'Bibliography of Ottoman Calligraphy' de Calligrapher

Toll, C., & Ädahl, K. (1989). Arabiska handskrifter. Stockholm: Medelhavsmuseet.

Sharīfī, M. b. S. (1999). Al-Lawḥāt al-khaṭṭīyah fī-al-fann al-Islāmī: Al-markabah bi-khaṭṭ al-thuluth al-jalī dirāsah fannīyah fī tārīkh al-khaṭṭ al-ʻArabī. Dimashq: Dār Ibn Kathīr.

Ḥabash, H. Q. (1992). Nafāʼis al-khaṭṭ al-ʻArabī. Bayrūt, Lubnān: Dār al-Qalam.

Fatūnī, M. (2002). Mawsūʻat al-khaṭṭ al-ʻArabī wa-al-zakhrafah al-Islāmīyah. Bayrūt: Sharikat al-Maṭbūʻāt lil-Tawzīʻ wa-al-Nashr.

Petrosi︠a︡n, I. A. (1995). Da Bagdad a Iṣfahān: Pittura e calligrafia islamica dall'Accademia russa delle scienze, San Pietroburgo. Lugano: Fondazione ARCH.

Hashim, I. B. (1979). Letters as shapes. Thesis (M.F.A.)--Washington State University.

Şevki Efendi. (1999). Amshāq al-khaṭṭāṭ Muḥammad Shawqī fī al-thuluth wa-al-naskh = The Thuluth & naskh mashqs by Mehmed Şevki Efendi = Mehmet Şevki Efendi'nin sülüs-nesih hat meşkleri. İstanbul: al-Lajnah al-Dawlīyah lil-Ḥifāẓ ʻalʹa al-Turāth al-Ḥaḍārī al-Islāmī.

Isfahani, M. H., Isfahani, M. H., & Chāvush Akbarī, R. (1990). Taz̲kirah-ʼi khaṭṭ va khaṭṭāṭān: Shāmil-i khaṭṭāṭān, naqqāshān ... bi-inz̤imām-i Kalām al-mulūk. Tihrān: Intishārāt-i Kitābkhānah-i Mustawfī.

Vakīlī, ʻ. a.-D. (1983). Rahnamāʼī-i khaṭṭ-i jadīd = Da Afghānistān khaṭṭāṭī = Khaṭṭāṭī-i Afghānistān dar ʻaṣr-i ḥāz̤ir. Kūʼiṭah, Balūchistān: Maktabah-i ʻIlmīyah.

K̲h̲ān̲, S. ʻ. (1980). Islāmī Hind men̲ fann-i k̲h̲at̤t̤āt̤ī: Imtiyāz aur k̲h̲uṣūṣiyāt. Ṭonk: ʻArabik ainḍ Parshiyan Rīsarc Insṭīṭiyūṭ Rājasthān.

Victoria and Albert Museum, Clarke, C. S., & Wantage, H. S. L.-L. (1983). Mughal paintings: The school of Jahangir. New Delhi: Cosmo Publications.

Jabūrī, K. S. (2000). Mawsūʻat al-khaṭṭ al-ʻArabī: Khaṭṭ al-ruqʻah wa-rawāʼiʻ ukhrá min al-khaṭṭ al-ʻArabī. Bayrūt: Dār wa-Maktabat al-Hilāl.

Saḥāb, ʻ. (2002). Aṭlas-i čahārdah qarn-i hunar-i islāmī = Islamic calligraphy from the earliest times to the present 2 Hunar-i ḫwušniwīsī az āġāz tā imrūz. Tihrān: Mu'assasa-i Ǧugrāfīyā'ī wa Kārtūgrāfī-i Sahāb.

Safadi, Y. H. (1978). Calligraphie islamique. Paris: Chêne.

Kaziev, A. I. (1977). Khudozhestvennoe oformlenie Azerbaĭdzhanskoĭ rukopisnoĭ knigi XIII-XVII vekov. Moskva: Izd-vo "Kniga".

Derman, M. U. (2001). The sultan's signature: Ottoman calligraphy from the Sakıp Sabancı Museum, Sabancı University, Istanbul. Berlin: Deutsche Guggenheim.

Aslam Kiratpūrī, M. (1982). Muraqqaʻ-yi Faiz̤. Bambaʼī: Aslam Kiratpūrī.

Vernoit, S. (1990). Collectors and connoisseurs of Islamic calligraphy and painting: A study of acquisition and the formation of cultural identities through art. Thesis (D. Phil.)--University of Oxford, 1990.

Derman, M. U., Sabancı, S., Hitzel, F., & Gobelin, O. (2000). Calligraphies ottomanes: Collection du musée Sakıp Sabancı, Université Sabanci, Istanbul. Paris: Réunion des musées nationaux.

Saʻd, M. (1981). Al-Turāth al-Islāmī fī aḥdath al-turuq li-taʻlīm fann al-khuṭūṭ al-ʻArabīyah wa-al-zakhārif al-Islāmīyah. Ṭanṭā: al-Maktabah al-Qawmīyah al-Ḥadīthah.

De Leonibus, E. (2001). Aria di Baghdad: Città S. Angelo, 2000-2001. Colledara: Andromeda.

Tui︠a︡kbaeva, B. T. (1989). Ėpigraficheskiĭ dekor arkhitekturnogo kompleksa Akhmeda I︠A︡savi. Alma-Ata: "Ȯner".

Salūtī, R. (2003). Mīrās̤-i jāvīd: Pizhūhishnāmah-ʼi khaṭṭ-i nastaʻlīq az ibtidāʼ tā nīmah-i avval-i qarn-i chahārdahum. Tihrān: Ganjīnah-i Farhang.

