WorldCat Identities
Fri Mar 21 17:03:18 2014 UTClccn-no980650810.18Copie conforme Certified Copy /0.380.98Abbas Kiarostami /114753296Abbas_Kiarostamino 980650814658709Abbas KiarostamiKia-rostami, Abbas 1940-Kiyā Rustamī, 'Abbās.Kīyā Rustamī, ʿAbbās 1940-Kiyārustamī, 'Abbās.Kiyārustamī, ʿAbbās, 1940-Rustamī, ʿAbbās K. 1940-Rustamī, 'Abbās Kiyā.Rustamī, ʿAbbas Kīyā 1940-رستمي، عباس كياعباس كيارستمي، 1940-كيارستمى، عباس‏کيارستمى، عباس.کیارستمی, عباس, 1319-....کیارستمی عباس 1940-....キアロスタミ, アッバスlccn-no97015460MK2 Productionsprodstlccn-n94007553Karmitz, Marinprolccn-no98092622Criterion Collection (Firm)lccn-nr98002655Zeitgeist Filmslccn-no96030540Binoche, Juliette1964-prfactviaf-261381578Yazdanian, Peymancmplccn-n2008021120Ershadi, Homayounprfactlccn-no94037810New Yorker Video (Firm)lccn-n81074742Janus Filmslccn-no94032927CIBY 2000 (Firm)proKiarostami, AbbasDramaInterviewsCriticism, interpretation, etcHistoryPictorial worksFilm adaptationsExhibition catalogsRomance filmsFictionDocumentary filmsIranKiarostami, AbbasManners and customsMotion picture producers and directorsSuicideMan-woman relationshipsAuthenticity (Philosophy)Assisted suicideDocumentary films--Production and directionWomen and deathMistaken identityImpersonationMotion picturesIran--TehranVisitors, ForeignSocial historyDeceptionWomen--Social conditionsThievesCity and town lifeAngerMurderLonelinessViolence in menOrphansUgandaChildren of AIDS patientsVillagesAbandoned childrenWomen teachersRailroad travelRailroad trainsEuropeInterpersonal relationsLumière, Louis,Lumière, Auguste,AsiaWomen in motion picturesTravelPrincessesNiẓāmī Ganjavī,Motion picture audiencesRay, Satyajit,Kurosawa, Akira,Zhang, YimouOzu, Yasujirō,JapanItaly--TuscanyCaspian SeaImitation in art194019711973197419751986198719881989199019911992199319941995199619971998199920002001200220032004200520062007200820092010201120122013103814551112791.4372PN1997ocn785244553ocn050617778ocn056994968ocn071783264ocn645445033ocn657134645ocn642845786ocn794562444ocn785241612ocn042599935ocn785244553ocn050617778ocn056994968ocn055492209ocn645445033ocn642845786ocn794562444ocn785241612ocn042599935ocn744675841ocn050617778ocn056994968ocn657134645ocn042599935ocn754976786ocn272565925ocn785086974ocn781316746ocn312634777ocn801438143ocn645445033ocn707720533ocn742926609ocn416239690ocn742642459ocn742786054ocn743014122ocn743146050ocn801726944ocn742995963ocn780872115ocn419598530ocn676413947ocn813564229ocn674447429ocn676640022ocn416239690ocn694026813ocn767055854ocn406431676ocn500921179ocn694026816ocn766984381ocn766984395ocn766974375ocn693942113ocn767047203ocn693942111ocn691917434ocn674080253ocn753688554ocn753716439ocn837909445ocn551845197ocn753866071ocn839340114ocn839382261ocn753589262ocn753611050ocn839318100ocn470953273ocn826735488ocn451167423ocn800149888ocn800043666ocn468241296ocn816051003ocn450121978ocn442772595ocn450192808ocn766984367ocn693942105ocn691395667ocn837439701ocn86676509496039ocn042016906visu19970.28Kiarostami, AbbasTaste of cherry Taʹm e guilassFictionInterviewsDramaMr. Badii, ceaselessly driving through the red-brown hills around Tehran in search of assistance in his suicide, receives from each of the men he asks for help a viewpoint on life. Following the film is a ten-minute interview with Abbas Kiarostami+-+452675532532477753ocn049407085visu19890.29Kiarostami, AbbasKlūzāp Nimā-yi nazdīkDramaBased on the story of Hossein Sabzian71438ocn050617778visu19990.27Kiarostami, AbbasBad ma ra khahad bord The wind will carry usDramaA group of men from the city traverse the rural Iranian countryside, looking for the village of Siah Dareh, following directions such as "turn left at the big tree on top of the hill," seemingly lost. The driver, respectfully called "Engineer" by the villagers, is in this remote location to record a funeral ritual that will follow the death of a woman reputed to be more