WorldCat Identities

Mijanović, Marijana

Overview
Works: 73 works in 213 publications in 4 languages and 2,074 library holdings
Genres: Drama  Music  Interviews  Musical settings  Television adaptations  Film adaptations  Film and video adaptations 
Roles: Performer, Singer, Actor
Classifications: M1500.V85, 782.1
Publication Timeline
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Most widely held works by Marijana Mijanović
Bajazet by Antonio Vivaldi( Visual )
14 editions published between 2005 and 2010 in 3 languages and held by 271 WorldCat member libraries worldwide
Tito Manlio [dramma per music] by Antonio Vivaldi( Recording )
8 editions published between 2005 and 2008 in Italian and Undetermined and held by 193 WorldCat member libraries worldwide
Tito Manlio: Dramma per musica in tre atti, R 738. Libretto: Matteo Noris
Arcadian duets by George Frideric Handel( Recording )
4 editions published in 2002 in Italian and held by 188 WorldCat member libraries worldwide
Motezuma by Antonio Vivaldi( Recording )
11 editions published in 2006 in 3 languages and held by 160 WorldCat member libraries worldwide
Giulio Cesare by George Frideric Handel( Recording )
12 editions published between 2003 and 2012 in 4 languages and held by 157 WorldCat member libraries worldwide
When the most powerful man in the world meets the most desirable woman in the world sparks are guaranteed to fly--which is why the irresistible story of Julius Caesar and Cleopatra still enchants us. Handel's opera, starring Jennifer Larmore and Sylvia McNair as the ill-fated couple, abounds with dazzling vocal pyrotechnics as well as heart-rending drama. Stephanie Blythe (Cornelia) and David Daniels (her son Sesto) give memorable performances as the grieving family of the murdered Pompey. Brian Asawa sings Cleopatra's conniving brother Tolomeo
David by Francesco Conti( )
14 editions published in 2007 in Italian and Undetermined and held by 156 WorldCat member libraries worldwide
On doit au claveciniste, chef d'orchestre et musicologue américain Alan Curtis la redécouverte d'ouvrages rares de Haendel tels que Fernando ou Arminio mais aussi de Vivaldi avec Il Giustino. On lui doit aussi l'exhumation de cette composition de Conti, qui fut très actif à la cour de Vienne de 1701 jusqu'à sa mort
Rodelinda by George Frideric Handel( Recording )
6 editions published in 2005 in Italian and held by 144 WorldCat member libraries worldwide
Handel's opera had never been done at the Met until this all-star cast thrilled audiences. Renée Fleming gives one of her most moving performances as the virtuous Queen Rodelinda, grieving for her husband Bertarido (David Daniels), and scornful of the man who has stolen his kingdom, Grimoaldo (Kobie van Rensburg). But if Rodelinda does not marry the usurper Grimoaldo, he will kill her son. Fortunately Bertarido returns in time to avert catastrophe and claim both his family and his kingdom. Stephanie Blythe stops the show as Bertarido's sister, Eduige
Il ritorno d'Ulisse in patria Le retour d'Ulysse dans sa patrie : drame musical en un prologue et trois actes by Claudio Monteverdi( Visual )
2 editions published in 2003 in Italian and held by 125 WorldCat member libraries worldwide
Drame musical en 3 actes. Avec Kre*simir *Spicer (Ulisse) ; Marijana Mijanovic (Penelope) ; Rachid Ben Abdeslam (Umana Fragilità) ; Solistes et Choeur de l'Académie européenne de musique d'Aix-en-Provence ; Les Arts Florissants ; William Christie, direction musicale
La resurrezione by George Frideric Handel( )
6 editions published between 2003 and 2006 in Italian and Undetermined and held by 118 WorldCat member libraries worldwide
THE ACADEMY OF ANCIENT MUSIC. HOGWOOD, Christopher (conductor)
Floridante by George Frideric Handel( Recording )
4 editions published in 2007 in Italian and Undetermined and held by 107 WorldCat member libraries worldwide
Orlando by George Frideric Handel( Visual )
3 editions published between 2008 and 2009 in Italian and held by 97 WorldCat member libraries worldwide
