WorldCat Identities

Moseley, Monica

Overview
Works: 79 works in 84 publications in 1 language and 90 library holdings
Genres: Interviews  Legends 
Roles: Interviewer, Photographer, Author, Performer, Editor, Speaker, Moderator, Costume designer
Classifications: GV1786, 792.8
Publication Timeline
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Most widely held works about Monica Moseley
 
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Most widely held works by Monica Moseley
City Center Joffrey Ballet by Herbert Mogdoll( Book )

1 edition published in 1967 in English and held by 8 WorldCat member libraries worldwide

Interview with Frederic Franklin by Frederic Franklin( Recording )

2 editions published in 2000 in English and held by 2 WorldCat member libraries worldwide

Cassette 23, side B (ca. 38 min.). Franklin continues to speak about Streetcar named desire [created for the Slavenska-Franklin Ballet]; rehearsing the ballet without music; the production's financial problems; performing Streetcar on tour in Japan and in Manila; the heavy financial burdens incurred by Mia Slavenska and Franklin in connection with Streetcar; Ballet Russe de Monte Carlo's performance of Streetcar; encouraging words from Tennessee Williams and Marlon Brando; the Harlem Dance Theatre production; comments on photographs of the ballet Streetcar named desire. [Ends abruptly.]
Interview with Herbert Migdoll by Herbert Migdoll( Recording )

2 editions published in 1996 in English and held by 2 WorldCat member libraries worldwide

Mr. Migdoll recounts meeting Gerald Arpino; describes the 1965 Robert Joffrey Ballet season at the Rebekah Harkness Foundation Dance Festival at the Delacorte Theater in New York City's Central Park; discusses Edwin Denby; his own attraction to the Joffrey company and its repertory; Arpino's ballet Viva Vivaldi!; the dancing of Robert Blankshine and Luis Fuente; covertly photographing Joffrey Ballet performances at City Center; combining graphic design with photography; the Robert Joffrey Ballet tour to the Harper Theater in Chicago; Lotte Goslar's choreography Charivari; aesthetics in dance photography; craftsmanship in dance photography; time-lapse dance photography; his training in the visual arts at Cooper Union; working at New York's Museum of Modern Art; Alexander Ewing; Isadora Bennett; Massine's ballet Parade; Jooss' choreography The green table; critics' reactions to Arpino's choreography; Meredith Monk; Twyla Tharp; Joffrey's ballet Astarte; dancer Trinette Singleton; Mr. Fuente performing the role of the profiteer in Parade; and compares Fuente's dancing with that of Mikhail Baryshnikov
Education of the girlchild( Visual )

2 editions published in 1973 in English and held by 2 WorldCat member libraries worldwide

Interview with Frederic Franklin by Frederic Franklin( Recording )

1 edition published in 2000 in English and held by 1 WorldCat member library worldwide

Cassette 30 side A (ca. 21 min.). Franklin continues speaking about the performance at the Metropolitan Opera; the financial aspects of dancing for the Ballet Russe de Monte Carlo; rejoining the company in 1954 after the failure of the Slavenska-Franklin Ballet; Danilova's devotion to the classes of Lubov [Nikolaevna] Egorova; Danilova's marriages to [Giuseppe] Massara and [Kazmir] Kokich and her subsequent problems in becoming a U.S. citizen
Interview with Frederic Franklin by Frederic Franklin( Recording )

1 edition published in 2000 in English and held by 1 WorldCat member library worldwide

Cassette 4 , side B, 04/26/00 (ca. 35 min.). Franklin speaks about the dancers Paula Tennyson and Lubov Roudenko; George Balanchine's ballet Concerto barocco, including the lack of set and costumes, casting, and difficulty of the choreography; later changes in the choreography; its lack of public success; performances by other companies; the ballet Coppélia, including the score; commentary on photographs of Alexandra Danilova, Alicia Markova, and other dancers in the role of Swanilda; the Ballet Russe de Monte Carlo's production and the dancers Tamara Toumanova and Mia Slavenska; Ninette de Valois's and the Camargo Society's production of Coppélia with Lydia Lopakova as Swanilda; the Ballet Russe de Monte Carlo's production of Coppélia with Danilova as Swanilda; the London production staged by Nicholas Sergeyev [Nikolai Grigor'evich Sergeev]. [Ends abruptly.]
Mozart, Moliere, and Cupid; Sweden's Drottningholm Court Theatre is a living museum of eighteenth century arts by Monica Moseley( )

1 edition published in 1966 in English and held by 1 WorldCat member library worldwide

Interview with Frederic Franklin by Frederic Franklin( Recording )

1 edition published in 2000 in English and held by 1 WorldCat member library worldwide

Cassette 6, side B (ca. 21 min.). Franklin continues speaking about Etude; Nijinska's departure from the Ballet Russe de Monte Carlo; comments on photographs of Etude; Nijinska's work for other companies including the Ballets Russes [of Serge Diaghilev] and their revivals; donation of Nijinska's papers to the Library of Congress; ballets to be discussed at the next session
Interview with Frederic Franklin by Frederic Franklin( Recording )

