WorldCat Identities

Sharma, Yuthika

Works: 6 works in 10 publications in 1 language and 457 library holdings
Genres: Exhibition catalogs  History  Case studies 
Roles: Author
Classifications: ND1002, 759.954560747471
Publication Timeline
Most widely held works by Yuthika Sharma
Princes and painters in Mughal Delhi, 1707-1857 by William Dalrymple( Book )

4 editions published in 2012 in English and held by 309 WorldCat member libraries worldwide

Between the years 1707 and 1857, the cultural center of Delhi in North India was the locus of a dramatic shift of power with the decline of the Mughal Empire and the rise of the British Raj. This critical transitional period altered Indian culture, politics, and art, and brought unprecedented artistic innovation and experimentation. The artistic flowering of this time is evident in jewel-like portraits, miniature paintings, striking panoramas, and exquisite decorative arts crafted for Mughal emperors and European residents alike. Sumptuous color illustrations of such works illuminate the pages of this book, painting a vivid portrait of this important city and its art, artists, and patrons. Masterworks by major Mughal artists, such as Nidha Mal and Ghulam Ali Khan, and works by non-Mughal artists demonstrate the dynamic interplay of artistic production at this time. This largely overlooked period is explored in thought-provoking essays by a panel of distinguished scholars of Indian art, history, and literature to present an engaging look at this dynamic artistic culture in the midst of rapid change
Delight in design : Indian silver for the Raj by Vidya Dehejia( Book )

2 editions published in 2008 in English and held by 144 WorldCat member libraries worldwide

"Delight in Design is a richly Illustrated volume that focuses on the remarkable ornamented silverware produced by Indian craftsmen during the period of the British Raj. Silversmiths created elegant silver tea services, bowls, wine and water ewers, beer mugs, and goblets to adorn the sideboard or mantelpiece in a British Raj home, producing European forms fulfilling European requirements. These same silversmiths then adopted a unique manner of embellishing these objects with a variety of different motifs that reflected local taste and carried a recognizably local pattern. A tea service made in Kutch would feature heavily embossed work, perhaps with a wonderful twisted snake as its handle, and a magnificent elephant head where its spout emerged from the pot. If made in Madras, the teapot would be decorated with images of gods being carried in temple processions to the accompaniment of music and dance, giving this ware the designation of Swami (god) silver. If from Calcutta, it would bear a series of rural scenes - men and women carrying water, husking grain, or ploughing fields, against a backdrop of palm trees and village huts."--Jacket
A new memorial landscape for India the Raj Ghat commemorative complex, Delhi by Yuthika Sharma( )

1 edition published in 2004 in English and held by 1 WorldCat member library worldwide

After the city a genealogy of urban concepts : international PhD seminar iurbanism [ urbanization : Leuven, February 19-21, 2004 by Matt Lasner( Book )

1 edition published in 2004 in English and held by 1 WorldCat member library worldwide

From land to landscape : a survey of landscape strategies in Imperial Delhi (1863-1913) by Yuthika Sharma( )

1 edition published in 2005 in English and held by 1 WorldCat member library worldwide

Art in between Empires : Visual Culture and Artistic Knowledge in Late Mughal Delhi, 1748-1857 by Yuthika Sharma( )

1 edition published in 2013 in English and held by 1 WorldCat member library worldwide

This dissertation focuses on the artistic culture of late Mughal Delhi spanning the last century of Mughal rule and the administration of the English East India Company in North India, from the mid-eighteenth to the mid-nineteenth centuries. It brings a hitherto unrecognized period of artistic accomplishment to light and studies the transformations within painting culture in the multicultural Anglo-Mughal society of Delhi. Rather than being fixated on the continuum of Mughal painting over centuries, this dissertation suggests that the art of the late Mughal period should be studied on its own terms as a response to immense socio-political and cultural changes. At its core this study is concerned with dissolving the stylistic barriers between Mughal and Company painting in the late eighteenth and nineteenth centuries. I take up the question of what the term 'late Mughal painting' entails and discuss how the term privileges the notion of a court centric culture of painting in an era when the Mughal court was only one of many venues of artistic expression
Audience Level
Audience Level
  Kids General Special  
Audience level: 0.55 (from 0.52 for Princes an ... to 0.98 for After the ...)

Delight in design : Indian silver for the Raj
Alternative Names
Yuthika Sharma

English (10)