Porter, V. (2003). Mightier than the sword: Arabic script: beauty and meaning. Parkville, Vic: Ian Potter Museum of Art.

ʻAṭā Allāh, S. (1993). Rawāi̕ʻ al-khaṭṭ al-ʻArabī. Mawsūʻat al-turāth al-Islāmī, 1. Bayrūt: Dār ʻAtā Allah (Nawfal).

Gülnihal, I. (2004). Hokka gibi: Hattatların hatıraları. L&M kitaplığı, yayın no. 38. Cağaloğlu, İstanbul: L&M.

Şevki Efendi. (1996). Şevki Efendi'nin sülüs ve nesih meşk murakkaı. İstanbul: Kubbealtı Neşriyatı.

Hunar-i ḫwušniwīsī az āġāz tā imrūz = Islamic calligraphy from the earliest times to the present 2. (2002).

Özönder, H. (2003). Ansiklopedik hat, tezhip sanatları deyim ve terimleri sözlüğü. Konya [Turkey]: H. Özönder.

Hăbibulla, R. (2000). Uighur hösnkhăt nuskhiliri. Ürümchi: Shinjang Khălq Năshriyati.

Amidi Hamid. (1987). Katālūj al-lawḥāt al-fāʼizah fī al-Musābaqah al-Duwalīyah al-Ūlá fī Fann al-Khaṭṭ = Catalogue of winners' plates in the First International Calligraphy Competition. İstanbul: Al-Lajanah al-Duwalȳah lil-Ḥifāẓ ʻalá al-Turāth al-Ḥaḍārī al-Islāmīyah.

Zahāwī, K. (1986). Tashkīlāt al-khaṭṭ al-ʻArabī. Taʻallam uṣūl al-khaṭṭ al-ʻArabī. [Beirut]: Tawzīʻ Dār wa-Maktabat al-Hilāl.

World of Islam Festival Trust, Stephen Cross, Ltd, & Institutional Cinema, Inc. (1978). The pattern of beauty. New York: Distributed by Institutional Cinema.

Ḥanash, I. M. (1998). Al-Khaṭṭ al-ʻArabī wa-ishkālīyat al-naqd al-fannī. ʻAmmān: Dār al-Manāhij.

Ibn-i Kalīm. (1993). Muraqqaʻ-i raʻnāʼī. Multān: Dabistān-i Furog̲h̲-i K̲h̲at̤t̤āt̤ī.

Portor, V., & Barakat, H. N. (2004). Mightier than the sword: Arabic script : beauty and meaning. [Kaula Lumpur]: the Islamic Arts Museum Malaysia.

Geneva (Switzerland). (1988). Calligraphie islamique: Textes sacrés et profanes : Genève, Musée d'art et d'histoire, 26 mai-2 octobre 1988 ... [et al.] = Islamic calligraphy : sacred and secular writings : Geneva, Musée d'art et d'histoire, May 26-October 2, 1988 ... [et al.]. Genève: Le Musée.

Karīmʹzādah Tabrīzī, M. ʻ., & Karīmʹzādah Tabrīzī, T. (1999). Ijazat nameh = Icâzet name : the most unique and precious document in Ottoman calligraphy. London: M.A. Karimʹzādah Tabrīzī.

Nadir, A. (1986). Osmanlı padişah fermanları. London: A. Nadir.

Gulkārzādah, ʻ. A. (2001). Khūshnavīsān-i Īrān: Namūnahʹhāī az ās̲ār va zindganāhʼ-i khūshnavīsan-i kishūr. [Tihrān]: Intishārāt-i Kharmashar.

Cag̲h̲tāʼī, M. ʻ. (1976). Pāk o Hind men̲ Islāmī k̲h̲at̤t̤āt̤ī. Lāhaur: Kitāb K̲h̲ānah-yi Nauras.

Bayānī, M. (1985). Aḥvāl va ās̲ār-i khvushʹnivīsān. Tihrān: Intishārāt-i ʻIlmī.

Musābaqah al-Duwalīyah li-Fann al-Khaṭṭ, & Tamīmī, M. D. (2001). Katālūj al-lawḥāt al-fāʼizah fī al-Musābaqah al-Duwalīyah al-Rābiʻah li-Fann al-Khaṭṭ. [Istanbul]: Lajnah al-Duwalīyah lil-Ḥifāẓ ʻalá al-Turāth al-Ḥaḍārī al-Islāmī.

Barın, E., & Özpalabıyıklar, S. (2002). Bir yazı sevdalısı, Emin Barın = A lover of calligraphy, Emin Barın. Yapı Kredi yayınları, 1608. İstanbul: Yapı Kredi Kültür Sanat Yayıncılık.

Bouhdiba, A. (2001). Al-Khaṭṭ al-ʻArabī: Faʻālīyāt ayyām al-khaṭṭ al-ʻArabī : 29 Sibtambir-12 Uktūbir 1997. Qarṭāj: al-Majmaʻ al-Tūnisī lil-ʻUlūm wa-al-Ādāb wa-al-Funūn, Bayt al-Ḥikmah.

Musābaqah al-Duwalīyah li-Fann al-Khaṭṭ, & Tamīmī, M. D. (2002). Katālūj al-lawḥāt al-fāʼizah fī al-Musābaqah al-Duwalīyah al-Khāmisah li-Fann al-Khaṭṭ. [Istanbul]: Lajnah al-Duwalīyah lil-Ḥifāẓ ʻalá al-Turāth al-Ḥaḍārī al-Islāmī.

Tüfekçioǧlu, A. (2001). Erken dönem Osmanlı mimarisinde yazı. T.C.Kültür Bakanlıǧı yayınları, 2642. Yayımlar Dairesi Başkanlıǧı sanat eserleri dizisi. Ankara: T.C.Kültür Bakanlıǧı.

