WorldCat Identities

Roth, Malachi

Overview
Works: 34 works in 42 publications in 1 language and 40 library holdings
Genres: Interviews  Pictorial works  Drama  History  Exhibition catalogs 
Roles: Director, Videographer
Publication Timeline
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Most widely held works about Malachi Roth
 
Most widely held works by Malachi Roth
[Photographs of José Limón from the collection of Daniel Lewis]( Visual )

4 editions published in 1996 in English and held by 3 WorldCat member libraries worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Melisa Nicolaides was still a child when she first danced with José Limón in Doris Humphrey's dance work Day on earth. She later performed in Limón's Ode to the dance, Scherzo, and (as a member of Juilliard Dance Theater) King's heart
[Interview with Daniel Lewis]( Visual )

2 editions published in 1996 in English and held by 2 WorldCat member libraries worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Daniel Lewis, dean of dance at the New World School of the Arts, danced with the José Limón Dance Company from 1963 until shortly after Limón's death in 1972. He assisted Limón and briefly served as the company's director. For another interview with Lewis, taped at his home, see: *MGZIA 4-8154 [Bambi Anderson teaching There is a time] ; [and] [Interview with Daniel Lewis]
[Interview with Nina Watt]( Visual )

2 editions published in 1997 in English and held by 2 WorldCat member libraries worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. This tape begins with the final 4 min. of an interview with Charles Woodford; for the main part of that interview, see: *MGZIA 4-8149 [Interview with Charles Woodford]. This is followed by ca. 36 min. of nature shots. The interview with Nina Watt, a longtime member of the José Limón Dance Company, starts at ca. 40 min. into the tape. She discusses her first contact with Limón and his choreography; participating in the creation of his works Orfeo and Carlota; the influence on her of Ruth Currier, a senior company member; her stagings of Limón's works for other dance companies; learning the piece Chaconne; her reflections on Limón's Dances for Isadora. This interview continues on *MGZIA 4-8159 [Induction of José Limón into the National Museum of Dance Hall of Fame] ; [and] [Interview with Nina Watt]
[Interview with Mel Tomlinson ; and] [Clay Taliaferro restaging The moor's pavane]( Visual )

2 editions published in 1996 in English and held by 2 WorldCat member libraries worldwide

Unedited footage recorded for the documentary Limón: a life without words. The first segment contains an interview with Mel Tomlinson, a multifaceted dancer whose many roles included the Moor (Othello) in The moor's pavane. The second segment depicts Clay Taliaferro, a former member of the José Limón Dance Company and an eminent interpreter of the Moor, as he works with the cast of The moor's pavane, which he restaged for Charleston Ballet Theatre in 1996
[Interview with Clay Taliaferro]( Visual )

2 editions published in 1996 in English and held by 2 WorldCat member libraries worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Clay Taliaferro, a dancer, choreographer, and teacher, joined the José Limón Dance Company shortly before Limón's death in 1972
[Interview with Carla Maxwell]( Visual )

1 edition published in 1997 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. As the interview begins, Carla Maxwell, artistic director of the Limón Dance Company (formerly called the José Limón Dance Company), notes that it is the company's 50th anniversary, the 25th year after Limón's death, and her 20th year as artistic director. She touches upon the company's difficulties at the time of Limón's death, when no other modern dance company had survived the loss of its founder; then notes some of the qualities that enabled the Limón company to survive, particularly Limón's genius as a choreographer. She discusses Limón as a dancer and company director, and his struggles to gain respect for dance as an art form. Much of the interview explores aspects of his dance work Carlota (1972): her own experience of creating its title role; his motives for making the work, the concept of which predated his work La Malinche (1949), also inspired by Mexican history; the geometry of its choreography; its historical background, the tragic life of the empress Carlota of Mexico; his unusual choice of a female hero (possibly prefigured by his Dances of Isadora); his frequent use of the theme of the outsider, possibly stemming from his own life experience. She also discusses his work The winged, whose original form has been lost; his legacy of hope; the nature of dance as a human experience; the qualities she seeks in new company members
[Sarah Stackhouse restaging La Malinche ; and] [Interview with Sarah Stackhouse]( Visual )

