WorldCat Identities

Fogerty, John 1945-

Works: 441 works in 1,111 publications in 3 languages and 12,394 library holdings
Genres: Rock music  Documentary films  Country rock music  History  Popular music  Blues-rock music  Nonfiction films  Blues (Music)  Filmed performances  Concert films 
Roles: Performer, Author, Composer, Arranger, Singer, Instrumentalist, Lyricist, Producer, Other
Classifications: M1630.18.F64, 782.42166
Publication Timeline
Most widely held works by John Fogerty
Chronicle by Creedence Clearwater Revival (Musical group)( Recording )

18 editions published between 1976 and 2008 in English and Undetermined and held by 932 WorldCat member libraries worldwide

Revival by John Fogerty( Recording )

23 editions published between 2007 and 2008 in 3 languages and held by 707 WorldCat member libraries worldwide

A collection of twelve songs by singer, songwriter, and guitarist John Fogerty, including "Don't You Wish It Was True," "Long Dark Night," and "Somebody Help Me."
Sound City by David Grohl( Visual )

8 editions published in 2013 in English and held by 651 WorldCat member libraries worldwide

In 2012 Dave Grohl purchased the legendary Neve 8028 recording console from Sound City Studios. The board, built in 1972, is considered to be the crown jewel of analog recording equipment, having recorded such artists as Neil Young, Fleetwood Mac, Johnny Cash, Guns and Roses, Metallica, and many other musical legends. This tells the story of real rock history, and celebrates the music, as Grohl gathers some of rock's greatest artists to collaborate on a new album using this classic console
Wrote a song for everyone by John Fogerty( Recording )

19 editions published in 2013 in 4 languages and held by 631 WorldCat member libraries worldwide

John Fogerty is one of the most respected songwriters in the history of Rock and Roll. On this album Fogerty produces a masterpiece, drawing from his classic songbook of hits and collaborating with some of the biggest superstars in popular music. Alongside these stellar collaborations, Fogerty has also penned two brand new original songs for the album. Fourteen songs, sixteen special guests, one songwriter, and one amazing album
The Blue Ridge Rangers rides again by John Fogerty( Recording )

21 editions published in 2009 in 3 languages and held by 517 WorldCat member libraries worldwide

Finishing what he started over three decades ago, Fogerty's sequel to his 1973 solo album contains a collection of vintage country and American roots covers along with a piece of one of his own songs
The long road home the ultimate John Fogerty-Creedence collection by John Fogerty( Recording )

17 editions published between 1984 and 2006 in 3 languages and held by 459 WorldCat member libraries worldwide

Mixes for the first time Fogerty's most important songs from both his Creedence and solo song catalogs
Last man standing by Jerry Lee Lewis( Recording )

7 editions published in 2006 in English and Undetermined and held by 455 WorldCat member libraries worldwide

It often seems like there are only two ways for rock, country, and blues veterans to launch comebacks when they're senior citizens: confront mortality head on or surround yourself with superstar guests to help carry you through a half-hearted stroll through your back catalog, scattering a few new tunes along the way. At first glance, Jerry Lee Lewis' Last Man Standing seems to fall into both categories: the title suggests that Jerry Lee is in the mood to take a long look back, and certainly the very concept of the album -- pairing Lewis with 21 other stars for a succession of duets, often on material that his guests either wrote or made famous -- seems like a typical superstar duet record. But the Killer has never been predictable, and nowhere is that truer than it is here, where Jerry Lee treats Mick Jagger, Keith Richards, John Fogerty, Bruce Springsteen, Jimmy Page, and 16 other stars as he treated the Nashville Teens at {the Star Club in 1964 -- as game amateurs who have to sprint to keep up with the master. This is the only guest-studded superstar album where all the guests bend to the will of the main act, who dominates the proceedings in every conceivable way. Jerry Lee doesn't just run the guests ragged; he turns their songs inside out, too -- and nowhere is that clearer than on the opening "Rock and Roll," the Led Zeppelin classic that is now stripped of its signature riff and sounds as if it were a lost gem dug out of the Sun vaults. Far from struggling with this, Jimmy Page embraces it, following the Killer as he runs off on his own course -- he turns into support, and the rest of other 20 guests follow suit (with the possible exception of Kid Rock, who sounds like the party guest who won't go home on an otherwise strong version of "Honky Tonk Woman"). The label might sell Last Man Standing on the backs of the duet partners -- after all, it's awful hard to drum up interest in a record by a 71-year-old man no matter how great he is, so you need a hook like superstars -- but the album by no stretch of the imagination belongs to them. This is completely Jerry Lee's show from the second that he calls out, "It's been a long time since I rock & rolled," at the beginning of the record -- and those are true words, since he hasn't rocked on record in a long, long time. Ten years ago he cut the Andy Paley-produced Young Blood, but that was a typically tasteful self-conscious comeback record; it was driven as much by the producer's conception of the artist as it was the artist himself. The opposite is true here, where the production is simple and transparent, never interfering with the performances; it has the welcome effect of making it sound like there is simply no way to tame Jerry Lee, even though he's now in his seventies. And that doesn't mean that this is merely a hard-rocking record, although "Rock and Roll," "Pink Cadillac," and "Travelin' Band" do indeed rock harder than anything he's done since the '70s -- so hard that they stand proudly next to his classic Sun records, even if they don't have the unbridled fire of those peerless sides. No, this album touches on everything that Jerry Lee has done musically through his career, as the furious rock & roll is balanced by pure hardcore country, piledriving boogie-woogie, rambling blues, old-timey folk songs, and, especially, reinterpretations of familiar songs that are so thoroughly reimagined they seem like they were written specifically for Jerry Lee. And he does this the same way he's always done it: by singing and playing the hell out of the songs. His phrasing remains original and unpredictable, twisting phrases in unexpected ways -- and, yes, throwing his name into the mix frequently, too -- and his piano is equally vigorous and vital. This is a record that stays true to his music, and in doing so, it's not so much a comeback as it is a summation: a final testament from a true American original, one that explains exactly why he's important. But that makes Last Man Standing sound too serious, as if it were one of those self-consciously morbid Johnny Cash records -- no, this is a record that celebrates life, both in its joys and sorrows, and it's hard not to see it as nothing short of inspiring. Stephen Thomas Erlewine
Lightning in a bottle( Visual )