than 100 years old. As he waits and she rallies, he becomes a figure of some amusement in the valley--whenever his cell phone beeps, he charges to higher ground in his Land Rover in order to get proper reception. And as he waits to complete his task, he is transformed from a nosy outsider into a reverent observer, seeing all the transient beauty and eternal wonder of the human experience in one poor, small, rural village+-+33175821066352ocn785244553visu20110.18Copie conforme Certified CopyDramaRomance filmsWhat seems at first to be a straightforward tale of two people getting to know each other over the course of an afternoon gradually reveals itself as something richer, stranger, and trickier: a mind-bending reflection on authenticity, in art as well as in relationships. Both cerebrally and emotionally engaging, reminds us that love itself is an enigma55758ocn056994968visu20020.28Kiarostami, Abbas10DramaDocumentary filmsAbbas Kiarostami : 10 on Ten: In this documentary, Kiarostami gives an in-depth interview that is a seminar on Kiarostami-style film making3791ocn055492209visu20040.25Ṭalā-yi surk Crimson goldDramaHussein is a pizza deliveryman in Tehran. Wounded in the Iraq-Iran war, he suffers from an unnamed illness for which he takes "medication." When not delivering pizza, he and his naïve, talkative friend Ali are petty thieves. Hussein is engaged to Ali's sister. His job brings him repeatedly to the doorways of Tehran's well-heeled, Westernized citizens, who treat him as though he were invisible. Hussein is upset by being treated like a second-class citizen, especially after bravely serving in the war. After being turned away by the owner of a posh jewelry story, and then treated with coldness and condescension on a return visit, Hussein decides that the humiliation is not to be borne. He might have seemed still and implacable, but he was not frozen, only waiting35433ocn071783264visu20040.24Olmi, ErmannoTicketsDramaThree directors join forces to direct 3 interwoven stories that take place on an intercity train trip from Austria to Italy3493ocn058996217visu20050.23Kiarostami, AbbasA.B.C AfricaOver the course of a 10-day visit to Uganda in 2001, Abbas Kiarostami uses his camera to capture and caress the faces of a thousand orphans. An alternately heartbreaking and optimistic view of the results of the AIDS epidemic and civil war+-+70595821063061ocn062500319visu20020.19Īstigāh-i matrūk The deserted stationDramaA photographer and his young wife are stranded in a remote village after their car breaks down. The only adult inhabitant leaves with the photographer to find help, leaving the woman to teach the village children, whose parents are nowhere to be found2341ocn039823353visu19970.50Lumière et compagnie Lumière & companyCriticism, interpretation, etcTo commemorate the Centennial of the Lumière Brothers' first motion picture, leading international filmmakers created their own one minute Lumière Film, using the restored original camera+-+966770720632421119ocn785241612visu20090.21Kiarostami, AbbasCopie conformeDramaJames, écrivain anglais, donne une conférence en Italie pour la sortie de son nouveau livre. Il rencontre une galeriste française qui l'entraîne dans les ruelles d'un village toscan. Lorsque la jeune femme s'amuse à le faire passer pour son mari trop souvent absent, l'écrivain accepte de rentrer dans son jeu. Mais bientôt, il devient difficile de démêler le vrai du faux2014ocn180750601book20080.21Harris, Mark EdwardInside IranPictorial worksThe Islamic Republic of Iran is at the center of world attention politically, socially, and culturallybut it remains largely a cipher to the West. Award-winning photographer Mark Edward Harris has traveled throughout Iran to produce the first contemporary photographic book on a place seldom seen or understood. His images of daily life offer a