WorldCat Identities

Roth, Malachi

Overview
Works: 35 works in 49 publications in 1 language and 221 library holdings
Genres: History  Biography  Documentary films  Biographical films  Nonfiction films  Interviews  Pictorial works  Drama  Exhibition catalogs 
Roles: Director, Videographer , Performer
Classifications: GV1785.L515, 792.820922
Publication Timeline
.
Most widely held works about Malachi Roth
 
Most widely held works by Malachi Roth
Limón a life beyond words( Visual )

7 editions published in 2003 in English and held by 181 WorldCat member libraries worldwide

Revolutionary modern dancer and choreographer José Limón (1908-1972) was a crucial figure in the development of modern dance: his powerful dancing shifted perceptions of the male dancer, while his choreography continues to bring a dramatic vision of dance to audiences around the world. This film combines interviews with family members and colleagues, archival photographs, and archival and contemporary performances to present his life and major works in the context of the times. Limón was a man who dealt with his bi-conflicts through his art. Excerpts from productions beautifully filmed in the fifties include "The Moor's Pavane," "The Traitor," and "Emperor Jones."
[Photographs of José Limón from the collection of Daniel Lewis]( Visual )

4 editions published in 1996 in English and held by 3 WorldCat member libraries worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. This tape contains performances of two dance works choreographed by José Limón, and documentation of still photographs of him and his company
[Interview with Daniel Lewis]( Visual )

2 editions published in 1996 in English and held by 2 WorldCat member libraries worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Daniel Lewis, dean of dance at the New World School of the Arts, danced with the José Limón Dance Company from 1963 until shortly after Limón's death in 1972. He assisted Limón and briefly served as the company's director. For another interview with Lewis, taped at his home, see: *MGZIA 4-8154 [Bambi Anderson teaching There is a time] ; [and] [Interview with Daniel Lewis]
[Interview with Clay Taliaferro]( Visual )

2 editions published in 1996 in English and held by 2 WorldCat member libraries worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Clay Taliaferro, a dancer, choreographer, and teacher, joined the José Limón Dance Company shortly before Limón's death in 1972
[Induction of José Limón into the National Museum of Dance Hall of Fame ; and] [Interview with Nina Watt]( Visual )

2 editions published in 1997 in English and held by 2 WorldCat member libraries worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Dancer-choreographer José Limón (1908-1972) was posthumously inducted into the Hall of Fame of the National Museum of Dance in 1997, the sole inductee that year. The exhibition The dance heroes of José Limón, curated by Norton Owen and originally mounted at The New York Public Library for the Performing Arts, moved to the National Museum of Dance on that occasion
[Clay Taliaferro restaging The moor's pavane]( Visual )

2 editions published in 1996 in English and held by 2 WorldCat member libraries worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Clay Taliaferro, a former member of the José Limón Dance Company, was a noted performer of the role of Othello (whom Limón called simply the Moor) in The moor's pavane, following in Limón's own footsteps. In this tape he is seen transmitting his knowledge to a new generation of dancers. For additional footage containing his directions to the dancers, see: *MGZIA 4-8174 [Interview with Mel Tomlinson] ; [and] [Clay Taliaferro restaging The moor's pavane]
[Five interviews at the National Museum of Dance]( Visual )

1 edition published in 1997 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. This tape was recorded on the occasion of José Limón's induction into the Hall of Fame of the National Museum of Dance, and includes candid footage of the guests invited to the induction ceremony, as well as views of the exhibition The dance heroes of José Limón, curated by Norton Owen. For a video tour of the exhibition, which opened at The New York Public Library for the Performing Arts in New York City and traveled to the National Museum of Dance in conjunction with Limón's induction, see *MGZIA 4-8147 [The dance heroes of José Limón]. Footage of the induction ceremony, which included speeches and a performance of Limón's work A choreographic offering, appears on *MGZIA 4-8159 [Induction of José Limón into the National Museum of Dance Hall of Fame] ; [and] [Interview with Nina Watt]
[Carla Maxwell]( Visual )