"At first sight the plot of Orlando is a simple one involving just five characters. The exotic Princess Angelica and her beloved Medoro are a happy couple pursued by two helplessly smitten rivals. Still inexperienced in affairs of the heart, Dorinda is also in love with Medoro. But as the opera runs its course, her developing maturity ultimately results in an exemplary display of self-conquest. Rather less straightforward is the affair involving the actual hero of the story, the knight Orlando. His integrity is at risk from the outset, torn as he is between the conflicting desires of love and the more enduring glory of military greatness. His inner balance is disturbed, little by little he loses his powers of reason. He eventually succumbs entirely to the grip of frenzy, before finally being healed by Zoroastro, who jealously protects his "fame"--In other words, his capability to return to fight other battles. Indeed Zoroastro is the only character capable of rising above such emotionality, appearing to exert a virtuoso control of the situation and ultimately safeguarding, at least in the opera's superficial structure, the ubiquitous happy ending, a sine qua non of opera seria."--Booklet
Betulia liberata azione sacra in two parts, K. 118 (74c) ( Visual )
2 editions published in 2006 in Italian and held by 76 WorldCat member libraries worldwide
Is the assassination of a tyrant legitimate? That is the theme of Betulia liberata, based on the murder of Nebuchadnezzar's commander Holofernes by the Jewish widow Judith
Symphonies 1-9 by Ludwig van Beethoven( )
2 editions published between 2006 and 2009 in German and held by 72 WorldCat member libraries worldwide
La resurrezione HWV 47 by George Frideric Handel( Visual )
2 editions published in 2006 in Italian and held by 21 WorldCat member libraries worldwide
"Händel's La Resurrezione is an oratorio for Easter. It was first performed on Easter Sunday 1708 in Rome. The libretto was written by Carlo Sigismondo Capece. The events related in the story are those of the period between the Crucifixion and the Resurrection, when Christ "descended into Hell" to redeem the souls of the patriarchs and prophets who had prepared for His coming. The events in the underworld are set out in series of lively exchanges between an Angel and Lucifer. Meanwhile, the story as seen on earth is related through the conversations of three mortal characters, Mary Magdalene, Mary Cleophas and St John the Evangelist. The two planes of the drama are united when the Angel appears to the women at the sepulchre and announces the Resurrection to them."--Program notes
Floridante by George Frideric Handel( Recording )
11 editions published in 2007 in 3 languages and held by 20 WorldCat member libraries worldwide
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Rodelinda : "Dramma per musica" in three acts by George Frideric Handel( Recording )
9 editions published in 2005 in Italian and Undetermined and held by 14 WorldCat member libraries worldwide
Rodelinda, Regina de' Langobardi: Dramma per musica in tre atti, HWV 19. Libretto: Niccolò Francesco Haym
Motezuma RV 723; dramma per musica by Antonio Vivaldi( Recording )
7 editions published in 2006 in 3 languages and held by 13 WorldCat member libraries worldwide
La Betulia liberata azione sacra in due parti, K. 118 (74c) by Wolfgang Amadeus Mozart( Visual )
3 editions published in 2006 in Italian and held by 13 WorldCat member libraries worldwide
Il ritorno d'Ulisse in patria dramma in musica by Claudio Monteverdi( Visual )
8 editions published between 2002 and 2008 in Italian and No Linguistic content and held by 12 WorldCat member libraries worldwide
Dans le petit Théâtre du Jeu-de-Paume d'Aix-en-Provence, le metteur en scène Adrian Noble a joué la carte de la simplicité : une arène de sable, une fluide évidence des déplacements, des comiques shakespeariens et des héros aussi jeunes que fringants, maintenus par la main de fer de William Christie habillée des sonorités de velours d'un ensemble instrumental, les Arts florissants, en grande forme
Bajazet : tragedia per musica ; RV 703 by Antonio Vivaldi( Recording )
4 editions published between 2005 and 2010 in Italian and Undetermined and held by 11 WorldCat member libraries worldwide
 
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Audience Level
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Audience Level
1
  Kids General Special  
Audience level: 0.57 (from 0.23 for Rodelinda ... to 0.97 for La resurre ...)
WorldCat IdentitiesRelated Identities
Languages
Italian (98)
German (3)
English (2)
Dutch (2)