Derman, M. (2002). Sabancı Üniversitesi Sakıp Sabancı Müzesi hat koleksiyonundan seçmeler. İstanbul: Sabancı Üniversitesi Sakıp Sabancı Müzesi.

Nasser D. Khalili Collection of Islamic Art, Bayani, M., Contadini, A., & Stanley, T. (1999). The decorated word: Qurʼans of the 17th to 19th centuries. New York: Nour Foundation in associatin with Azimuth Editions and Oxford University Press.

Avadenka, L., & Zakariya, M. U. (2001). Root words: An alphabetic exploration. [Huntington Woods, MI]: Land Marks Press.

International Calligraphy Competition in the Name of Sheikh Hamdullah. (2001). Katālūj al-lawḥāt al-fāʼizah fī al-Musābaqah al-Dawlīyah al-Rābiʻah li-Fann al-Khaṭṭ = Catalogue of winners' plates in the Fourth International Calligraphy Competition in the name of Sheikh Hamdullah. Istānbūl: al-Lajnah al-Dawlīyah lil-Ḥifāẓ ʻalá al-Turāth al-Ḥaḍārī al-Islāmī.

Ḥanash, I. M. (1998). Al-Khaṭṭ al-ʻArabī fī al-wathāʼiq al-ʻUthmānīyah. ʻAmmān: Dār al-Manāhij.

International Calligraphy Competition in the Name of Sheikh Hamdullah. (2002). Katālūj al-lawḥāt al-fāʼizah fī al-Musābaqah al-Dawlīyah al-Khāmisah li-Fann al-Khaṭṭ = Catalogue of winners' plates in the Fifth International Calligraphy Competition. Istānbūl: Markaz al-Abḥāth lil-Tārīkh wa-al-Funūn wa-al-Thaqāfah al-Islāmīyah bi-Istānbūl.

Yazıcı, I. (2002). Hattat Hâmid Aytaç kitabı. Cağaloğlu, İstanbul: Kitabevi.

Anjuman-i Khūshnivīsān-i Īrān. (2002). Kilk-i dīrīn. Shīrāz: Anjuman-i Khūshnivīsān.

Gosudarstvennai︠a︡ publichnai︠a︡ biblioteka imeni M.E. Saltykova-Shchedrina, & Kostygova, G. I. (1963). Obrazt︠s︡y kalligrafii Irana i Sredneĭ Azii XV-XIX vv. Moskva: Izd-vo vostochnoĭ literatury.

Jubūrī, K. S. (1999). Mawsūʻat al-khaṭṭ al-ʻArabī. Bayrūt: Manshūrāt Dār wa-Maktabat al-Hilāl.

Amīr Khānī, G. H. (2001). Rasm al-khaṭṭ-i Amīr Khānī: Āmūzish-i khaṭṭ-i nastaʻlīq. [Tehran]: Vizārat-i Irshād-i Islāmī.

Anderson, H., Thomas, R., & Ahmed, A. S. (2006). Ottomans and their capital Istanbul. Falls Church, VA: Landmark Media.

Erduman, D. (2004). Geschriebene welten: Arabische Kalligraphie und Literatur im Wandel der Zeit. Köln: DuMont Literatuar und Kunst Verlag.

Denny, W. B. (1976). The image and the word: Islamic calligraphy. By Walter B. Denny. An exhibition at the Museum of Fine Arts. Springfield, Massachusetts. February 29-April 11, 1976.

Tareq Rajab Museum, Safwat, N. F., Fehérvári, G., & Zakariya, M. U. (1997). The harmony of letters: Islamic calligraphy from the Tareq Rajab Museum. Singapore: The Board.

Jalil, A. R. (1990). Sculpture: Exploration with Islamic calligraphy. Thesis (M.A.)--Ohio State University, 1990.

Hamdard Foundation Pakistan. (1991). A Treasure of Qurʼanic calligraphy. [Karachi]: Hamdard Foundation Pakistan.

Boydaş, N. (1994). Ta'lik yazıya plastik değer açısından bir yaklaşım. İstanbul: M.E.B.

Nadwat al-Thaqāfah wa-al-ʻUlūm (Dubayy, United Arab Emirates). (2000). Ḥurūf ʻArabīyah: Majallah faṣlīyah tuʻná bi-shuʼūn al-khaṭṭ al-ʻArabī. Dubayy: Nadwat al-Thaqāfah wa-al-ʻUlūm.

Huart, C. (1972). Les calligraphes et les miniaturistes de l'Orient musulman. Osnabrück: O. Zeller Verlag.

Ziauddin, M. (1936). A monograph on Moslem calligraphy, with 168 illustrations of its various styles and ornamental designs. Visva-Bharati Studies, no. 6. Calcutta: Visva-Bharati Book-Shop.

Atanasiu, V. (1999). De la fréquence des lettres & de son influence en calligraphie arabe. Sémantiques. Paris: Harmattan.

Jubūrī, T. ʻ. ʻ., & Khāqānī, ʻ. (1975). Al-Khaṭṭ al-ʻArabī al-Islāmī. Bayrūt: Dār al-Turāth al-Islāmī.

Shukurov, S. M. (1989). Iskusstvo srednevekovogo Irana: Formirovanie print︠s︡ipov izobrazitelʹnosti. Moskva: "Nauka," Glav. red. vostochnoĭ lit-ry.

Zakariya, M. U., Halper, V., & Atıl, E. (2006). Mohamed Zakariya: Islamic Calligrapher. Bellevue, Was: Bellevue Arts Museum.

Vakīlī, ʻ. a.-D. (1983). Khazīnat al-ashrāf: Majmūʻahʹī az khaṭṭāṭī-i imrūz-i Afghānistān. [Tehran]: Kitāb-i Farzān.

