concentrating especially on Jewish references and resonances, an especially challenging aspect of this German artist's oeuvre. In the final essay, the importance of the medium of photography is addressed by surveying its use by Kiefer since the beginning of his career."--Jacket
Haunted : contemporary photography, video, performance by Jennifer Blessing( Book )

8 editions published in 2010 in English and held by 330 WorldCat member libraries worldwide

Drawn largely from the Guggenheim's extensive photography and video collections, Haunted features some 100 works by nearly 60 artists, including many recent acquisitions that will be on view at the museum for the first time. The exhibition is installed throughout the rotunda and its spiraling ramps, with two additional galleries on view from June 4 to September 1, featuring works by two pairs of artists to complete Haunted's presentation
Trauma and visuality in modernity by Lisa Saltzman( Book )

8 editions published in 2006 in English and held by 283 WorldCat member libraries worldwide

Annotation
From the margins : Lee Krasner, Norman Lewis, 1945-1952 by Norman L Kleeblatt( Book )

5 editions published in 2014 in English and held by 243 WorldCat member libraries worldwide

"This exhibition brings together two New York painters whose works offer unique and compelling approaches to abstraction. Born one year apart, Lee Krasner (1908-84) and Norman Lewis (1909-79) shared similar family situations and came of age in the economic, social, and historic complexities of the 1930s. They formed their creative identities in the artistic and cultural ferment of New York City that was to catapult it to the center of the art world after World War II. Lee Krasner was born in Brooklyn to a Russian Jewish immigrant family. She studied at the Cooper Union and the National Academy of Design. From 1934 through 1943 she supervised a section of the mural division of the Federal Art Project of the Works Progress Administration. Krasner married the painter Jackson Pollock in 1945. Norman Lewis' parents were immigrants from Bermuda. His family lived on Lenox Avenue in Harlem. He studied drawing and commercial design in high school before joining the merchant marine and sailing throughout the Caribbean and South America. In the early 1930s Lewis worked with Augusta Savage, the founder and director of the Savage Studio of Arts and Crafts in Harlem. Like Krasner, he was a beneficiary of the public-works programs of the Depression years, teaching art under the auspices of the Federal Art Project. Krasner and Lewis reached their mature styles during the 1940s and 1950s. Their works of these years suggest intriguing parallels. Both painters developed many of the signature elements of Abstract Expressionism - a rejection of realist representation; a decentered, all-over approach to the picture plane; spontaneous, gestural brushwork; and a free use of non-naturalistic color. Both reveled in the sensual pleasures of design. A key aspect of their experimental method was the use of line - loose and organic or formal and gridlike. Both artists also drew upon sources with personal meanings: ancient and nonwestern art, contemporary music, forms of writing, references to urban life. The parallel viewing of two innovative mid-century painters offers insights into both their artistic achievements and this transformative era in America."--Jewish Museum website
Daguerreotypes : fugitive subjects, contemporary objects by Lisa Saltzman( Book )

8 editions published between 2015 and 2016 in English and held by 227 WorldCat member libraries worldwide

"In the digital age, photography confronts its future under the competing signs of ubiquity and obsolescence. While technology has allowed amateurs and experts alike to create high-quality photographs in the blink of an eye, new electronic formats have severed the original photochemical link between image and subject. At the same time, recent cinematic photography has stretched the concept of photography and raised questions about its truth value as a documentary medium. Despite this situation, photography remains a stubbornly substantive form of evidence: referenced by artists, filmmakers, and writers as a powerful emblem of truth, photography has found its home in other media at precisely the moment of its own material demise. By examining this idea of photography as articulated in literature, film, and the graphic novel, Daguerreotypes demonstrates how photography secures identity for figures with an otherwise unstable sense of self. Lisa Saltzman argues that in many modern works, the photograph asserts itself as a guarantor of identity, whether genuine or fabricated. From Roland Barthes's Camera Lucida to Ridley Scott's Blade Runner, W. G. Sebald's Austerlitz to Alison Bechdel's Fun Home--we find traces of photography's "fugitive subjects" throughout contemporary culture. Ultimately, Daguerreotypes reveals how the photograph, at once personal memento and material witness, has inspired a range of modern artistic and critical practices." -- Publisher's description
Friedel Dzubas : critical painting by Eric M Rosenberg( Book )