fascinating look at a society of juxtapositionsancient and modern, commercial and spiritual, serene and intense, political and personal. With chapter introductions and extended captions providing context for the images, Inside Iran is a crucial look at a country whose future is likely to influence our own+-+658813663519411ocn657134645visu20080.27Shīrīn My sweet ShirinDramaFilm adaptations""Shirin shows audience of more than 100 women who are deeply absorbed in watching a film we never see. We observe how the drama plays out on their faces, seen in close up, mostly one at a time....based on the powerful 12th century Persian poem by Nizami, the film-within-a-film is a story of star-crossed lovers and female self-sacrifice that is as well known in modern-day Iran as Romeo and Juliet is in the West" -- container1846ocn035717690visu19960.63Where is my friend's house?DramaA boy faces challenges and obstacles while searching for his friend1706ocn047665528book20010.81Kiarostami, AbbasWalking with the wind"This bilingual edition of recent verse by the celebrated Iranian filmmaker Abbas Kiarostami (award-winning director of such films as Close-Up and Taste of Cherry) includes English translations of more than two hundred crystalline, haiku-like poems, together with their Persian originals. The translators, noted Persian literature scholars Ahmad Karimi-Hakkak and Michael Beard, contribute an illuminating introduction to Kiarostami's poetic enterprise, examining its relationship to his unique cinematic corpus and to the traditions of classic and contemporary Persian poetry. Of interest to enthusiasts of cinema and literature alike, Walking with the Wind - the second volume in Harvard Film Archives series "Voices and Visions in Film" - sheds light on a contemporary master who transforms simple fragments of reality into evocative narrative landscapes."--BOOK JACKET+-+69935592153241538ocn794562444visu20110.25Certified copy Copie conformeFictionDramaRomance filmsWhat seems at first to be a straightforward tale of two people getting to know each other over the course of an afternoon gradually reveals itself as something richer, stranger, and trickier: a mind-bending reflection on authenticity, in art as well as in relationships. Both cerebrally and emotionally engaging, reminds us that love itself is an enigma1443ocn035902352visu19960.53Life and nothing moreDramaThis film investigates the aftermath of a devastating 1990 earthquake which killed some 50,000 people in Northern Iran. This region provided the setting for Abbas Kiarostami's award-winning "Where is the friend's home?'. Kiarostami's search for the two young actors who played central roles in that film becomes the dramatic source of "Life and nothing more."1067ocn172999076visu20040.53Five 5 long takes dedicated to Yasujiro Ozu"Acclaimed Iranian filmmaker Abbas Kiarostami (A taste of cherry, Through the olive trees) pays homage to Yasujiro Ozu, the brilliant Japanese filmmaker whose spare but evocative style has been a major influence on Kiarostami's work. Canny and sublime, the 74-minute film is comprised of five long, apparently single takes of a beach on the Caspian Sea, all focusing on the ocean, comprised of virtually no camera movement and enveloped in rapturous natural sound. Richly poetic and shot on a hand-held DV camera, the film features five extended, apparently single-take sequences. One. The camera accompanies a piece of wood with which the waves are toying at the beach. Two. People are walking along by the seaside. Older people stop, look at the waves, then walk away. Three. Indistinct shapes on a beach in winter. A group of dogs. A love story. Four. Ducks noisily cross the frame in one direction, then the other. Five. A pond; nighttime; frogs; a chorus of sounds, then a storm, and finally dawn."