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Mark Hall Amitin/World of Culture for the Performing Arts, Inc. archive, 1946-2001. Titelvorschau
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Mark Hall Amitin/World of Culture for the Performing Arts, Inc. archive, 1946-2001.

Verfasser/in: Mark Hall Amitin
Ausgabe/Format   Archivmaterial : Englisch
Datenbank:WorldCat
Zusammenfassung:
Amitin's personal papers in Series I represent his work over a thirty-year period, as an agent, actor, writer, tour manager, and teacher. The series comprises correspondence, brochures, notes, flyers, legal documents, scripts, screenplays, playbills, and personal memorabilia. Series II and IV contain the organizational archives for Universal Movement Theatre Repertory and World of Culture, both non-profit performing
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Gattung/Form: Audiocassettes
Audiotapes
Bank statements
Books
Contact sheets
Contracts
Correspondence
Diaries
Drawings
Ephemera
Financial records
Clippings
Flyers
Magazines (periodicals)
Manuscripts
Notes
Negatives
Photographs
Playbills
Poems
Posters
Press releases
Resumes
Scripts (documents)
Slides (photographs)
Tax records
Videotapes
Name: Edward Albee; Mark Hall Amitin; Julian Beck; Steve Buscemi; Joseph Chaikin; Peter Facinelli; Franne Lee; Judith Malina; Shirley Stoler; Jean Claude Van Itallie; Paul Zaloom
Dokumenttyp: Archivarische Materialien
Alle Autoren: Mark Hall Amitin
OCLC-Nummer: 79490184
Beschreibung: 120 linear ft. (80 boxes)
Weitere Informationen:

Abstract:

Amitin's personal papers in Series I represent his work over a thirty-year period, as an agent, actor, writer, tour manager, and teacher. The series comprises correspondence, brochures, notes, flyers, legal documents, scripts, screenplays, playbills, and personal memorabilia. Series II and IV contain the organizational archives for Universal Movement Theatre Repertory and World of Culture, both non-profit performing arts agencies that Amitin was central to. Amitin was also associated with The Living Theatre from the mid-1960's. He was their touring manager from 1968-1969 and their General Manager in 1984. Series III contains extensive documentation of Living Theatre productions, performances and activities from these periods and includes brochures, correspondence, flyers, posters, scripts, interviews, press clippings, handwritten production notes, and journals. The materials in this collection make an important contribution to the representation of avant-garde performing and theatrical arts from the nineteen seventies through the early nineteen nineties. Amitin participated in and represented several key avant-garde performing arts groups of this period, helping them to make contacts in other countries, to perform at important theatre festivals in the United States and Europe, and to secure funding for tours abroad and at home. He worked closely with such writers and directors as Edward Albee, Joseph Chaikin, and Jean-Claude van Itallie, helping to produce tours and individual performances at venues all over the world.

The collection will be of interest to anyone doing research on avant-garde theatre and performance art of the late twentieth-century. It includes material on groups such as The Living Theatre, The San Francisco Mime Troupe, The Bread and Puppet Theatre, The Kipper Kids, Le Plan K, and Teatro Campesino, and on individuals such as Judith Malina, Julian Beck, Steve Buscemi, Peter Facinelli, Joseph Chaikin, Jean-Claude van Itallie, Franne Lee, Shirley Stoler and Paul Zaloom. It will also prove useful to researchers interested in the day to day functioning of a theatrical agency since it includes correspondence with clients, contracts, details of touring and theatre productions, flyers, brochures, and personal notes.

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