WorldCat Identities
Fri Mar 21 17:05:14 2014 UTClccn-no20101380070.00Focus on photography : [photographic processes at the Amon Carter Museum of American Art]0.640.94Look for beauty : Philip Johnson and art museum design /148172678no20101380078602862Amon Carter MuseumCarter MuseumCarter Museum of American ArtMuseum of American ArtcontainsVIAFID/132021343Amon Carter Museum of Western Artlccn-n81035419Addison Gallery of American Artlccn-n50040842Marin, John1870-1953lccn-n79059256Portland Museum of Artlccn-n84005420Balken, Debra Brickerlccn-no2001076840Roberts, Ellen E.lccn-n78096940Art Institute of Chicagolccn-n2010037766Madsen, Annelise K.lccn-n2013000663Oehler, Sarah Kellylccn-n85219782Barter, Judith A.1951-lccn-nr93047541Rohrbach, JohnAmon Carter Museum of American ArtExhibition catalogsCriticism, interpretation, etcHistoryExhibition, pictorial worksUnited StatesModernism (Art)Graham, John,FriendshipMarin, John,Texas--Fort WorthPainting, AmericanArt and societyCooking, AmericanFood in artColor photographyOnassis, Jacqueline Kennedy,Art, ModernTravelArt--Collectors and collectingKennedy, John F.--(John Fitzgerald),Watercolor painting, AmericanUnited States, WestRussell, Charles M.--(Charles Marion),Watercolor paintingDrawing, AmericanDrawingJohnson, Philip,Munson-Williams-Proctor Arts InstituteArt museum architectureBanerjee, Subhankar,Desert ecologyLandscape photographyNew Mexico--Santa Fe RegionPinus edulisColor in artLithography, AmericanUnited States--Southwestern StatesArt museumsArtArt, AmericanArt--ExhibitionsPhotograph collectionsPhotography--Printing processesPhotography--TechniquePhotography--Processing20102011201220139422024759.13N6537.G6752343ocn663459598book20110.73Balken, Debra BrickerJohn Marin : Modernism at midcenturyCriticism, interpretation, etcExhibition catalogs+-+K8449655851871ocn854848145book20130.66BarterArt and appetite : American painting, culture, and cuisineExhibition catalogs" Food has always been an important source of knowledge about culture and society. Art and Appetite takes a fascinating new look at depictions of food in American art, demonstrating that the artists' representations of edibles offer thoughtful reflection on the cultural, political, economic, and social moments in which they were created. Using food as an emblem, artists were able to both celebrate and critique their society, expressing ideas relating to politics, race, class, gender, and commerce. Focusing on the late 18th century through the Pop artists of the 20th century, this lively publication investigates the many meanings and interpretations of eating in America. Richly illustrated, Art and Appetite features still life and trompe l'oeil painting, sculpture, and other works by such celebrated artists as William Merritt Chase, John Singleton Copley, Elizabeth Paxton, Norman Bel Geddes, Stuart Davis, Edward Hopper, Alice Neel, Wayne Thiebaud, Roy Lichtenstein, and many more. Essays by leading experts address topics including the horticultural and botanical underpinnings of still-life paintings, the history of alcohol consumption in the United States, Thanksgiving, and food in the world of Pop art. In addition to the images and essays, this book includes a selection of 18th- and 19th-century recipes for all-American dishes including molasses cake, stewed terrapin, rice blancmange, and roast calf's head. "--1772ocn830837381book20130.56Rohrbach, JohnColor : American photography transformedHistoryExhibition catalogs1501ocn813392865book20130.39Hotel Texas : an art exhibition for the President and Mrs. John F. KennedyExhibition catalogs"The events associated with John F. Kennedy's death are etched into our nation's memory. This fascinating book tells a less familiar part of the story, about a special art exhibition organized by a group of Fort Worth citizens. On November 21, 1963, the Kennedys arrived in Fort Worth around midnight, making their way to Suite 850 of the Hotel Texas. There, installed in their honor, was an intimate exhibition that included works by Monet, Van Gogh, Marin, Eakins, Feininger, and Picasso. Due to the late hour, it was not until the following morning that the couple viewed the exhibition and phoned one of the principal organizers, Ruth Carter Johnson, to offer thanks. Mrs. Kennedy indicated that she wished she could stay longer to admire the beautiful works. The couple was due to depart for Dallas, and the rest is history.This volume reunites the works in this exhibition for the first time and features some previously unpublished images of the hotel room. Essays examine this exhibition from several angles: anecdotal, analytical, cultural, and historical, and include discussions of what the local citizens wished to convey to their distinguished viewers"--582ocn772469735book20110.90Stewart, RickRomance maker : the watercolors of Charles M. RussellExhibition catalogsThe artist Charles M. Russell (1864-1926) is recognized today as a leading artist of the Old West. The works in this publication, drawn fro a number of public and private collections, represent the finest and most memorable watercolors he created during his lifetime - a body of work that places him in the upper tier of American watercolorists at the turn of the twentieth century. - from book jacket341ocn729758903book20110.47Banerjee, SubhankarSubhankar Banerjee : where I live I hope to knowExhibition catalogsExhibition, pictorial works21ocn810061849book20110.59Agee, William CAmerican vanguards : Graham, Davis, Gorky, De Kooning, and their circle, 1927-1942Exhibition catalogs+-+421676558511ocn839858528visu0.47Amon Carter Museum of American Art[Woman and two children receiving note from bank teller]11ocn844867498book2011Agee, William CAmerican vanguards Graham, Davis, Gorky, De Kooning, and their circle, 1927-1942 : [exhibition, Mass., the Addison Gallery of American Art, September 21-December 31, 2012; New York, Neuberger Museum of Art, January 29-April 28, 2012; Texas, Amon Carter Museum of American Art, June 9-August 19, 2012]Exhibition catalogs+-+421676558511ocn839858534visu0.47Amon Carter Museum of American Art[Bewley Mills plant with trains and trucks in foreground]11ocn839858559visu0.47Amon Carter Museum of American Art[Horse heads grouped 2 each]11ocn839858562visu0.47Amon Carter Museum of American Art[Monnigs Department Store and : grainery with warehouse in background along with trains circling]11ocn839858558visu0.47Amon Carter Museum of American Art[Train hauling logs in first image and : lumber processing plant complex with several buildings and trains in background with trucks, trees, and people in foreground in second image]11ocn839858564visu0.47Amon Carter Museum of American Art[Monmouth Pottery Company complex]11ocn839858523visu0.47Amon Carter Museum of American Art[Bull and various images]11ocn845973111book2011Balken, Debra BrickerJohn Marin modernism at midcentury : [exhibition, held at Portland Museum of Art, Maine, June 23-October 9 2011, at Amon Carter Museum of American Art, Fort Worth, Texas, november 4 2011 to january 8 2012 and at Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, january 27-april 1 2012]Criticism, interpretation, etcExhibition catalogs+-+K844965585461ocn717387236book20110.73Amon Carter Museum of American ArtThe allure of paper : watercolors and drawings from the Amon Carter Museum of American ArtExhibition catalogs391ocn672043057book20100.94Murray, Mary ELook for beauty : Philip Johnson and art museum designExhibition catalogs51ocn654120978serial0.81Amon Carter Museum of American ArtProgramPeriodicals11ocn779410892book2011Focus on photography : [photographic processes at the Amon Carter Museum of American Art]+-+K844965585+-+K844965585Fri Mar 21 15:46:35 EDT 2014batch13532