| Contents: |
Phillips, M. Blake's early poetry.--Bindman, D. Blake's Gothicised imagination and the history of England.--Essick, R. N. The altering eye: Blake's vision in the Tiriel designs.--Leavis, F. R. Justifying one's valuation of Blake.--Miles, J. Blake's frame of language.--Tolley, M. J. Blake's songs of spring.--Hagstrum, J. H. Christ's body.--Knight, G. W. The chapel of gold.--Erdman, D. V., Dargan, T. and Deverell-Van Meter, M. Reading the illuminations of Blake's Marriage of heaven and hell.--Warner, J. Blake's figures of despair: Man in his spectre's power.--Eaves, M. The title-page of The book of Urizen.--Beer, J. Blake, Coleridge, and Wordsworth: some cross-currents and parallels, 1789-1805.--Paley, M. D. William Blake, The prince of the Hebrews, and The woman clothed with the sun.--Butlin, M. Blake, the Varleys, and the graphic telescope.--Lister, R. References to Blake in Samuel Palmer's letters.--Hoover, S. R. William Blake in the wilderness: a closer look at his reputation, 1827-1863.--Bentley, G. E., Jr. Geoffrey Keynes's work on Blake: Fons et Origo, and a checklist of writings on Blake by Geoffrey Keynes, 1910-1972. |
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