| Contents: |
Introduction / Atom Egoyan, Ian Balfour -- The sweet hereafter / Russell Banks, Atom Egoyan -- Little life lines in Desperanto / Patricia Rozema -- Outside myself / Claire Denis interviewd by Atom Egoyan -- Cultural ventriloquism / Henri Béhar -- The birth of cinema / Kent U. Enns -- Soundtrack / Stephen Andrews, Anne Carson -- Borges night at the movies / Jorge Luis Borges -- Word images / Raymond Bellour -- Epistolarity and textuality in accented films / Hamid Naficy -- To read or not to read: subtitles, trailers, and monolingualism / B. Ruby Rich -- The use and abuse of subtitles / Amresh Sinha -- Altérité: the d-image effect / Trinh T. Minh-Ha -- Filmic foreigness, filmic homecoming: on Gariné Torossian's girl from Moush / Marie-Aude Baronian -- Thoughts on Balkan cinema / Fredric Jameson -- (De)realizing cinematic time / Mary Ann Doane -- The foreign gaze which sees too much / Slavoj Žižek -- Where are Kiarostami's women? / Negar Mottahedeh -- The great dance: translating the foreign in ethnographic film / Brenda Longfellow -- In limbo: Creolisation and untranslatability / Isaac Julien interviewed by Kass Banning -- The Hollywood sound tract / John Mowitt -- A new line in the geometry / Eric Cazdyn -- My last interview with Ulrike Ottinger: on Southeast passage and beyond / Laurence A. Rickels -- The foreignness of the intimate, or the violence and charity of perception / R. Bruce Elder -- A name on a page / Jack Lewis, John Greyson -- Blue: archive of devastation / Deborah Esch -- Afterword / Ian Balfour. |
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