Lings, M. (2005). Rawāʼiʻ fann al-khaṭṭ wa-al-tadhhīb al-Qurʼānī. Liechtenstein: Thesaurus Islamicus Foundation.

Edgü, F. (1980). Turkish calligraphic art: (karalama/meşk). [İstanbul]: Ada Press.

British Museum. (1970). Islamic calligraphy and illumination. [London]: The Museum.

Sülün, M. (2006). Sanat eserine vurulan Kurʼan mührü: Sanat eserinden yansiyan Kurʼan mesaji. İstanbul: Bank Asya Kültür Yayinlari.

Serin, M. (1982). Hat sanʼatımız: Tarihc̦esi, malzeme ve âletler, meșkler. [Istanbul]: Kubbealtı Neşriyâtı.

Dāwūd, M. M. (1991). Al-Kitābāt al-ʻArabīyah ʻalá al-āthār al-Islāmīyah: Min al-qarn al-awwal ḥattá awākhir al-qarn al-thānī ʻashar lil-hijrah. al-Qāhirah: Maktabat al-Nahḍah al-Miṣrīyah.

Khatibi, A., & Sijelmassi, M. (1996). The splendour of Islamic calligraphy. New York: Thames & Hudson.

James, D. L. (1992). After Timur: Qur'ans of the 15th and 16th centuries. The Nasser D. Khalili collection of Islamic arts, v. 3. [London]: Nour Foundation in association with Azimuth Editions and Oxford University Pr.

Dzul Haimi Md. Zain. (2007). Ragam hias al-Qur'an di alam Melayu. Cheras, Kuala Lumpur: Utusan Publications & Distributors.

Horlbeck, B. E. (2003). Voices from the walls: Meaning and politics in the calligraphic inscriptions of Andalusian and Moroccan architecture. Paper (M.A.)--University of St. Thomas (Saint Paul, Minn.), 2003.

Wright, E. (2008). Muraqqa: Imperial Mughal albums from the Chester Beatty Library. Alexandria, Va: Art Services International.

Islamic Arts Museum Malaysia. (2006). Al-Qurʼan: The sacred art of revelation : from the collection of the Islamic Arts Museum Malaysia. [Kuala Lumpur]: Islamic Art Museum Malaysia.

Geneva (Switzerland). (1988). Calligraphie islamique: Textes sacrés et profanes = Islamic calligraphy : sacred and secular writings. Geneva: Musée d'art et d'histoire and Treasures of Islam.

Qotbi, M. (2004). Mehdi Qotbi: Le voyage de l'écriture. Paris: Somogy.

Salāmah, K. I. (1999). The Qur'an manuscripts in the al-Haram al-Sharif Islamic Museum, Jerusalem. Reading: Garnet.

Derman, M. U., & Schick, I. C. (2000). M. Uğur Derman armağani: Altmışbeşinci yaşı münasebetiyle sunulmuş tebliğler. İstanbul: Sabancı Universitesi.

Marlborough Rare Books, London. (1986). Islamic calligraphy and illumination.

Ḍār, S. (1981). The roots of Muslim calligraphy in Arabia, Iran, and Pakistan. [Peshawar]: Dept. of Archaeology, University of Peshawar.

Derman, M. U., Çetin, N. M., & İhsanoğlu, E. (1990). Fann al-khaṭṭ: Tārīkhuhu wa-namādhij min rawāʼiʻihi ʻalá marr al ʻuṣūr. Isṭanbūl: IRCICA.

James, D., & Déroche, F. (1988). Calligraphie islamique = Islamic calligraphy. Genève: Éditions du Tricorne (distr.).

Majmaʻ al-Tūnisī lil-ʻUlūm wa-al-Ādāb wa-al-Funūn. (2006). Maqūlāt ʻAbd al-Raḥman ibn Khaldūn bi-aqlām khaṭṭāṭīn Saʻūdīyīn. Tūnis: Majmaʻ al-Tūnisī lil-ʻUlūm wa-al-Ādāb wa-al-Funūn.

Honda, K. F. (1996). Islamic calligraphy: [exhibition catalogue]. Kuala Lumpur: Rashid Hussain Berhad.

Jainal Sakiban. (2005). Seni khat: Keindahan dalam kepelbagaian : sejarah, tokoh, dan karya. Semenyih, Selangor Darul Ehsan: Synergymate.

Folsach, K. v. (2007). For the privileged few: Islamic miniature painting from the David Collection. Humlebæk, Denmark: Louisiana Museum of Modern Art.

Roxburgh, D. J. (2007). Writing the word of God: Calligraphy and the Qur'an. Houston: Museum of Fine Arts, Houston.

Jubūrī, M. S. (2006). Al-Khaṭṭ al-ʻArabī fī al-Madrasah al-Baghdādīyah. Bayrūt: al-Dār al-ʻArabīyah lil-Mawsūʻāt.

Bābā, K. (1983). Rūḥ al-khaṭṭ al-ʻArabī. Bayrūt: Dār Lubnān.

Schimmel, A., & Shayistahfar, M. (2002). Khushnivisi yi Islami. Tihran: Institute of Islamic Art Studies.

Wright, E. J., & Stronge, S. (2008). Muraqqaʻ Imperial Mughal albums from the Chester Beatty Library, Dublin. Alexandria, Va: Art Services International.

Hawa, R. A. (2006). Weaving: Expressions of meditation. KSU masters theses (School of Art). Thesis (M.F.A.)--Kent State University, 2006.

Naef, S. (1992). L'art de l'écriture arabe: Passé et présent. Genève: Slatkine.

