WorldCat Identities

Brown, Jonathan

Overview
Works: 163 works in 212 publications in 1 language and 545 library holdings
Genres: Exhibition catalogs  History  Catalogs  Pictorial works  Biography  Academic theses  Variety shows (Television programs)  Interviews  Televised stand-up comedy routines  Television talk shows 
Roles: Author, Editor, Performer, Translator, Instrumentalist
Classifications: CB367, 909.4074753
Publication Timeline
.
Most widely held works about Jonathan Brown
 
Most widely held works by Jonathan Brown
Water power and water mills : an historical guide by Jonathan Brown( Book )

3 editions published in 2011 in English and held by 31 WorldCat member libraries worldwide

The right to learn : the WEA in the North of England, 1910-2010( Book )

2 editions published in 2010 in English and held by 16 WorldCat member libraries worldwide

Circa 1492 : art in the age of exploration by Jay A Levenson( Book )

1 edition published in 1991 in English and held by 16 WorldCat member libraries worldwide

Catalogue for quincentenary exhibition examining the art and history of the principal cultures in Europe and the Mediterranean, eastern Asia, and the Americas
Documents on British foreign and security policy : Volume II: 1997-1998 by Royal United Services Institute for Defence Studies( Book )

1 edition published in 2003 in English and held by 16 WorldCat member libraries worldwide

Racial redlining : a study of racial discrimination by banks and mortgage companies in the United States by Jonathan Brown( Book )

1 edition published in 1993 in English and held by 13 WorldCat member libraries worldwide

Debrett's people of today( Book )

1 edition published in 2000 in English and held by 11 WorldCat member libraries worldwide

A farewell sermon preached to the First Presbyterian Society in Londonderry, September 23, 1804 by Jonathan Brown( )

1 edition published in 1805 in English and held by 11 WorldCat member libraries worldwide

The tonight show starring Johnny Carson, the vault series( Visual )

1 edition published in 2013 in English and held by 10 WorldCat member libraries worldwide

Show 1 - October 23, 1974: A birthday party for Johnny with guests: Buddy Hackett, 70's pop star Lana Cantrell, Michael Preminger, and Prime F. Osborn III and his Marx toy train diorama. Show 2 - October 23, 1984: A birthday party for Johnny with guests: Paul McCartney, Mary Gross from Saturday Night Live and magician Jonathan Brown. Bonus clip - October 23, 1987: Johnny spends his birthday with David Letterman and Joe Piscopo
The picture of nature: Alexander von Humboldt and the tropical American landscape by Alicia Eve Lubowski( )

2 editions published in 2009 in English and held by 10 WorldCat member libraries worldwide

This thesis examines the aesthetic construction of the tropical American landscape by Alexander von Humboldt (1769--1859), the German explorer who viewed the American tropics as both natural environment and painted scene. I analyze Humboldt's vision of America's natural landscape based on his writings---notably Aspects of Nature (1808), Personal Narrative of a Journey to the Equinoctial Regions of the New Continent (1814--31), and Cosmos: A Sketch of a Physical Description of the Universe (1845--62)---and published illustrations. I consider his ideas concerning nature in relation to the work of landscape artists such as Frederic Edwin Church and Johann Moritz Rugendas, as well as the critic John Ruskin, to convey Humboldt's profound impact on landscape art and aesthetic theory
BACH, J.S : Cantatas, Vol. 6 (Gardiner) - BWV 33, 35, 69a, 77, 137, 164( )

3 editions published in 2008 in English and held by 9 WorldCat member libraries worldwide

BACH, J.S : Cantatas, Vol. 20 (Gardiner) - BWV 18, 84, 92, 126, 144, 181( )

2 editions published in 2009 in English and held by 8 WorldCat member libraries worldwide

Spanish cities of the golden age : the views of Anton van den Wyngaerde by Richard L Kagan( Book )

1 edition published in 1989 in English and held by 8 WorldCat member libraries worldwide

The artistic patronage of Anne of Austria (1601--1666): Image-making at the French court by Lisa Anne Rotmil( )

1 edition published in 2000 in English and held by 7 WorldCat member libraries worldwide

Anne's projects were undertaken to glorify her reign and celebrate the position of the queen. Following princely tradition, Anne commissioned elaborate allegories to decorate her political arena. Although artistic paradigms extolling male rulers were well-established, gender-specific metaphors were needed to laud the French queen. Anne was not the first French female regent to grapple with this problem; indeed, the allegories created for Anne of Austria extended the imagery used to glorify two of her predecessors, Catherine and Marie de Medicis. From the late sixteenth through the mid-seventeenth century, a specifically female heroic language was engendered. This representation of the heroic image of the French queen reached its peak during the reign of Anne of Austria when paintings, prints, medals, court ballets, and treatises, as well as the queen's personal projects all extolled her in a similar language. Each of Anne's commissions is analyzed as evidence of the developing image of the heroic queen and is related to contemporary panegyrics. Furthermore, the commissions are discussed as models of princely style and grandeur and as monarchical propaganda that profoundly influenced the artistic patronage of Anne's son, Louis XIV. The formulation of Louis XIV's image, which effectively presented the Sun-King as the ultimate embodiment of the ancien regimen's power, is indebted to the decorative projects commissioned by Anne of Austria
Abraham Bloemaert (1566--1651), the "Netherlandish Academy" and artistic collaboration in seventeenth-century Utrecht by Elizabeth Ann Nogrady( )