1 edition published in 1997 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Sarah Stackhouse formerly danced with the José Limón Dance Company and assisted Limón at The Juilliard School. She has restaged a number of his dance works for various dance companies
[Interview with Pauline Koner]( Visual )

1 edition published in 1996 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Pauline Koner was an established dance soloist when she first began to dance with José Limón, and for many years appeared as a guest artist with his company concurrently with her own performances. Among the many roles she created for Limón were Emilia in his masterwork The moor's pavane and the title role of La Malinche. She discusses her early training with Russian balletmaster Michel Fokine; dancing with Limón for the first time in Doris Humphrey's The story of mankind; Limón's qualities as a dancer; the difficulties of working with him; dancing The moor's pavane at the White House; the creation of The moor's pavane; her interpretation of Emilia, and the choreographic challenge of Pauline Lawrence's costume design; her favorite piece by Limón, The visitation; the creation of La Malinche; the lack of recognition for Humphrey's valuable contributions as choreographer and artistic adviser; dancing with Limón in Mexico at the invitation of Miguel Covarrubias. With Ann Vachon she further explores the Limón company's experiences in Mexico; Lucas Hoving's development as a dramatic dancer; and the creation of characters in The moor's pavane, its first performance, and Humphrey's choreographic advice about its conclusion
Orfeo( Visual )

in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. José Limón's dance work Orfeo, first presented in 1972, is based on the Greek myth of Orpheus and Eurydice
[Interview with Lucas Hoving]( Visual )

1 edition published in 1996 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Interview with Lucas Hoving (1912-2000), a longtime principal dancer with the José Limón Dance Company, and the creator of the role of the Moor's friend (Iago) in Limón's masterwork The moor's pavane. Because of Hoving's advanced age and hearing difficulties at the time of this interview, the discussion is somewhat fragmented, with occasional repetitions and memory lapses
[Interview with Peter Limón]( Visual )

1 edition published in 1996 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Peter Limón (b. 1924), the youngest brother of José Limón (1908-1972), shares his memories of José, whom the family nicknamed Pepe. He discusses the care José gave his younger siblings after their mother's death; the correct Spanish spoken by José and his father; his father's profession of musician and music copyist, which was not financially rewarding; his impressions of José as a dancer; his and his family's military service during World War II; his father's ethnic background; his family's distaste for organized religion; the lessons of privation and discipline they learned in childhood, which strengthened them during the war and the Depression; his sister Nana, who knew José best and shared his artistic leanings; José's emotional reticence; his impressions of José's wife Pauline Lawrence. The tape also contains ca. 6 min. of footage of family photographs, including a b&w headshot of José Limón
[Carla Maxwell]( Visual )

1 edition published in 1996 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Carla Maxwell joined the José Limón Dance Company in 1965, and was named its artistic director in 1978. Over the years she has restaged and reconstructed many of Limón's works both for the Limón company and other dance companies. In February 1996 her reconstruction of Limón's The winged (first presented in 1966) was danced by students of The Juilliard School to a new score commissioned from Jon Magnussen
A choreographic offering [rehearsal excerpts]( Visual )

in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Studio rehearsal, in rehearsal clothes, of José Limón's dance work A choreographic offering. Parts of the rehearsal are conducted without music
[Clay Taliaferro teaching Limón technique]( Visual )

2 editions published in 1996 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. The first 44 min. of this tape depict Clay Taliaferro, a former member of the José Limón Dance Company, as he teaches an intermediate-level class in Limón technique to students of SUNY Purchase. This tape is not intended to depict a complete class, and the dance movement is not always fully visible. The class, accompanied by a percussionist, is already in progress as the tape begins. This tape also depicts items from the collection of Charles D. Tomlinson, a costume designer and close friend of Limón, including an oil painting of Tomlinson by Limón, a design for Limón's Missa brevis, and Tomlinson's sketch of Limón's farm in New Jersey (ca. 3 min.). The tape ends with exterior views of Abraham Lincoln High School in Los Angeles, which Limón attended (ca. 8 min.)
[Interview with Ernestine Stodelle]( Visual )

