WorldCat Identities
Fri Mar 21 17:07:35 2014 UTClccn-no930374990.00America, the dream goes on0.511.00Interview with Peter Wilhousky16799687Peter_Wilhouskyno 930374993512744P. J. W. (Peter J. Wilhousky), 1902-1978W., P. J. (Peter J. Wilhousky), 1902-1978Wilhousky Peter 1902-1978Wilhousky, Peter J. 1902-1978lccn-n81058246Shaw, Robert1916-1999arrlccn-no00006689Washington Men's Camerataprflccn-n90708319MacDonald, Donald R.(Donald Raymond)arrnp-quigley, patrick dupreQuigley, Patrick Dupréarrlccn-n85064882Davison, Archibald T.(Archibald Thompson)1883-1961arrlccn-no2003043962Albinder, Frankcndnp-matthews, h alexanderMatthews, H. Alexanderlccn-n94101285Scott, K. Leearrlccn-n94098767Moore, Donald1910-arrlccn-n84130718Stickles, William1882-1971arrWilhousky, Peter J.1902-1978DramaCriticism, interpretation, etcMusical settingsOperasMusicInterviewsMotion picture musicHistoryOverturesPictorial worksOperasOperas--ExcerptsLive sound recordingsChristmas musicMotion picture musicCarolsChoruses, Sacred (Mixed voices)Choruses, Sacred (Women's voices, 3 parts) with harpOthello (Fictitious character)OverturesBohème (Puccini, Giacomo)Operas--LibrettosOperas--Excerpts, ArrangedChoruses (Men's voices), UnaccompaniedChoruses (Men's voices) with pianoUnited StatesNonets (Bassoons (2), clarinets (2), horns (2), oboes (2), double bass), ArrangedHowe, Julia Ward,Shakespeare, William,AnthemsChoruses, Sacred (Mixed voices), UnaccompaniedChoruses, Sacred (Mixed voices) with instrumental ensembleNew York (State)--New YorkNational songsChoruses, Sacred (Mixed voices, 4 parts), UnaccompaniedVocal musicChoruses, Sacred (Mixed voices, 7 parts) with pianoPatriotic musicPuccini, Giacomo,SongsPotpourris (Orchestra)Domingo, Plácido,Freni, Mirella,OperaOrchestral music, ArrangedChoruses, Secular (Mixed voices)Songs with pianoItaly--MilanOthello (Shakespeare, William)MotetsAmerican Civil War (1861-1865)Murger, Henri,Hymns, EnglishCarols, UkrainianOrgan music, ArrangedChoruses, Secular (Mixed voices, 4 parts) with pianoBand music, ArrangedDramatic musicSongs (High voice) with pianoAustralia1902197819361937193819401941194219431944194519461947194919501953195419551956195919611962196319641965196619671971197219731974197519761978197919801981198319841985198919901991199219931997199819992000200120022003200420052006200720092010201120122013502133194782.1M1500ocn811489136ocn029411169ocn326738322ocn080577401ocn040440717ocn062248512ocn057590073ocn050792666ocn777676698ocn025791807ocn043558514ocn050817607ocn762017228ocn659015263ocn658332337ocn762017224ocn659019737ocn213905407ocn659019773ocn661741501ocn057590073ocn760220017ocn864445621ocn853538993ocn870179148ocn764898146ocn661305149ocn320959618ocn661630029ocn765466702ocn765312482ocn837961178ocn634591345ocn824648018ocn633901238ocn083890934ocn078916927ocn078452231ocn243692314ocn240302608ocn294961677ocn037432396ocn829978253812ocn811489136file20090.79Washington Men's CamerataWhen I was a young man more classics for men's chorus6614ocn002568906score19440.37Steffe, WilliamBattle hymn of the republicHistoryJuvenile worksMusical settingsMusic5611ocn009117479score19360.39Leontovych, MCarol of the bells : (Ukrainian Christmas carol)361ocn029411169rcrd19930.35St. Olaf Choir (St. Olaf College)O yule full of gladness songs of Christmas from around the world142ocn014053223rcrd0.76Festival concert of choral music82ocn021513113score19490.59Wilhousky, Peter JCarol-Noel : for a capella chorus of mixed voices81ocn017883377score19370.47Kopylov, Aleksandr AleksandrovichHeavenly light : chorus for mixed voices (a cappella)81ocn043558514rcrd19970.50Beethoven, Ludwig vanFidelio [Complete]OverturesBroadcast on Feb. 22, 1941, NBC Radio, from Metropolitan Opera House, New York City74ocn213817144score19430.47Gilmore, P. SWhen Johnny comes marching home : chorus for mixed voices with piano accompaniment, S.A.T.B.HistoryMusicPictorial works71ocn015228949score19500.76Victoria, Tomás Luis deAve Maria = Father most holy : for a cappella