WorldCat Identities

Shaw, Norah Zuňiga

Overview
Works: 5 works in 12 publications in 1 language and 451 library holdings
Roles: Author, Choreographer, Director, Producer, Film editor
Classifications: GV1779, 792.82
Publication Timeline
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Most widely held works by Norah Zuňiga Shaw
Envisioning dance on film and video by Judy Mitoma( Book )

8 editions published between 2001 and 2003 in English and held by 413 WorldCat member libraries worldwide

Virtually everyone working in dance today uses electronic media technology. Envisioning Dance on Film and Video chronicles this 100-year history and gives readers new insight on how dance creatively exploits the art and craft of film and video. In fifty-three essays, choreographers, filmmakers, critics and collaborating artists explore all aspects of the process of rendering a three-dimensional art form in two-dimensional electronic media. Many of these essays are illustrated by ninety-three photographs and a two-hour DVD (40 video excerpts). A project of UCLA - Center for In
Synchronous objects : degrees of unison by Norah Zuňiga Shaw( Book )

1 edition published in 2013 in English and held by 3 WorldCat member libraries worldwide

Envisioning dance on film and video( Visual )

1 edition published in 2002 in English and held by 2 WorldCat member libraries worldwide

Material entanglements with the nonhuman world: theorizing ecosexualities in performance by Michael J Morris( )

1 edition published in 2015 in English and held by 1 WorldCat member library worldwide

With each of these three case studies, I arrive at a unique understanding of ecosexuality. The Love Art Laboratory presents ecosexuality as a matter of orientation, in which that toward which we become oriented is not an object from which we are separate but a relation of which we are a part: our intra-active material entanglement within the nonhuman world. Dangerous Curves envisions bodies as promiscuous assemblages of discontinuous parts depicted at multiple scales, in which parts do not add up to bodies organ-ized into one of two sexes and do not stay discretely bound within categories such as "human" and "nonhuman," for which sexualities proliferate at any number of connections. In Rite of Spring, both dancing bodies and dirt fluctuate between animation and stillness, presenting a range of dynamic inclinations across a shared material continuum. Thinking these tendencies in relation to the "sexual instincts" and the "death drive," Rite of Spring asks: how might we pursue life for its own sake, without our lives at its center? If sexuality is the unfolding of life in excess of survival, what might it mean to pursue a sexual life, specifically when "life" already encompasses the nonhuman? Together, these readings unfold the critical potential of these performance works and contribute to the scholarly consideration of the growing ecosexual movement
Migration songs( Visual )

1 edition published in 2002 in English and held by 1 WorldCat member library worldwide

Entrant in the Dance Films Association's 32nd annual Dance on Camera Festival 2004. Videodance work filmed in the San Joaquin Freshwater Marsha Reserve
 
Audience Level
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Audience Level
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  Kids General Special  
Audience level: 0.47 (from 0.47 for Envisionin ... to 0.92 for Envisionin ...)

Envisioning dance on film and video
Alternative Names
Shaw, Norah Zuňiga

Languages
English (12)

Covers
Envisioning dance on film and video