1 edition published in 2009 in English and held by 7 WorldCat member libraries worldwide

Focusing on Dutch artist Abraham Bloemaert (1566-1651) and his pupils, this dissertation explores works of art that manifest the teacher/student relationship as well as concepts of artistic individuality and cooperation developing in the late sixteenth- and early seventeenth-century Netherlands. To investigate these themes, the text considers students' experience in Bloemaert's workshop and studies projects undertaken jointly by Bloemaert, his pupils, and their peers such as friendship albums, commissions for the Prince of Orange and the King of Denmark, and art for a local clandestine Catholic church. It argues that Bloemaert's tutelage fostered among his students an awareness of professional development as consisting of practical workshop experience, displays of camaraderie, and personal artistic consciousness. Related to these practices is the character of Utrecht, whose special status in the Northern Netherlands in this period stemmed from its large Catholic population, despite the dominance of the Reformed faith in local government and the eventual ban on the open practice of Catholicism. As a Catholic, Bloemaert used collaboration regularly to offset professional restrictions, such as being unable to head the artists' Guild of Saint Luke, placed on him because of his religion. In doing so, he served as a stabilizing force for Utrecht artists during the political, religious, and social tumult that characterized the Dutch fight for independence from Spain
Fulfilling the promise : what future for franchised car distribution? : the ICDP review( Book )

2 editions published in 2000 in English and held by 7 WorldCat member libraries worldwide

Disclosure and bank soundness : non bank activities of bank holding companies by Ralph Nader( Book )

2 editions published in 1976 in English and held by 7 WorldCat member libraries worldwide

The young Guido Reni: The artist in Bologna and Rome, 1575--1605 by Rachel Louise McGarry( )

1 edition published in 2007 in English and held by 6 WorldCat member libraries worldwide

Guido Reni (1575-1642) was one of the most successful artists of seventeenth-century Italy, with such illustrious patrons as Philip IV, Marie de' Medici, and Urban VIII vying for his works. Despite his historical significance and the tremendous attention he has received from writers and scholars over the past four centuries, his early career remains surprisingly little examined and largely misunderstood. Reni's eventual fame has obscured the ordinary struggles of his youth and the distinctive character of his early work completed before his dramatic artistic transformation in Rome
The Jesuits and the visual arts in New Spain : 1670-1767 by Luisa Elena Alcal√°( )

1 edition published in 1998 in English and held by 6 WorldCat member libraries worldwide

Throughout, the complex nature of Jesuit identity in the colonial context provides a unifying thread. A salient characteristic of the Jesuits in New Spain was their participation in the formation of a sense of creole identity, most clearly symbolized by their promotion of the Virgin of Guadalupe of Tepeyac. At the same time, the Society of Jesus included the single largest group of foreigners in the viceroyalty. This jesuit multinationalism, on the one hand, and creole sensibility, by birth or persuasion, on the other, mingled in New Spain to produce extraordinary results
Murillo's devotional paintings and the late baroque culture of prayer in Seville by Lisa Duffy-Zeballos( )

1 edition published in 2007 in English and held by 6 WorldCat member libraries worldwide

This dissertation examines Murillo's production of devotional paintings within the wider context of the religious culture in Seville at the end of the Golden Age. The diversity of Murillo's devotional output, from small intimate canvases to large-scale altar paintings, challenges traditional definitions of the devotional image as small, non-narrative and essentially private works of art. This study proposes a new definition of the devotional image in the Golden Age that corresponds to the emphatic spirituality that flourished in Seville during the seventeenth century, in which pious displays were performed publicly with self-conscious display. Within this baroque climate of obligatory religious compliance, Murillo's religious paintings became desirable symbols of social and economic status as well as personal piety to a diverse assembly of ecclesiastical and secular patrons. These collectors used Murillo's devotional images to publicly proclaim their financial success, civic loyalty to the city's cults, and conformity to the dominant religious culture
Life and football by Jonathan Brown( Book )

in English and held by 3 WorldCat member libraries worldwide

Annotation
 
moreShow More Titles
fewerShow Fewer Titles
Audience Level
0
Audience Level
1
  Kids General Special  
Audience level: 0.69 (from 0.28 for The tonigh ... to 0.99 for Jonathan B ...)

Water power and water mills : an historical guide
Languages
English (39)

Covers
Circa 1492 : art in the age of exploration