--Container963ocn123503949visu20060.28Men at workMen at work: A comedy about four old friends who, driving back from a failed ski trip, encounter a strange and enormous rock by the side of the road above a lake. The men's frivolous attempt to dislodge the rock gradually disintegrates into a tale of betrayal, defeat and renewed hope922ocn035788041visu19960.53The KeyDramaA four-year-old boy, locked in the family apartment while his mother goes out to do some shopping, tries to take care of his baby brother and cope with a series of minor crises, as anxious neighbors try to advise him from outside3681ocn050253059book20030.66Saeed-Vafa, MehrnazAbbas KiarostamiCriticism, interpretation, etc+-+29637570752195ocn057485161book20050.81Elena, AlbertoThe cinema of Abbas KiarostamiCriticism, interpretation, etc"Abbas Kiarostami's films have taken their place alongside the masterworks of world cinema. He remains the most influential film-maker of post-revolutionary Iran and has produced a body of work that is as rooted in native land as it is universal in appeal. Respected cinema historian Alberto Elena uses Iranian sources wherever possible to frame Kiarostami's oeuvre within the context of the rich artistic and intellectual Persian tradition that has nourished the director. He examines his blending of fiction and reality, and his recurring themes of death, meaning in life, isolation, solidarity and the lives of women. The result is a retrospective that reveals exactly how this most Iranian of directors has come to assume a place in the pantheon of international cinema, from his early days as an illustrator and graphic designer, and his collaborative work and influences to his current master-status"--Book jacket+-+39401081352122ocn057640145book20050.81Andrew, Geoff10HistoryCriticism, interpretation, etcThe Iranian Abbas Kiarostami burst onto the international film scene in the early 1990s and - as demonstrated by the many major prizes he has won - is now widely regarded as one of the most distinctive and talented modern-day directors. His major features - including Through the Olive Trees (1994), Taste of Cherry (1997) and The Wind Will Carry Us (1999) - are relatively modest in scale, contemplative and humanist in tone. In 2002, with 10, Kiarostami broke new ground, fixing one or two digital cameras on a car's dashboard to film ten conversations between the driver (Mania Akbari) and her various passengers. The results are astonishing: though formally rigorous, even austere, and documentary-like in its style, 10 succeeds both as emotionally affecting human drama and as a critical analysis of everyday life in today's Tehran+-+K415209936867ocn298595531book20080.70Cardullo, BertOut of Asia: The Films of Akira Kurosawa, Satyajit Ray, Abbas Kiraostami, and Zhang Yimou; Essays and InterviewsHistoryCriticism, interpretation, etcCase studiesInterviewsOut of Asia: The Films of Akira Kurosawa, Satyajit Ray, Abbas Kiarostami, and Zhang Yimou is a collection of interviews with, and essays about, the four filmmakers who introduced the cinema of their respective countries to the West: Kurosawa (Japan) and Ray (India), in the 1950s; Kiarostami (Iran) and Zhang (China), in the 1980s. Kurosawa and Ray were post-World War II phenomena, as the new breed of American cinephiles demanded more contact with Asian cultures of which they had known little+-+5680362936324671ocn802068298book20120.92Kiarostami, AbbasStille und bewegte Bilder = Images, still and movingExhibition catalogsAbbas Kiarostami (*1940 in Teheran) became known primarily for his films made in the seventies, which were awarded prizes at film festivals such as Cannes (Golden Palm 1997) and Venice. Despite large-scale solo exhibitions at institutions such as the Museum of Modern Art in New York and the Centre Pompidou in Paris, the photographic oeuvre of this artist, who studied painting, has yet to be showcased