chorus of mixed voices72ocn043816218rcrd19830.37Verdi, GiuseppeOtelloMusical settingsMusicDramaMotion picture musicOtello: Dramma lirico in quattro atti. Libretto: Arrigo Boito65ocn162340320rcrd19730.56Puccini, GiacomoLa Bohème [opera in four acts]Musical settingsInterviewsBJORLING, Jussi (tenor). LOS ANGELES, Victoria de (soprano). MERRILL, Robert (baritone). REARDON, John 9baritone). CORENA, Fernando (bass). AMARAH, Lucine (soprano). NAHR, William (tenor). POWELL, Thomas (baritone). MONTE, George del (baritone). RCA VICTOR CHORUS. COLUMBUS BOYCHOIR. RCA VICTOR ORCHESTRA. BEECHAM, Thomas (conductor)64ocn480258211rcrd19540.28Puccini, GiacomoLa BohèmeCriticism, interpretation, etcMusical settingsInterviewsStories, plots, etcMotion picture musicOperasThis recording contains the complete opera sung in Italian. The book contains the complete text of the libretto with annotations in both English and Italian, and a critical historical commentary. The text also includes the background of the composer, biographies of the principal singers and conductor51ocn030565773score19380.86Panchenko, Simon VictorovichThe promises : anthem for mixed voices, S.A.T.B. a cappella51ocn027802040score19500.47Bach, Johann SebastianO rejoice ye Christians loudly. SATB - a cappella51ocn057590073rcrd20040.29University of Wisconsin--MadisonIn the bleak midwinter51ocn050817607rcrd20020.47Verdi, GiuseppeOtelloMusical settingsInterviewsMusicDramaThe story: Act I. The action unfolds on Cyprus, under Venetian rule in the 16th century. The scene is outside the castle, residence of Otello, governor of the island, facing the port. It is night. A furious storm churns the sea, and a crowd of Venetian citizens and soldiers helplessly watch while the ship of the Moor Otello desperately tries to make it into port. Only Iago, one of Otello's men, does not participate in the general apprehension for the safety of his leader: he hates Otello, because Otello has promoted Cassio captain instead of him; he meditates revenge. The crowd is jubilant as Otello finally lands safely and announces that the Turkish fleet has been defeated. When the Moor enters the castle, the fireworks start and all drink to his victory. In the midst of the rejoicing, Iago starts to weave the scheme that will lead to his commander's downfall: he treacherously insinuates to Roderigo, who had revealed to Iago his love for Otello's wife, Desdemona, that Captain Cassio also feels the same affection for the woman. Then Iago gets Cassio drunk, and incites a fight between the two men, but the dangerous duel that starts between them is stopped by Montano. However, the peacemaker is wounded by Cassio. Iago sounds the alarm, swelling the episode out of proportion until the crowd is in tumult. Called back by the shouts and noise, Otello, falsely informed by Iago, punishes Cassio and demotes him. This is a first victory for Iago, who exults43ocn762104876rcrd19970.23Shaw, RobertA Robert Shaw Christmas angels on high42ocn458908068rcrd1984America, the dream goes on43ocn181354616score20040.23Leontovych, MCarol of the bells : for three-part treble voices (SSA) a cappella11ocn505319430book19561.00Haeseler, IsabelleThe art of choral composition in the sacred music of Peter J. WilhouskyMusicDissertations, Academic11ocn643881233art19660.10American Society of Composers, Authors and PublishersWilhousky, Peter J.: composer, author, conductor, educator11ocn243692314rcrd19631.00Grauer, BenInterview with Peter WilhouskyInterviewsPeter Wilhousky, supervisor of music for the New York public schools [also a composer and choral director] who prepared several broadcasts of classical music with Toscanini, talks about the Maestro's reaction to youngsters performing in broadcasts and their collaboration in preparing the parts of the choir. As a music educator and a choral director, Wilhousky was entrusted in the selection of the choir members and subsequent practicesFri Mar 21 15:44:26 EDT 2014batch19299