WorldCat Identities

Gibiat, Marie-Noële

Publication Timeline
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Most widely held works by Marie-Noële Gibiat
Memory of Arcady : Pastoral concert (c.1510) : Tiziano Vecellio called Titian (Pieve di Cadore, c.1488-Venice, 1576) : the Louvre Museum, Paris( Visual )

1 edition published in 1993 in English and held by 208 WorldCat member libraries worldwide

Giorgione or Titian? The identity of the artist who painted one of the world's most famous paintings, Le Concert champetre, remains uncertain to this day. What does this pastoral scene represent? Why do two nude women appear next to two clothed men? What music are they playing? This program attempts to answer these and other questions by delving into 16th-century Venetian culture, and by examining its more recent counterparts, such as Manet's Partie de campagne
Landscape : the invention of nature( Visual )

1 edition published in 2006 in English and held by 65 WorldCat member libraries worldwide

"This program guides viewers through the history of landscape art and its various emotional, symbolic and sacred meanings. Progressing through ancient Greek and Roman villa paintings, Byzantine art, and the proto-Renaissanceadvances of Giotto and Lorenzetti, the program shows how awareness and mastery of perspective evolved, leading to magnificent works by Giorgione, Brueghel, da Vinci, and other masters of landscape." From container
Pigments : the colours of the earth, from Lascaux to Picasso( Visual )

2 editions published between 2004 and 2006 in English and held by 51 WorldCat member libraries worldwide

This program explains how artists' colors are made and applied by charting the development of various families of pigments and by demonstrating that the compounding of colors is always a mixture of tradition, technology, experience, and innovation. Pigments prepared from natural sources and derived from industrial processes are studied, noting failures as well as successes. Decorative applications of color to clothmaking, glass staining, and printing are considered as well
Le retable des ardents : retable d'Issenheim (vers 1510-1516) ; Mathis Nithart Gothard dit Grunewald (vers 1470-80-vers 1528-32)( Visual )

3 editions published between 2003 and 2007 in English and held by 28 WorldCat member libraries worldwide

"His birth date is uncertain. His name entered the annals of art history misspelled. And his greatest work, the 'Isenheim Altarpiece', was for centuries attributed to Albrecht Durer. Who exactly was Matthias Grunewald, admired today as one of the geniuses of the Northern Renaissance? This program profiles Grunewald and his intensely expressive approach to subject matter as demonstrated by that altarpiece, designed for use in a hospital for patients being treated for St. Anthony's fire."--Videocassette container insert
Andy Warhol : images of an image( Visual )

2 editions published between 2003 and 2007 in English and held by 17 WorldCat member libraries worldwide

"At once banal and provocative, the works of Andy Warhol sardonically comment on the ubiquity of mass media in modern America. This program takes a look at the Pop Art movement and the life of Warhol through a penetrating investigation of his deadpan Ten Lizes. The painting exemplifies his fascination with--and his indifference to--celebrities as objects no less commodified than a simple can of soup."--Www.films.com
Memory of Arcady : Pastoral concert (c.1510) : Tiziano Vecellio called Titian (Pieve di Cadore, c.1488-Venice, 1576) : the Louvre Museum, Paris( Visual )

1 edition published in 2004 in English and held by 13 WorldCat member libraries worldwide

Examines many questions surrounding the painting "Le Concert champêtre" by looking at the 16th century Venetian cultural context within which it was created, as well as contemporary counterparts
La révolution Cézanne Van Gogh, Gauguin, Cézanne by Arte Video( Visual )

1 edition published in 2006 in German and held by 11 WorldCat member libraries worldwide

1st film: In 1888, Van Gogh painted his room. This image, famous because it was so reproduced, has alot to do with the painter. It is deliberately simple, and yet it appears to be very strange. Objects and space seem to escape deformed. Some authors used it to argue the folly of the painter. But what if the painter was right? Maybe it was space itself that was crazy? -- 2nd film: To achieve his "Poetry of tones," Gauguin traveled around Britain, Panama and Martinque, "land of primitive freedom." Always looking to be progressive, Gauguin did his best painting Polynesia. The picture Arearea was painted during his first stay in Tahiti. -- 3rd fim: Born in Aix-en-Provence, Cezanne, after a few away, decided trips back to settle there. On the landscape taken by local painters, the Mont Sainte-Victoire, he made his ground. He will discuss different perspectives, different styles in it all year, more than sixty times. A lot of strange stubbornness on which Alain Jaubert conducted the survey
Les Beaux dimanches d'etre : la bal du moulin de la Galette (1876) ; Pierre-Auguste Renoir (Limoges, 1841-Cagnes-sur-Mer, 1919)( Visual )

4 editions published between 1997 and 2007 in English and held by 10 WorldCat member libraries worldwide

"This program studies Pierrre-Auguste Renoir's charming composition 'The Moulin de la Galette', a marvelous interweaving of sunlight and soft, hazy blue--and a genial proclamation of the Impressionist school. The nuanced color, the subtly overlappping brushstrokes, the artful blurring of the figures, and other technical elements are considered."--FMG website
Vacarmes en Toscane : Paolo di Dono dit Paolo Uccello, Florence, vers 1397-1475 ; Bataille de San Romano (vers 1435-1440)( Visual )

3 editions published between 2002 and 2007 in English and held by 9 WorldCat member libraries worldwide

"Giving free rein to his passion for perspective, Paolo Uccello immortalized a clash between Florentine and Sienese troops in his 'Battle of San Romano'. This program uses that three-panel Early Renaissance masterpiece to gain insights into Uccello's fascination with three-dimensionality as well as his intense curiosity about geometrical forms, color, and movement."--Videocassette container insert
La place du mort( Visual )

3 editions published between 2002 and 2007 in English and held by 7 WorldCat member libraries worldwide

Tells the story of Gustave Courbet's painting, A Burial at Ornans (Un enterrement a Ornans), the unembellished portrayal of an ordinary funeral. Provides background of political revolution in France that influenced art
La Violence du motif : Montagne Sainte-Victoire ; Paul Cézanne (Aix-en-Provence, 1839-1906)( Visual )

1 edition published in 2003 in English and held by 4 WorldCat member libraries worldwide

Examines many of Cézanne's works which were painted in Aix-en-Provence
Images d'une image : Ten Lizes (1963) ; Andy Warhol (Pittsburgh, 1928-New York, 1987)( Visual )

1 edition published in 2003 in English and held by 3 WorldCat member libraries worldwide

"At once banal and provocative, the works of Andy Warhol sardonically comment on the ubiquity of mass media in modern America. This program takes a look at the Pop Art movement and the life of Warhol through a penetrating investigation of his deadpan Ten Lizes. The painting exemplifies his fascination with--and his indifference to--celebrities as objects no less commodified than a simple can of soup."--Www.films.com
Le sixième sens : tenture de la dame à la licorne (vers 1480-1500)( Visual )

2 editions published in 2003 in French and held by 2 WorldCat member libraries worldwide

"The National Museum of the Middle Ages in Paris is the home of The Lady and the Unicorn, the exotic set of six medieval tapestries that illustrates the five senses, and the Lady's deepest desire. This program seeks to unravel the mysteries woven into these enchanting wall hangings as it explores their history and symbolism."
Paul Cezanne : la violence du motif = zhu ti de bao lie( Visual )

1 edition published in 2011 in English and held by 1 WorldCat member library worldwide

Examines many of Cezanne's works which were painted in Aix-en-Provence
 
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Audience Level
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Audience level: 0.25 (from 0.14 for Landscape ... to 0.84 for La révolu ...)

Andy Warhol : images of an image
Languages
English (23)

French (2)

German (1)

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