| Contents: |
Yup'ik elders in museums: fieldwork turned on its head -- The object in view: Aborigines, Melanesians, and museums -- The Arts of the Sikh Kingdoms: collaborating with a community -- Integrating Native views into museum procedures: hope and practice at the National Museum of the American Indian -- Taking the photographs home: the recovery of a Mãori history -- Looking to see: reflections on visual repatriation in the Purari Delta, Gulf Province, Papua New Guinea, Remebering our namesakes: audience reactions to archival film of King Island, Alaska -- Snapshots on the dreaming: photographs of the past and present -- How to decorate a house: the renegotiaition of cultural representations at the University of British Columbia Museum of Anthropology -- Curating African Worlds -- Objects, agency and museums: continuing dialogues between the Torres Strait and Cambridge -- Transforming archaeology through practice: strategies for collaborative archaeology and the Community Archaeology Project at Quseir, Egypt -- Glenbow's Blackfoot Gallery: working towards co-existence. |
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