| Contents: |
Introduction: reading and re-reading: Shaw post-150 years / Heidi J. Holder and MaryAnn K. Crawford -- Bearing witness: Heartbreak House and the poetics of trauma / Desmond Harding -- The talking cure / Jean Reynolds -- Pre-Oedipal Shaw: "It's always the mother" / Lagretta Tallent Lenker -- What runs (in) the family: iterated retelling, gender and genre in You Never Can Tell and Major Barbara / Dorothy A. Hadfield -- The ungendered will and the Shavian superman / Monica A. Zabrouski and Robert P. Kirschmann -- Doing proper things for improper reasons: spiritual ambivalence in Major Barbara / Frank Manista -- Late capitalism and the United States in The Apple Cart / C. Brook Miller -- Shaw's epic theater / Lisa A. Wilde -- Shaw reinterpreted / Nicholas Williams -- Shaw's everyday emergency: commodification and John Bull's Other Island / Brand Kent -- Colonialism, postcolonialism, and the shadow of a new empire: John Bull's Other Island / Kathleen Ochshorn -- Colonial locations of contested space and John Bull's Other Island / Peter Gahamn -- Reviews. |
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