2 editions published in 1998 in English and held by 78 WorldCat member libraries worldwide

Art after Auschwitz : Anselm Kiefer and the possibilities of representation by Lisa Saltzman( )

11 editions published between 1994 and 1998 in English and held by 15 WorldCat member libraries worldwide

My dissertation--Art after Auschwitz: Anselm Kiefer and the Possibilities of Representation--situates Kiefer's work and reception as centrally pertinent to the cultural history of postwar Germany
Thomas Chimes : early works (1958-1965), September 10-October 16, 2009 by Thomas Chimes( Book )

1 edition published in 2009 in English and held by 9 WorldCat member libraries worldwide

Haunted fotografía, vídeo, performance contemporáneos( Book )

2 editions published in 2010 in Spanish and held by 5 WorldCat member libraries worldwide

Barnett Newman's Passion by Lisa Saltzman( )

1 edition published in 2008 in English and held by 3 WorldCat member libraries worldwide

Gerhard Richter's "Stations of the Cross" : on martyrdom and memory in postwar German art by Lisa Saltzman( )

1 edition published in 2005 in English and held by 3 WorldCat member libraries worldwide

A Cold War within : a report on censorship and the arts in America in the 1990s by Lisa Saltzman( )

1 edition published in 1995 in English and held by 3 WorldCat member libraries worldwide

Reconsidering the stain : on gender and the body in Helen Frankenthaler's painting by Lisa Saltzman( )

1 edition published in 2005 in English and held by 2 WorldCat member libraries worldwide

Memory( Book )

1 edition published in 2012 in English and held by 2 WorldCat member libraries worldwide

"This anthology investigates the turn in art not only towards archives and histories, the relics of modernities past, but toward the phenomena, in themselves, of "haunting" and the activation of memory. It looks at a wide array of artistic relationships to memory association, repetition and reappearance, as well as forms of "active" forgetting. Its discussions encompass artworks from the late 1940s onward, ranging from reperformances such as Marina Abramović's Seven Easy Pieces (embodied resurrections of decades-removed performance pieces by her contemporaries) to the inanimate trace of "memory" Robert Morris assigns to his free-form felt pieces, which "forget" in their present configurations their previous slides and falls. Contextualizing memory's role in visual theory and aesthetic politics--from Marcel Proust's optics to Bernard Stiegler's analysis of memory's "industrialization"--This collection also surveys the diversity of situations and registers in which contemporary artists explore memory. Art that engages with memory embodied in material and spatial conditions is examined beside works that reflect upon memory's effects through time, and yet others that enlist the agency of remembrance or forgetting to work through aspects of the numerous pasts by which the present is always haunted."--Publisher
To figure, or not to figure : the iconoclastic proscription and its theoretical legacy by Lisa Saltzman( )

1 edition published in 1999 in English and held by 1 WorldCat member library worldwide

Jeffrey Weiss: The popular culture of modern art: Picasso, Duchamp, and avant-gardism by Lisa Saltzman( )

1 edition published in 1996 in English and held by 1 WorldCat member library worldwide

Robert Jensen: Marketing modernism in fin-de-siècle Europe by Lisa Saltzman( )

1 edition published in 1996 in English and held by 1 WorldCat member library worldwide

 
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Audience level: 0.53 (from 0.47 for Daguerreot ... to 0.98 for Gerhard Ri ...)

Anselm Kiefer and art after Auschwitz
Languages
Covers
Making memory matter : strategies of remembrance in contemporary artAnselm Kiefer : the heavenly palaces, MerkabahHaunted : contemporary photography, video, performanceTrauma and visuality in modernity