1 edition published in 1996 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Carla Maxwell joined the José Limón Dance Company in 1965, and was named its artistic director in 1978. Over the years she has restaged and reconstructed many of Limón's works both for the Limón company and other dance companies. In February 1996 her reconstruction of Limón's The winged (first presented in 1966) was danced by students of The Juilliard School to a new score commissioned from Jon Magnussen
[Interview with Peter Limón]( Visual )

1 edition published in 1996 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Peter Limón (b. 1924), the youngest brother of José Limón (1908-1972), shares his memories of José, whom the family nicknamed Pepe. He discusses the care José gave his younger siblings after their mother's death; the correct Spanish spoken by José and his father; his father's profession of musician and music copyist, which was not financially rewarding; his impressions of José as a dancer; his and his family's military service during World War II; his father's ethnic background; his family's distaste for organized religion; the lessons of privation and discipline they learned in childhood, which strengthened them during the war and the Depression; his sister Nana, who knew José best and shared his artistic leanings; José's emotional reticence; his impressions of José's wife Pauline Lawrence. The tape also contains ca. 6 min. of footage of family photographs, including a b&w headshot of José Limón
[Interview with Lucas Hoving]( Visual )

1 edition published in 1996 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Interview with Lucas Hoving (1912-2000), a longtime principal dancer with the José Limón Dance Company, and the creator of the role of the Moor's friend (Iago) in Limón's masterwork The moor's pavane. Because of Hoving's advanced age and hearing difficulties at the time of this interview, the discussion is somewhat fragmented, with occasional repetitions and memory lapses
[Interview with Ernestine Stodelle]( Visual )

1 edition published in 1996 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Ernestine Stodelle, a dancer, teacher, and writer, recalls her association with José Limón, starting with their early years in the Humphrey-Weidman Company. She discusses her first impressions of Limón; performing with him in dances for the play Lysistrata; joining him, Letitia Ide, and Eleanor King to form the Little Group, which showcased their own choreography; collaborating with him on the piece Tango (which she recently revived); his personal and professional qualities; the formation of his own company, with Doris Humphrey as his artistic director; his lofty aims and depth of characterization; his works The traitor, A choreographic offering; the dancing of Louis Falco, a member of his company; his work The moor's pavane; his wife Pauline Lawrence and her multiple functions in the company; the issue (which she refutes) of antagonism between the Humphrey-Weidman and Martha Graham companies. The recording ends before the conclusion of the interview
[Interview with Rosa Reyna]( Visual )

1 edition published in 1996 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Interview with Mexican dancer, choreographer, and writer Rosa Reyna, who danced in several works created by José Limón in Mexico in 1950-1951, notably Antigona and Los cuatro soles; she also danced with Limón in Doris Humphrey's Passacaglia and fugue in C minor. Among the topics discussed are her impressions of Limón as a dancer, choreographer, and teacher; Humphrey's Story of mankind; Limón's Antigona, in which she danced the title role of the Greek heroine Antigone opposite Limón's Creon; her impressions of Limón's wife Pauline Lawrence; Limón's personal qualities; his enjoyment of Mexico and his Mexican heritage; his choreography classes, the first such given in Mexico; Humphrey's relationship with Limón as his artistic adviser; Limón's work The unsung; the energizing atmosphere of his rehearsals; his rare qualities as a dancer; Miguel Covarrubias' efforts to foster modern dance in Mexico
[Interview with Carla Maxwell]( Visual )

1 edition published in 1997 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. As the interview begins, Carla Maxwell, artistic director of the Limón Dance Company (formerly called the José Limón Dance Company), notes that it is the company's 50th anniversary, the 25th year after Limón's death, and her 20th year as artistic director. She touches upon the company's difficulties at the time of Limón's death, when no other modern dance company had survived the loss of its founder; then notes some of the qualities that enabled the Limón company to survive, particularly Limón's genius as a choreographer. She discusses Limón as a dancer and company director, and his struggles to gain respect for dance as an art form. Much of the interview explores aspects of his dance work Carlota (1972): her own experience of creating its title role; his motives for making the work, the concept of which predated his work La Malinche (1949), also inspired by Mexican history; the geometry of its choreography; its historical background, the tragic life of the empress Carlota of Mexico; his unusual choice of a female hero (possibly prefigured by his Dances of Isadora); his frequent use of the theme of the outsider, possibly stemming from his own life experience. She also discusses his work The winged, whose original form has been lost; his legacy of hope; the nature of dance as a human experience; the qualities she seeks in new company members
[Interview with Charles D. Tomlinson]( Visual )