1 edition published in 2005 in English and held by 450 WorldCat member libraries worldwide

More than 50 musicians gather in New York City to celebrate 100 years of the blues in this Blues Music Foundation benefit concert
Blue moon swamp by John Fogerty( Recording )

28 editions published between 1997 and 2004 in 5 languages and held by 447 WorldCat member libraries worldwide

Taking him over a decade to write and record, Fogerty's songs and performances are richly evocative of tradition, but they're vibrant and living for the present, which makes the rockabilly, blues, country, and swampy rock and roll sound fresh
Mean old man by Jerry Lee Lewis( Recording )

5 editions published in 2010 in English and Undetermined and held by 417 WorldCat member libraries worldwide

A true American original for over half a century, Jerry Lee Lewis shows no signs of slowing down as he adds another chapter to his legendary career. Here he collaborates with some of the biggest names in music, including Eric Clapton, Mick Jagger, Ringo Starr, and Sheryl Crow
Centerfield by John Fogerty( Recording )

32 editions published between 1984 and 2010 in English and Undetermined and held by 404 WorldCat member libraries worldwide

25th anniversary Rock & Roll Hall of Fame concerts( Visual )

2 editions published in 2010 in English and held by 384 WorldCat member libraries worldwide

This videodisc features live and previously unseen performances, and includes the 2009 celebration of the Hall's silver anniversary, marked by two all-star New York Concerts that aired on HBO. Features U2 performing with Fergie and Mick Jagger, Bruce Springsteen with John Fogerty, Metallica, Aretha Franklin, and more
Deja vu all over again by John Fogerty( Recording )

14 editions published between 2004 and 2005 in 3 languages and held by 328 WorldCat member libraries worldwide

Premonition by John Fogerty( Recording )

22 editions published between 1998 and 2005 in 3 languages and held by 309 WorldCat member libraries worldwide

Green river by Creedence Clearwater Revival (Musical group)( Recording )

22 editions published between 1969 and 2008 in 3 languages and held by 272 WorldCat member libraries worldwide

Earl Scruggs and friends by Earl Scruggs( Recording )

4 editions published in 2001 in English and No Linguistic content and held by 243 WorldCat member libraries worldwide

Willy and the poor boys by Creedence Clearwater Revival (Musical group)( Recording )

28 editions published between 1900 and 2008 in English and Undetermined and held by 236 WorldCat member libraries worldwide

The 1969 release from Creedence Clearwater Revival features the classic tracks Down On the Corner; Fortunate Son; and The Midnight Special. To celebrate its 40th anniversary, the album has been expanded to include three previously unreleased live performances
Creedence gold by Creedence Clearwater Revival (Musical group)( Recording )

8 editions published between 1972 and 1991 in English and Undetermined and held by 204 WorldCat member libraries worldwide

The Blue Ridge Rangers by John Fogerty( )

13 editions published between 1973 and 2008 in 3 languages and held by 203 WorldCat member libraries worldwide

From the Big Apple to the Big Easy NYC's concerts for the Gulf Coast( Visual )

1 edition published in 2006 in English and held by 173 WorldCat member libraries worldwide

New York City's live concert to support the long-term relief and rebuilding efforts following Hurricane Katrina. Show-stopping performances by New Orleans musical legends and many of music's biggest names
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WorldCat IdentitiesRelated Identities
Alternative Names
Fogerty, J. C. 1945-

Fogerty, J. C. (John C.), 1945-

Fogerty, J. C. (John Cameron) 1945-

Fogerty, John C. 1945-

Fogerty, John Cameron.

J. C. Fogerty

John Cameron Fogerty

John Fogarty

John Fogerty Amerikaans zanger

John Fogerty cantante statunitense

John Fogerty US-amerikanischer Snger und Songschreiber

John Fogerty USA-amerikansk musikar

Джон Фогерті

Джон Фоджърти

Фогерти, Джон американский певец, песенник и гитарист

존 포거티


English (251)

German (12)

Dutch (1)