1 edition published in 1996 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Ernestine Stodelle, a dancer, teacher, and writer, recalls her association with José Limón, starting with their early years in the Humphrey-Weidman Company. She discusses her first impressions of Limón; performing with him in dances for the play Lysistrata; joining him, Letitia Ide, and Eleanor King to form the Little Group, which showcased their own choreography; collaborating with him on the piece Tango (which she recently revived); his personal and professional qualities; the formation of his own company, with Doris Humphrey as his artistic director; his lofty aims and depth of characterization; his works The traitor, A choreographic offering; the dancing of Louis Falco, a member of his company; his work The moor's pavane; his wife Pauline Lawrence and her multiple functions in the company; the issue (which she refutes) of antagonism between the Humphrey-Weidman and Martha Graham companies. The recording ends before the conclusion of the interview
[Interview with Rosa Reyna]( Visual )

1 edition published in 1996 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. Interview with Mexican dancer, choreographer, and writer Rosa Reyna, who danced in several works created by José Limón in Mexico in 1950-1951, notably Antigona and Los cuatro soles; she also danced with Limón in Doris Humphrey's Passacaglia and fugue in C minor. Among the topics discussed are her impressions of Limón as a dancer, choreographer, and teacher; Humphrey's Story of mankind; Limón's Antigona, in which she danced the title role of the Greek heroine Antigone opposite Limón's Creon; her impressions of Limón's wife Pauline Lawrence; Limón's personal qualities; his enjoyment of Mexico and his Mexican heritage; his choreography classes, the first such given in Mexico; Humphrey's relationship with Limón as his artistic adviser; Limón's work The unsung; the energizing atmosphere of his rehearsals; his rare qualities as a dancer; Miguel Covarrubias' efforts to foster modern dance in Mexico
[Daniel Lewis teaching Limón technique ; and] [Interview with Bambi Anderson]( Visual )

1 edition published in 1996 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life in dance. Daniel Lewis and Bambi Anderson, both former members of the José Limón Dance Company, now teach at the New World School of the Arts, where Lewis is dean of dance
[Five interviews at the National Museum of Dance]( Visual )

1 edition published in 1997 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. This tape was recorded on the occasion of José Limón's induction into the Hall of Fame of the National Museum of Dance, and includes candid footage of the guests invited to the induction ceremony, as well as views of the exhibition The dance heroes of José Limón, curated by Norton Owen. For a video tour of the exhibition, which opened at The New York Public Library for the Performing Arts in New York City and traveled to the National Museum of Dance in conjunction with Limón's induction, see *MGZIA 4-8147 [The dance heroes of José Limón]. Footage of the induction ceremony, which included speeches and a performance of Limón's work A choreographic offering, appears on *MGZIA 4-8159 [Induction of José Limón into the National Museum of Dance Hall of Fame] ; [and] [Interview with Nina Watt]
[Visual images of Pauline Koner ; and] [The Ark ; and] [Interview with Betty Jones]( Visual )

1 edition published in 1996 in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words
[Interview with Nona Schurman]( Visual )

in English and held by 1 WorldCat member library worldwide

Unedited footage recorded for the documentary Limón: a life beyond words. In a colorful and highly opinionated discussion, dancer and teacher Nona Schurman recalls her observations of José Limón, beginning with her years with the Humphrey-Weidman Company. Topics include: the interactions of the Humphrey-Weidman circle (Doris Humphrey, Charles Weidman, Limón, and Pauline Lawrence); the teaching of Limón, Ernestine Stodelle, and others; the organization of the elements of Weidman technique for study purposes by Weidman and Limón; Limón's departure from the Humphrey-Weidman Company and his marriage to Pauline Lawrence; the creation of his Danzas mexicanas at Mills College in 1939, and its editing by Humphrey; his qualities as a dancer; the concept of modern dance as ritual, intensified by Limón's Mexican and Roman Catholic heritage; Humphrey's qualities as a dancer, and her affirmation of the life force; the concept of form as message, exemplified in Limón's The moor's pavane; Humphrey's work To the dance. Also mentioned in the discussion are Hanya Holm, Martha Graham, Harriette Ann Gray, Beatrice Seckler, Katherine Manning, "Lou" [Lucas Hoving?], Merce Cunningham, and others. The tape ends with views of still photographs of Schurman and others
 
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Languages
English (29)