1 edition published in 1996 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Charles D. Tomlinson, nicknamed Chuck, became José Limón's dresser in 1960; he also designed costumes for the José Limón Dance Company, and became the assistant and close personal friend of both Limón and his wife Pauline Lawrence. For the 3-min. conclusion of this interview, see *MGZIA 4-8172 [Gary Masters restaging La Malinche] ; [and] [Interview with Michael Hollander]
Orfeo( Visual )

in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. José Limón's dance work Orfeo, first presented in 1972, is based on the Greek myth of Orpheus and Eurydice
[Visual images of Pauline Koner ; and] [The Ark ; and] [Interview with Betty Jones]( Visual )

1 edition published in 1996 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words
[Interview with Pauline Koner]( Visual )

1 edition published in 1996 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Pauline Koner was an established dance soloist when she first began to dance with José Limón, and for many years appeared as a guest artist with his company concurrently with her own performances. Among the many roles she created for Limón were Emilia in his masterwork The moor's pavane and the title role of La Malinche. She discusses her early training with Russian balletmaster Michel Fokine; dancing with Limón for the first time in Doris Humphrey's The story of mankind; Limón's qualities as a dancer; the difficulties of working with him; dancing The moor's pavane at the White House; the creation of The moor's pavane; her interpretation of Emilia, and the choreographic challenge of Pauline Lawrence's costume design; her favorite piece by Limón, The visitation; the creation of La Malinche; the lack of recognition for Humphrey's valuable contributions as choreographer and artistic adviser; dancing with Limón in Mexico at the invitation of Miguel Covarrubias. With Ann Vachon she further explores the Limón company's experiences in Mexico; Lucas Hoving's development as a dramatic dancer; and the creation of characters in The moor's pavane, its first performance, and Humphrey's choreographic advice about its conclusion
[Interview with Nona Schurman]( Visual )

in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. In a colorful and highly opinionated discussion, dancer and teacher Nona Schurman recalls her observations of José Limón, beginning with her years with the Humphrey-Weidman Company. Topics include: the interactions of the Humphrey-Weidman circle (Doris Humphrey, Charles Weidman, Limón, and Pauline Lawrence); the teaching of Limón, Ernestine Stodelle, and others; the organization of the elements of Weidman technique for study purposes by Weidman and Limón; Limón's departure from the Humphrey-Weidman Company and his marriage to Pauline Lawrence; the creation of his Danzas mexicanas at Mills College in 1939, and its editing by Humphrey; his qualities as a dancer; the concept of modern dance as ritual, intensified by Limón's Mexican and Roman Catholic heritage; Humphrey's qualities as a dancer, and her affirmation of the life force; the concept of form as message, exemplified in Limón's The moor's pavane; Humphrey's work To the dance. Also mentioned in the discussion are Hanya Holm, Martha Graham, Harriette Ann Gray, Beatrice Seckler, Katherine Manning, "Lou" [Lucas Hoving?], Merce Cunningham, and others. The tape ends with views of still photographs of Schurman and others
[Daniel Lewis teaching Limón technique ; and] [Interview with Bambi Anderson]( Visual )

1 edition published in 1996 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life in dance. Daniel Lewis and Bambi Anderson, both former members of the José Limón Dance Company, now teach at the New World School of the Arts, where Lewis is dean of dance
[Sarah Stackhouse restaging La Malinche ; and] [Interview with Sarah Stackhouse]( Visual )

1 edition published in 1997 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Sarah Stackhouse formerly danced with the José Limón Dance Company and assisted Limón at The Juilliard School. She has restaged a number of his dance works for various dance companies
 
moreShow More Titles
fewerShow Fewer Titles
Audience Level
0
Audience Level
1
  Kids General Special  
Audience level: 0.43 (from 0.37 for Limón a l ... to 0.83 for [Induction ...)

Languages
English (34)