Khatibi, A., & Sijelmassi, M. (1976). L'Art calligraphique arabe: Ou, La Célébration de l'invisible. [Paris]: Chêne.

Tahir, M. A. (2002). Calligraphy & calligraph-art. Lahore: UNESCO.

Jafari, F. K. (1985). Islamic calligraphy on fabric. Thesis (M.S.)--University of Wisconsin--Stout, 1985.

Victoria and Albert Museum, Clarke, C. S., & Wantage, H. S. L.-L. (1977). Indian drawings: Thirty Mogul paintings of the school of Jahangir (17th century) and four panels of calligraphy in the Wantage bequest. Lahore: Qausain.

Gulgee, A. (2006). Artists' voices: Calligraphy : the Amin Gulgee Gallery, 2006. Karachi: Oxford University Press.

Rahman, P. I. S. M. (1979). Islamic calligraphy in medieval India. Dacca: University Press.

Ziauddin, M. (1979). A monograph on Moslem calligraphy: With 163 illustrations of its various styles and ornamental designs. Lahore: Al-Biruni.

Halem, H. v. (1975). Calligraphy in modern art: Papers read at a symposium, organised by the Goethe-Institut Karachi, Pakistan, Pakistan-German Cultural Centre, and the Pakistan German Forum, Karachi, September 1974. Karachi: Pakistan-German Forum.

Grube, E. J. (1976). Calligraphy and the decorative arts of Islam. London: Bluett.

Islamic calligraphics. (1976). London: Merrion Press.

Honda, K. (1994). An exhibition of Islamic calligraphy. Kuala Lumpur: Bashir Mohamed Ltd.

Simsar, M. A. (1936). Islamic calligraphy. New York: Asia magazine.

Aliksāndrīnā (Library). (2006). Abgadiyat = Abjadiyyāt. Alexandria, Egypt: Calligraphy Center, Bibliotheca Alexandrina.

Siddiqui, A. R. (1990). The story of Islamic calligraphy. Delhi, India: Sarita Book House.

Rado, S. (1983). Türk hattatları: XV. yüzyıldan günümüze kadar gelmiş ünlü hattatların hayatları ve yazılarından örnekler. İstanbul: Yayın Matbaacılık Ticaret.

Aḥmad, A. (1984). Islamic calligraphy: Noon-wa-qalam. Rawalpindi, Pakistan: Rajput Printers.

Lau, L. S. (1997). Report from Singapore: The Harmony of Letters Islamic Calligraphy from the Tareq Rajab Museum, Kuwait. Oriental Art. 43 (4), 71.

ʻImād al-Ḥasanī, & Habsburg, F. v. (1996). The St. Petersburg Muraqqaʻ: Album of Indian and Persian miniatures from the 16th through the 18th century and specimens of Persian calligraphy by ʻImād al-Ḥasanī. Milano: Leonardo arte.

Khaṭībī, o. a.-K., & Sijelmassi, M. (1996). The splendor of Islamic calligraphy. New York: Thames and Hudson.

Visual Media for the Arts and Humanities (Firm). (1970). Islamic calligraphy. Cherry Hill, N.J.: Visual Media for the Arts and Humanities.

Nasser D. Khalili Collection of Islamic Art, & Déroche, F. (1992). The Abbasid tradition: Qur ̓ans of the 8th to 10th centuries. New York: Nour Foundation in association with Azimuth Editions and Oxford University Press.

Nath, R. (1979). Calligraphic art in Mughal architecture. Calcutta: Iran Society.

Taşkale, F., & Gündüz, H. (2006). Hat sanatında hilye-i şerife: Hz. Muhammed'in özellikleri = Characteristics of the Prophet Muhammed in calligraphic art. İstanbul: Antik A.Ş. Kültür yayınları.

Zakariya, M. U. (1978). Observations on Islamic calligraphy. Washington, D.C: Library of Congress.

James, D. L. (1980). Qur'ans and bindings from the Chester Beatty Library: A facsimile exhibition. [London]: World of Islam Festival Trust.

Museum of Fine Arts (Springfield, Mass.), & Denny, W. B. (1976). The image and the word: Islamic painting and calligraphy. Springfield, Mass: Museum of Fine Arts.

Zakariya, M. U. (1979). The calligraphy of Islam: Reflections on the state of the art. Washington: Center for Contemporary Arab Studies, Georgetown University.

Zakariya, M. U. (1994). Islamic calligraphy. Bethesda, MD: National Library of Medicine.

Nasser D. Khalili Collection of Islamic Art. (1992). After Timur: Qurʼans of the 15th and 16th centuries. New York: Nour Foundation in association with Azimuth Editions and Oxford University Press.

Khaṭībī, ʻ. a.-K. (2001). The splendour of Islamic calligraphy. London: Thames & Hudson.

Fraser, M. (2005). Geometry in gold: An illuminated Maml̄uk Qur'ān section. London: Sam Fogg.

Tabbaa, Y. (1985). Islamic calligraphy. S.l: s.n.].

Gauhar, K. ʻ. (2006). The wonders of calligraphy = ʻAjāʼibāt-i k̲h̲at̤t̤āt̤ī. Lahore: Sang-e Meel Publications.

Akimushin, O. F., & Gray, B. (1979). The Arts of the book in central Asia, 14th-16th centuries. London: Serindia Publications.

Safadi Yasin Hamid. (1996). Islamic calligraphy. [S.l.]: Kazi Pub.

Khaṭībī, ʻ. a.-K., Sijelmassi, M., & Khaṭībī, ʻ. a.-K. (2001). The splendour of Islamic calligraphy. London: Thames & Hudson.

Lings, M. (2005). Splendours of Qur'an calligraphy and illumination. Liechtenstein: Thesaurus Islamicus Foundation.