1 edition published in 2000 in English and held by 1 WorldCat member library worldwide

Cassette 35, side B (ca. 15 min.). Franklin relates an anecdote about Donald Sadler; an anecdote about John Martin, Ruthanna Boris, and Frank Hobi; speaks about various projects for exhibitions and choreographic revivals with respect to the Ballet Russe de Monte Carlo and its ballets
Interview with Rima Corben by Rima Corben( Recording )

1 edition published in 1996 in English and held by 1 WorldCat member library worldwide

Ms. Corben describes her first association with the Joffrey Ballet; working with Alexander Ewing and then Isadora Bennett; Bennett's personality; her own education and background in dance; the positive atmosphere for dance at that time; the influence of Morton Baum; her relationship with Robert Joffrey and Gerald Arpino; their personalities; traveling with the company; the formation of the company's board of directors; the choreographies Astarte and Clowns; the transition from Ewing to Anthony Bliss; Sally Bliss joining the company; the formation of Joffrey II; her own feelings about Mr. Bliss' impact on the company; getting fired by Mr. Bliss; political and economic issues regarding the company's structure; and Herbert Migdoll's influence on the company
Interview with Ping Chong by Ping Chong( Recording )

1 edition published in 2002 in English and held by 1 WorldCat member library worldwide

Cassette 1 (ca. 80 min.) 8/23/02. Ping Chong speaks about his family background; growing up in Chinatown; first meeting Meredith Monk and the group of artists with whom she was working; Monk's Needle-brain Lloyd and the systems kid and Vessel; the beginnings of his own work and the themes in which he was interested; various pieces of his including Fear and loathing in Gotham; the progression of major themes in his work; people with whom he worked; film and other influences on his art; the piece Paris/Chacon/Venice/Milan [Monk and Chong]; memories from travelling in Europe; the piece Raw recital [Monk and Preston]; more on Vessel; his issues with being in someone else's work or collaborating; collaborating with Monk on Games [Monk and Chong]; Monk's attitude toward her own creative process; the piece the Race and more on Games
Raw recital by Monica Moseley( Visual )

1 edition published in 1970 and held by 1 WorldCat member library worldwide

Education of the girlchild by Monica Moseley( Visual )

1 edition published in 1972 and held by 1 WorldCat member library worldwide

Interview with Frederic Franklin by Frederic Franklin( Recording )

1 edition published in 2000 in English and held by 1 WorldCat member library worldwide

Cassette 16, side A, 06/06/00 (ca. 38 min.). The recording includes Frederic Franklin's comments on photographs and drawings of ballets shown to him at the interview. Franklin speaks about Tatiana Chamié's ballet Prima ballerina; the cast, including Karel Shook and Leon Danielian; relates anecdotes about Chamié, as a person and as a teacher; comments on designs and costumes for the ballet Prince Igor [the version after Fokin?]; learning the role of the Chief warrior for the Ballet Russe de Monte Carlo production; Michel Fokine's comments on Franklin's performance; difficulty of the role of the Chief warrior; comments on drawings and photographs of the ballet. [Ends abruptly.]
O Jizo Sama & the rice ball( Book )

1 edition published in 1973 in English and held by 1 WorldCat member library worldwide

The story of O Jizo Sama, god of compassion, and the old man who lost the rice ball his wife gave him for lunch
Quarry, an opera in 3 movements( Visual )

1 edition published in 1976 in English and held by 1 WorldCat member library worldwide

Meredith Monk and student performers by Monica Moseley( Visual )

and held by 1 WorldCat member library worldwide

Interview with Frederic Franklin by Frederic Franklin( Recording )

1 edition published in 2000 in English and held by 1 WorldCat member library worldwide

Cassette 36, side B (ca. 50 min.). Franklin speaks briefly about the dancer Jean Babilee; briefly about Denham and Jerome Robbins; performing in Cincinnati on the day of the attack on Pearl Harbor; Mia Slavenska as a choreographer; the dancer Mary Ellen Moylan; relates an anecdote about the company?s South American tour; the dancer Leila Crabtree; Sol Hurok?s assistant Mae Frohman; Serge Diaghilev?s use of money as a means to present new ballets; his thoughts on George Zoritch?s memoir [Ballet mystique: behind the glamour of the Ballet Russe: a memoir]; anecdotes about Zoritch; Ida Rubenstein and Bronislava Nijinska?s work Bolero; reminisces about Josephine Baker; Leonide Massine?s disapproval of ballet dancers? appearing in movies; Massine?s failure to preserve much of his work
Recent ruins( Visual )

1 edition published in 1979 in English and held by 1 WorldCat member library worldwide

Disc 1: Acts I and II of production, without film sequences of Ellis Island that were part of the usual performances. Ellis Island film sequences that were a part of this production can be seen on *MGZIDVD 5-6571
Three California brothers; School of American Ballet reports on its 1964-65 Ford Foundation national scholarship program by Monica Moseley( )

1 edition published in 1966 in English and held by 1 WorldCat member library worldwide

 
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Audience Level
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Audience level: 0.92 (from 0.00 for O Jizo Sam ... to 1.00 for Education ...)

Languages
English (27)