WorldCat Identities

Boudreau, Lisa

Publication Timeline
.
Most widely held works about Lisa Boudreau
 
Most widely held works by Lisa Boudreau
Suite For Five (1953-1958), : A Film by Charles Atlas( Visual )

1 edition published in 2008 and held by 58 WorldCat member libraries worldwide

A film, by Charles Atlas, of the Merce Cunningham work Suite For Five
Eyewitness ocean by Eyewitness( Visual )

6 editions published between 1996 and 1998 in No Linguistic content and English and held by 5 WorldCat member libraries worldwide

The disc begins with 3 min. of footage of the performance space in Damrosch Park preceding the performance of Ocean
Split sides by Charles Atlas( Visual )

1 edition published in 2006 in English and held by 3 WorldCat member libraries worldwide

Split sides consists of two sections and has two sets of costumes, decor and music. The ordering of the elements is determined before each performance by rolling dice. This disc contains two full performances of Split sides with variant combinations of the elements
Scenario no. 1 [and] Installations : [rehearsal]( Visual )

3 editions published in 1997 in No Linguistic content and English and held by 3 WorldCat member libraries worldwide

These discs contains run-throughs of Scenario and Installations, in rehearsal clothes, without musical accompaniment
Fluid canvas : [rehearsal]( Visual )

3 editions published between 2002 and 2004 in English and No Linguistic content and held by 3 WorldCat member libraries worldwide

This recording begins with footage of dancers warming up and discussion by crew members. The run-through of Fluid canvas, with costumes but without music, begins at 10 min. and runs 32 min
Biped( Visual )

3 editions published between 1998 and 1999 in No Linguistic content and English and held by 3 WorldCat member libraries worldwide

This disc contains a run-through of BIPED, in rehearsal clothes, without musical accompaniment. The run-through lasts 28 min. The last 3 min. of the tape contains an additional run-through of an excerpt from BIPED
Interscape( Visual )

3 editions published between 2000 and 2008 in English and Undetermined and held by 3 WorldCat member libraries worldwide

This disc contains a run-through of Interscape, in rehearsal clothes, without musical accompaniment
Event : Jacob's Pillow Dance Festival( Visual )

3 editions published in 2003 in English and held by 3 WorldCat member libraries worldwide

This Event contains material from Scenario, Installations, Fielding Sixes, Changing steps, Change of address, Un jour ou deux
Way station : dress rehearsal( Visual )

3 editions published between 2001 and 2002 in No Linguistic content and English and held by 3 WorldCat member libraries worldwide

This disc contains a studio run-through of Way station, in rehearsal clothes, without musical accompaniment, with a studio version of the decor created for the piece by Charles Long. The run-through lasts 31 min., and the last 6 min. of the disc contain retakes of excerpts from the piece
CRWDSPCR( Visual )

2 editions published between 1996 and 2008 and held by 3 WorldCat member libraries worldwide

From Electronic Arts Intermix website (http://www.eai.org/title.htm?id=15088) accessed on 2/19/2015: "Atlas records a late-2000's revival performance of the 1993 dance CRWDSPCR, which Merce Cunningham choreographed using the choreographic software program LifeForms. In program notes to a performance of the dance, Cunningham suggested that the vowel-less title, pronounced either 'crowd spacer' or 'crowds pacer,' referred to the way in which technology both crowded space and quickened the pace of daily life. Atlas's camera mimics a computer screen by maintaining an objective, static frame and rarely zooming in on particular dancers, notably making an intimate approach during the long, slow solo that contrasts with the dance's overall frenetic, staccato paces. A blue screen that forms the backdrop for the dance is traversed by a full company of dancers, who wear multi-colored leotards resembling harlequin computer pixels or digital grids. Cunningham's stage organization also permits the viewer to focus his or her attention on any of several groupings of moving dancers, much as one would when working on a computer with several windows open simultaneously. In this way, CRWDSPCR merges Cunninham's vision of a decentered organization of the stage with his use of the computer as a conceptual extension of chance-generated decision-making."
Pond way [and] BIPED : a film( Visual )

1 edition published in 2005 in English and held by 2 WorldCat member libraries worldwide

This disc contains full performances of Pond way and BIPED and commentary by Merce Cunningham, who speaks about the inspiration and costumes for Pond way; his use of computer software in creating choreography; the motion capture graphics for BIPED; his reasons for using chance operations
Fabrications [and] Biped( Visual )

2 editions published in 2007 and held by 2 WorldCat member libraries worldwide

Ground level overlay( Visual )

2 editions published in 1996 and held by 2 WorldCat member libraries worldwide

Performance of the dance work followed by candid footage of Merce Cunningham, musicians, and dancers
Rondo, MinEvent, [and] Sounddance( Visual )

2 editions published in 1997 in English and held by 2 WorldCat member libraries worldwide

Views on stage : [rehearsal]( Visual )

2 editions published between 2004 and 2005 in English and held by 2 WorldCat member libraries worldwide

Pond way, Event, [and] CRWDSPCR( Visual )

2 editions published in 1998 in English and held by 2 WorldCat member libraries worldwide

The program is introduced by Jacob's Pillow executive director Ella Baff, who speaks about Merce Cunningham's choreographic innovations
Loose time : [rehearsal]( Visual )

2 editions published between 2002 and 2003 in No Linguistic content and English and held by 2 WorldCat member libraries worldwide

This disc contains a studio run-through of Loose time, in rehearsal clothes, without musical accompaniment
International cloud atlas by Mikel Rouse( Recording )

1 edition published in 2006 in English and held by 2 WorldCat member libraries worldwide

Crises, eyeSpace 20 [and] CRWDSPCR( Visual )

2 editions published in 2007 and held by 2 WorldCat member libraries worldwide

From the dance detail on the Merce Cunningham Trust website: "eyeSpace existed in three different versions: one of twenty minutes' duration, and two of forty minutes. The dance in the 20-minute version comprised three sections: a quartet, a series of three trios of which the first two overlapped, and a duet. Mikel Rouse's score incorporated the use of iPod Shuffle mp3 players and an environmental soundscape performed live by one or two musicians, projected throughout the theater. Members of the audience could listen to the music on iPods (available on loan) or, if they preferred, to the ambient sound component (without headphones). Henry Samelson's décor backdrop suggested an imaginary landscape painted in bright colors. The costumes were unitards in various shades of blue. A fourth version of the dance combined the choreography and Samelson décor of eyeSpace 20' with both the Behrman and Lockwood scores of eyeSpace 40'. This version was performed only once at Brown Theatre, Kentucky Center, Louisville, KY on 23 March 2007."
Tate Modern event( Visual )

2 editions published in 2003 in English and held by 2 WorldCat member libraries worldwide

These discs contain raw footage of an Event performed by the Merce Cunningham Dance Company in the turbine hall at the Tate Modern, filmed by miltiple cameras, including footage of the set-up for the performance, audience members, the musicians performing the score, the performance, and curtain calls. This Event included material from Ocean, Changing steps Rondo, and Change of address
 
moreShow More Titles
fewerShow Fewer Titles
Audience Level
0
Audience Level
1
  Kids General Special  
Audience level: 0.44 (from 0.12 for Eyewitness ... to 0.83 for Way statio ...)

WorldCat IdentitiesRelated Identities
Languages
English (26)