HADI, Inc. (1999). Islamic calligraphy. [Culver City, CA]: HADI.

Adil, M. (1992). Islamic calligraphy. Thesis (M.A.)--University of South Australia, 1992.

Tarapor, M. (1979). Islamic calligraphy. [New York]: Asia Society.

Parsons, D. (1997). The Music of Islām Recorded in Egypt, Morocco, Tunisia, Turkey, Yemen, Pakistan, Indonesia, Iran and Qatar. Tucson, Ariz: Celestial Harmonies.

Hattstein, M., & Delius, P. (2004). Islam: Art and architecture. Cologne: Könemann.

Nasser D. Khalili Collection of Islamic Art, & James, D. L. (1992). The master scribes: Qurʼans of the 10th to 14th centuries AD. New York: Nour Foundation in association with Azimuth Editions and Oxford University Press.

Fisher, C. G. (1991). Brocade of the pen: The art of Islamic writing. East Lansing, Mich: Kresge Art Museum, Michigan State University.

Ozgoren, F. H., Pamukoğlu, G., Schick, I. C., & Hankins, R. D. (2006). The art of Ebrû: Turkish paper marbling with Islamic calligraphy. Worcester, Mass: Iris and B. Gerald Cantor Art Gallery, College of the Holy Cross.

Nasser D. Khalili Collection of Islamic Art, Safwat, N. F., & Zakariya, M. U. (1996). The art of the pen: Calligraphy of the 14th to 20th centuries. London: Nour Foundation in association with Azimuth Editions and Oxford University Press.

Stanley, T. (2006). BIBLIOGRAPHY - Islamic Calligraphy - Sheila S. Blair. TLS, the Times Literary Supplement. (5411), 32.

Safwat, N. F. (2000). Golden pages: Qur'ans and other manuscripts from the collection of Ghassan I. Shaker. Oxford: Oxford University Press for Azimuth Editions.

Fendall, R. (2003). Islamic calligraphy. London: Fogg.

Serikoff, N., & Abdullaeva, F. I. (2007). Islamic calligraphy from the Wellcome Library. Chicago: Serindia.

George, A. (2007). The geometry of early Islamic calligraphy. Thesis (D.Phil.)--University of Oxford, 2007.

Allan, N. (2003). Pearls of the Orient: Asian treasures from the Wellcome Library. London: Serindia Publications.

Dodd, E. C., & Khairallah, S. (1981). The image of the Word: A study of Quranic verses in Islamic architecture. [Beirut]: American University of Beirut.

Blair, S. S., & Richard, F. (2007). Book Reviews - Islamic Calligraphy. The Art Bulletin. 89 (2), 368.

Rebhan, H., & Riesterer, W. (1998). Prachtkorane aus tausend Jahren: Handschriften aus dem Bestand der Bayerischen Staatsbibliothek München. München: Bayerische Staatsbibliothek.

Lings, M., & Safadi, Y. H. (1976). The Qurʻān: Catalogue of an exhibition of Qurʻān manuscripts at the British Library, 3 April-15 August 1976. [London]: World of Islam Pub. Co. for the British Library.

Robinson, B. W. (1976). Islamic painting and the arts of the book. London: Faber and Faber.

Islamic calligraphy. (2005). Art series. Rome: Semar.

Bothmer, H.-C. (1982). Die islamischen Miniaturen der Sammlung Preetorius. München: Lipp.

McWilliams, M., & Roxburgh, D. J. (2007). Traces of the calligrapher: Islamic calligraphy in practice, c. 1600-1900. Houston: Museum of Fine Arts.

Baker, C. F. (2007). Qur'an manuscripts: Calligraphy, illumination, design. London: British Library.

Arthur M. Sackler Gallery (Smithsonian Institution), & Lowry, G. D. (1988). An annotated and illustrated checklist of the Vever Collection. Washington, D.C.: Arthur M. Sackler Gallery, Smithsonian Institution.

Begley, W. E. (1985). Monumental Islamic calligraphy from India. Villa Park, Ill: Islamic Foundation.

George, D., & Kurio, H. (1980). Islamische Buchkunst aus 1000 Jahren: Ausstellung d. Staatsbibliothek Preuss. Kulturbesitz, Berlin, vom 25. März.-24. Mai 1980 in Berlin, vom 9. Oktober-23. November 1980 im Wissenschaftszentrum in Bonn. Wiesbaden: Reichert [in Komm.].

Babinger, F. (1975). Die grossherrliche Tughra: Ein Beit[r]ag zur Geschichte des osmanischen Urkundenwesens. İstanbul: Doğan Kardeş Matbaacılık Sanayii.

Fraser, M., & Kwiatkowksi, W. (2006). Ink and gold: Islamic calligraphy. London: Published for Sam Fogg by Paul Holberton.

Déroche, F., Gladiss, A. v., & Aksoy, S. (1999). Der Prachtkoran im Museum für Islamische Kunst: Buchkunst zur Ehre Allāhs. Veröffentlichungen des Museums für Islamische Kunst, Bd. 3. Berlin: Museum für Islamische Kunst, Staatliche Museen zu Berlin, Preussischer Kulturbesitz.

Gray, B., & Akimushkin, O. F. (1979). The Arts of the book in Central Asia, 14th-16th centuries. Boulder, Colo: Shambhala.

Plate, S. B. (2002). Religion, art, and visual culture: A cross-cultural reader. New York: Palgrave.

Hickmann, R. (1979). Miniaturen und Kalligraphien aus der Zeit der Moghul-Kaiser. Leipzig: G. Kiepenheuer.

Schimmel, A. (1970). Islamic calligraphy. [Institute of Religious Iconography, State University Groningen]. Leiden: Brill.