in germanophone countries. Whereas Kiarostami's films contain haunting images of the human experience, he trains his photographic eye on untouched landscapes, often taking years to develop the images into series such as 'Snow White' (1978-2004) and 'Rain and Wind' (2007)512ocn049056823book20010.81Nancy, Jean-LucL'évidence du film : Abbas Kiarostami = The evidence of film : Abbas KiarostamiHistoryCriticism, interpretation, etcEssai sur les six derniers films de Abbas Kiarostami, suivi d'une conversation entre l'auteur et le réalisateur. Avec un cahier central contenant plusieurs story-boards503ocn300506359book20040.73Bergala, AlainAbbas KiarostamiCriticism, interpretation, etcInterviewsKiarostami est l'un des plus grands cinéastes apparu depuis trente ans dans le cinéma mondial. Après un apprentissage modeste et patient, il réalise de nombreux films pédagogiques pour et sur les enfants de son pays l'Iran. Son oeuvre remet en jeu les principales postulations de son art : capter le monde ou le construire, s'y perdre comme sujet de la sensation en en penser le film comme un modèle vertigineux ... Ce livre s'attache à analyser quelques matrices de création, à étayer ces propositions par de nombreux photogrammes282ocn038250594book19970.76Kiarostami, AbbasAbbas Kiarostami : textes, entretiens, filmographie complèteCriticism, interpretation, etcL'oeuvre cinématographique du réalisateur iranien a été révélée en France en 1990 avec Où est la maison de mon ami?, Close up, Et la vie continue, confirmé avec Au travers des oliviers, son premier succès public, sorti en 1995, et consacré aux yeux du monde entier, lors du dernier Festival de Cannes, où Le goût de la cerise a remporté la palme d'or203ocn038060343book19960.97Majmūʻah-ʼi maqālāt dar naqd va muʻarrifī-i ās̲ār-i ʻAbbās KiyārustamīHistoryCriticism, interpretation, etcCollection of criticisms and essays on the films of, ʻAbbās Kiyāʹrustamī192ocn041628699book19980.98Della Nave, MarcoAbbas KiarostamiCriticism, interpretation, etc192ocn434575002com20080.59Cardullo, BertOut of Asia the films of Akira Kurosawa, Satyajit Ray, Abbas Kiraostami [i.e. Kiarostami], and Zhang Yimou : essays and interviewsHistoryInterviews+-+5680362936324161ocn057557377book20030.97KiarostamiCriticism, interpretation, etc142ocn747772582book20110.90Shams, SussanLe cinéma d'Abbas Kiarostami : un voyage vers l'Orient mystiqueCriticism, interpretation, etc122ocn213458248book20070.95Menarini, RoyAutori del reale : studi su Kiarostami, Loach, Moretti, OlmiHistoryCriticism, interpretation, etc121ocn056682071book20040.66Curot, FrankStyles filmiques. Cassavetes, Forman, Kiarostami, Loach, PialatCriticism, interpretation, etcS'intéresse au style réaliste et à ses diverses manifestations à travers l'analyse de l'oeuvre cinématographique de cinq réalisateurs des années 1950 aux années 1990111ocn048965399book20000.93Ishaghpour, YoussefLe réel, face et pile : Le cinéma d'Abbas KiarostamiCriticism, interpretation, etcSelon Kiarostami, chacun ne semble avoir qu'un seul désir : être photographié, se voir dans un film, afin de sortir de la masse, d'être choisi, distingué. Ce désir universel d'avoir son image, associé au prestige du cinéma, ont permis au réalisateur iranien de tourner dans un tribunal (Close up) et d'installer sa caméra dans une école pour y interviewer les enfants (Devoir du soir)111ocn017592861book19860.98Karīmī, ĪrajʻAbbās Kiyāʹrustamī fīlmsāz-i riʼālīstOn the Iranian film director, 'Abbās Kiyā'rustamī and his productions111ocn170907231book20070.92Ishaghpour, YoussefKiarostami : le réel, face et pileCriticism, interpretation, etc112ocn051097009book20020.63Elena, AlbertoAbbas KiarostamiCriticism, interpretation, etc+-+3465712893101ocn048858145book20000.97Dalla Gassa, MarcoAbbas KiarostamiCriticism, interpretation, etc+-+3317582106+-+3317582106Fri Mar 21 15:48:15 EDT 2014batch47565