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The $12 million stuffed shark : the curious economics of contemporary art

ผู้แต่ง: Donald N Thompson
สำนักพิมพ์: New York, NY : Palgrave Macmillan, 2008.
ครั้งที่พิมพ์/รูปแบบ:   Print book : ภาษาอังกฤษ : 1st Palgrave Macmillan edดูครั้งที่พิมพ์และรูปแบบ
ฐานข้อมูล:WorldCat
สรุป:
"Why would a very smart New York investment banker pay $12 million for the decaying, stuffed carcass of a shark? By what alchemy does Jackson Pollock's drip painting No. 5, 1948 sell for $140 million? And why does a leather jacket with silver chain attached, tossed in a corner and titled 'No-One Ever Leaves', bring $690,000 at a 2007 Sotheby's auction?" "This intriguing and entertaining book is the first to look at  อ่านมากขึ้น…
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ขนิดวัสดุ: ทรัพยากรอินแทอร์เน็ต
ประเภทของเอกสาร: หนังสือ, แหล่งข้อมูลอินเทอร์เน็ต
ผู้แต่งทั้งหมด : ผู้แต่งร่วม Donald N Thompson
ISBN: 0230610226 9780230610224
OCLC Number: 223886251
คำอธิบาย: 268 pages, [8] pages of plates : illustrations (chiefly color) ; 25 cm
สารบัญ: The $12 million stuffed shark --
Branding and insecurity --
Branded auctions --
Branded dealers --
The art of the dealer --
Art and artists --
Damien Hirst and the shark --
Warhol, Koons and Emin --
Charles Saatchi: branded collector --
Christie's and Sotheby's --
Choosing an auction hammer --
Auction psychology --
The secret world of auctions --
Francis Bacon's perfect portrait --
Auction houses versus dealers --
Art fairs: The final frontier --
Art and money --
Pricing contemporary art --
Fakes --
Art critics --
Museums --
End game --
Contemporary art as an investment --
Postscript.
ชื่อเรื่องอื่น: Twelve million dollar stuffed shark
ความรับผิดชอบ: Don Thompson.
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"Why would a very smart New York investment banker pay $12 million for the decaying, stuffed carcass of a shark? By what alchemy does Jackson Pollock's drip painting No. 5, 1948 sell for $140 million? And why does a leather jacket with silver chain attached, tossed in a corner and titled 'No-One Ever Leaves', bring $690,000 at a 2007 Sotheby's auction?" "This intriguing and entertaining book is the first to look at the economics of the modern art world and the marketing strategies which power the market to produce such astronomical prices for the latest Hirst, Koons or Emin. Don Thompson talks to auction houses, dealers and collectors, and reveals the psychology behind the art market, showing how far it is driven by lust and self-aggrandizement of possession. It is a world, the author shows, in which brand is all-important, and which in many ways has most in common with the branded world of luxury fashion. The result is a fascinating, shrewd and highly readable insight into a modern-day phenomenon. In contemporary art, you are nobody until somebody brands you."--Jacket.

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