Rassoul, M. A. (1996). Von der Faszination der arabischen Kalligraphie. Köln: Islamische Bibliothek.

Kühnel, E. (1986). Islamische Schriftkunst. Graz: Akademische Druck- u. Verlagsanstalt.

Schimmel, A. (1984). Calligraphy and Islamic culture. New York: New York University Press.

Lings, M. (1976). The Quranic art of calligraphy and illumination. [London]: World of Islam Festival Trust.

Blair, S. S. (2006). Islamic calligraphy. Edinburgh: Edinburgh University Press.

Welch, S. C. (1987). The Emperors' album: Images of Mughal India. New York: Metropolitan Museum of Art.

Staatsbibliothek Preussischer Kulturbesitz, George, D., & Kurio, H. (1980). Islamische Buchkunst aus 1000 Jahren: Ausstellung der Staatsbibliothek Preussischer Kulturbesitz vom 25. März bis 24. Mai 1980 in Berlin, vom 9. Oktober bis 23. November 1980 im Wissenschaftszentrum in Bonn. Berlin: Die Bibliothek.

Hickmann, R., & Enderlein, V. (1979). Indische Albumblätter: Miniaturen u. Kalligraphien aus d. Zeit d. Moghul-Kaiser. Leipzig: Kiepenheuer.

Roxburgh, D. J. (2005). The Persian album, 1400-1600: From dispersal to collection. New Haven: Yale University Press.

Khatibi, A., & Sijelmassi, M. (1977). The splendour of Islamic calligraphy. New York: Rizzoli.

Schopen, A. (2006). Tinten und Tuschen des arabisch-islamischen Mittelalters: Dokumentation - Analyse - Rekonstruktion : ein Beitrag zur materiellen Kultur des Vorderen Orients. Abhandlungen der Akademie der Wissenschaften in Göttingen, Philologisch-Historische Klasse, 3. Folge, Nr. 269. Göttingen: Vandenhoeck & Ruprecht.

Welch, A. (1979). Calligraphy in the arts of the Muslim world. Austin: University of Texas Press.

Lavizzari-Raeuber, A. (1979). Islamische Schönschrift. Zürich: Museum Rietberg.

Safadi, Y. H. (1978). Islamic calligraphy. Boulder: Shambhala.

Blair, S. (2006). Islamic calligraphy. Edinburgh: Edinburgh University Press.

Khatibi, A. (1995). Die Kunst den islamischen Kalligrafia / Abdelkebir Mohamed Sijelmesse. Köln: DuMont.

Arthur M. Sackler Gallery (Smithsonian Institution), Lowry, G. D., & Nemazee, S. (1988). A jeweler's eye: Islamic arts of the book from the Vever Collection. Washington, D.C.: Arthur M. Sackler Gallery, Smithsonian Institution, in association with University of Washington Press, Seattle.

Freer Gallery of Art, Fu, S., Lowry, G. D., & Yonemura, A. (1986). From concept to context: Approaches to Asian and Islamic calligraphy. Washington, D.C.: Freer Gallery of Art, Smithsonian Institution.

Khatibi, A., & Sijelmassi, M. (1977). Die Kunst der islamischen Kalligrafia / Abdelkeb́ir Khatibi, Mohammed Sijelmassi. Köln: DuMont.

Akbaş, M., & Kara, O. (1997). Günümüz sanatçılarından Türk-İslâm sanatı örnekleri: Tezhib, hüsn-i hat, minyatür, ebru. Türkiye Diyanet Vakfı yayınları, 224. [Turkey]: Türkiye Diyanet Vakfı Yayınları.

Bektaşoğlu, M. (2005). Hat sanatı ve Tosyalı hattatlar. Ankara: İrtibat.

Parlatır, I. (2006). Osmanlı Türkçesi sözlüğü. Ankara: Yargı Yayınevi.

Türk hat sanatı = La calligraphie Turque. (2003). İstanbul: Dost Yayınları.

Âşık Veysel, & Oğuzcan, U. Y. (1999). Dostlar beni hatırlasın: Bütün şiirleri, sanatı, hayatı. Özgür Yayınları, 22. İstanbul: Özgür Yayınları.

Ülker, M. (1987). Başlangıçtan günümüze Türk hat sanatı. Ankara: Türkiye İş Bankası Kültür Yayınları.

Süleymaniye Umumı̂ Kütüphanesi, & Turkey. (1982). Hat sanatı- yazma eserler ve fermanlar sergisi = Calligraphy, manuscripts and imperial edicts exhibition. İstanbul: Kültür ve Turizm Bakanlığı.

Turkey. (1983). İslâm sanatları sergisi: Hicretʼin 15. Yüzyılında = Islamic arts exhibition : on the occasion of the fifteenth centennial of Hegira. İstanbul, Turkey: Kültür ve Turizm Bakanlığı.

Köker, A. H. (1990). Hekimbaşı Kaysuni-zade Mehmed Efendi (1512-1569), Ankara'lı şair hekim Nidai (1502-1570), Türk hat sanatı. Kayseri: Erciyes Üniversitesi Matbaası.

Ülker, M. (1987). Başlangıçtan günümüze Türk hat sanatı. The art of Turkish calligraphy from the beginning up to present. Ankara: Doğuş matbaası.

Derman, M. U. (1990). Fenn'ül hat = (İslam kültürü mirasında hat sanatı). İstanbul: IRCICA.

Edgü, F. (1987). Türk hat sanatı: (karalamalar / meşkler). [Ankara]: Ada Yayınları.

Derman, M. U., & Çetin, N. M. (1992). İslâm kültür mirâsında hat san'atı. İslâm kültür mirâsı, 1. İstanbul: IRCICA.

Parlatır, I. (2006). Osmanlı Türkçesi sözlüğü. Ankara: Yargı Yayınları.

