'Harriet Hosmer' 按 Anxy

Falk, P. H. (1988). Hosmer, Harriet G. Dictionary of Signatures & Monograms of American Artists, from the Colonial Period to the Mid 20th Century. 212.

Stebbins, T. E. (1992). Harriet Hosmer. Lure of Italy, American Artists and the Italian Experience, 1760-1914. 226-228.

Fryd, V. G. (2006). The "Ghosting" of Incest and Female Relations in Harriet Hosmer's Beatrice Cenci - Viewed within the context of mid-nineteenth-century attitudes toward gender and sexuality, Harriet Hosmer's sculpture Beatrice Cenci reveals that the artist recognized ways in which texts about Beatrice Cenci "ghosted" her status as a victim of incestual rape. The sculpture's subject, patricide in retaliation for incest, intersects with the artist's unconventional lifestyle and sexuality. These themes derive from society's containment and condemnation of sexuality, Hosmer's interest in unconventional behavior and ambivalences about normative sexuality, Cenci's radical striking back against patriarchal oppression, and the nineteenth-century women's movement. The Art Bulletin. 88 (2), 292.

Fielding, M. (1983). Hosmer, Harriet. Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers.

Museum of Fine Arts, Boston. (1997). Page, William. 209.

Sherwood D. (1984). Harriet Hosmer's sojourn in St. Louis. Gateway Heritage : Quarterly Journal of the Missouri Historical Society. 5 (3), 1984-1985.

Hosmer, Harriet Goodhue. (1999). American National Biography. 11.

Hosmer, Harriet: Sculptress. (1898). National Cyclopedia of American Biography. 1.

LaBarre, M. W. (1966). Harriet Hosmer: Her era and art. Urbana, Ill: Graduate College of the University of Illinois.

Garfinkle, C. G. (1988). "Those who step boldly forward": Harriet Hosmer and Anne Whitney, pioneers in nineteenth century American sculpture. Thesis (M.A.)--University of California, Santa Barbara, 1986.

McCarthy, K. M. (1994). Harriet Hosmer's Beatrice Cenci: Male domination and dangerous females. Thesis (M.A.)--University of Virginia, 1994.

Tigner, A. L. (1996). Women artists in nineteenth-century Italy: Elizabeth Barrett Browning, Harriet Hosmer. Thesis (M.A.)--University of Wyoming, 1996.

Culkin, K. L. (2002). Slight a girl as she was: Gentility, reform, and Harriet Hosmer. Thesis (Ph. D.)--New York University, Graduate School of Arts and Science, 2002.

Zastoupil, C. (1990). Boston: The milieu and two sculptors it produced, William Wetmore Story and Harriet Hosmer. Thesis (M.A. in Art History)--S.M.U.

Baxter, A. M. (1984). The conflicts of Harriet Goodhue Hosmer. Thesis (Honors)--Smith College, Northampton, Mass., 1984.

Rice, S. P. (1998). Sculpted selves: Myth making and the subversion of gender expectations in the career of Harriet Hosmer. Thesis (M.A in Art History)--S.M.U.

Dunn-Morton, J. A. (1995). Feminist neoclassicism: Sculptures of women by Harriet Hosmer. Thesis (M.A.)--University of Delaware, 1996.

Pignataro, K. L. (1993). Harriet Hosmer's "Queen Isabella": "The Co-discoverer of America". Thesis (M.A.)--George Washington University, 1993.