Acar, M. S. (1999). Türk hat sanatı: (araç, gereç ve formlar) = Turkish calligraphy : (materials, tools and forms). İstanbul: Antik A.Ş.

Gündüz, H., & Taşkale, F. (2000). Türk hat sanati'ndan seçme eserler = A selection of Turkish calligraphic art. Istanbul: Antik A.Ş., Kültür Yayınları.

Yazır, M. (1972). Medeniyet âleminde yazı ve İslâm medeniyetinde kalem güzeli. Ankara: Ayyıldız Matbaası.

Ayverdi, E. H. (1953). Fâtih devri hattatları ve hat sanatı. [İstanbul]: İstanbul Matbaası.

Nitzsche, I., Özer, F., & Lixfeld, G. (2003). Von der Ewigkeit des Augenblicks: Die Entwicklung türkischer Fayencenmotive : seldschukischer Stil, osmanischer Stil, Schriftkunst, Gegenwartskunst : Arbeiten von: Fügen Özer, Hacer Özkaya, Zehra Serbest, Sevcan Vatansever sowie ausgewählte Arbeiten der Anadolu El Sanatları Galerisi, Kütahya. Schriften des Stadtmuseums Schramberg, Nr. 19. Schramberg: Stadtmuseum Schramberg.

Subaşı, M. H. (1987). Yazıya giriş. İstanbul: Dersaadet yayınevi.

Ülker, M. (1987). Türk hat sanati = The art of Turkish calligraphy : başlangiçtan günümüze : from the beginning up to present. Ankara: Türk Iş Bankası Kültur Yayınları.

Bayat, A. H. (1990). Hüsn-i hat bibliyografyası, 1888-1988. [Ankara]: Kültür Bakanlığı.

Ülker, M. (1987). Başlangıçtan günümüze Türk hat sanatı = The art of Turkish calligraphy from the beginning up to present. [Turkey]: Türkiye İş Bankası Kültür Yayınları.

Serin, M. (1999). Hat sanatı ve meşhur hattatlar. İstanbul: Kubbealtı Akademisi Kültür ve San'at Vakfı.

Serin, M. (2006). Kemal Batanay: Bestekâr, tambûrî, hattat, hâfız. Türk hat üstadları, 3. İstanbul: Kubbealtı Neşriyatı.

Serin, M. (1996). Şevki Efendi'nin sülüs ve nesih meşk murakkaı. İstanbul: Kubbealtı.

Özyazıcı, M. H., & Serin, M. (2000). Halim Efendi'nin nesih, dı̂vânı̂, celı̂ dı̂vânı̂, rik'a meşk murakkaı. İstanbul: Kubbealtı Neşriyatı.

Şevki Efendi, & Serin, M. (2000). Şevki Efendi'nin sülüs ve nesih meşk murakkaı. İstanbul: Kubbealtı Neşriyatı.

Serin, M. (1988). Hattat Aziz Efendi. Türk hat üstadları, 1. Istanbul: Kubbealtı Akademisi Kültür ve Senát Vafkı.

Serin, M. (1988). Türk hat üstadları. İstanbul: Kubbealtı Akademisi Kültür ve Sanʹat Vakfı.

Aziz Efendi, & Serin, M. (1988). Hattat Aziz Efendi. Türk hat üstadları, 1. İstanbul: Kubbealtı Akademisi Kültür ve San'at Vakfı.

Şeyh Hamdullah, & Serin, M. (1992). Hattat Şeyh Hamdullah: Hayâtı, talebeleri, eserleri. Türk hat üstadları, 2. İstanbul: Kubbealtı Akademisi Kültür ve San'at Vakfı.

Yazgan, M. H., & Serin, M. (1999). Hulûsî Efendi'nin ta'lîk meşk murakkaı. İstanbul: Kubbealtı Neşriyatı.

Gacek, A. (2001). The Arabic manuscrip[t] tradition A glossary of technical terms and bibliography. Leiden: Brill.

Behrens-Abouseif, D., & Vernoit, S. (2006). Islamic art in the 19th century: Tradition, innovation, and eclecticism. Leiden: Brill.

Zakariya, M. U., & White, B. (1998). Music for the eyes: An introduction to Islamic and Ottoman Calligraphy. Los Angeles: Los Angeles County Museum of Art.

Lifchez, R. (1992). The Dervish lodge: Architecture, art, and Sufism in Ottoman Turkey. Berkeley: University of California Press.

Alparslan, A. (1999). Osmanlı hat sanatı tarihi. Beyoğlu, İstanbul: Yapı Kredi Kültür Sanat Yayıncılık.

Fabulous Caligraphy: A collection of Arabic, Persian and Ottoman script calligraphy dating from the 8th to 19th centuries is now available online in the Library's Global Gateway site. (2006). Library of Congress Information Bulletin. 65 (9), 207.

Babinger, F. (1927). Zwei grossherrliche Schenkungsurkunden aus den Jahren 1008/1600 und 1023/1614. Berlin: Seminar für Orientalische Sprachen.

Library of Congress. (2000s). Selections of Arabic, Persian, and Ottoman calligraphy. Global gateway. Washington, D.C.: Library of Congress. http://hdl.loc.gov/loc.amed/collame.am000003.

Derman, M. U. (1998). Letters in gold: Ottoman calligraphy from the Sakıp Sabancı collection, Istanbul. New York: Metropolitan Museum of Art.

Bayani, M., Stanley, T., & Contadini, A. (1999). The decorated word: Qurʼans of the 17th to 19th centuries. New York: Nour Foundation in association with Azimuth Editions and Oxford University Press.

İnal, I. M. K. (1955). Son hattatlar. İstanbul: Maarif Basımevi.