20th Century Fox.

Tour, conducted by Jimmy Fidler, includes views of both studio lots (Western Ave. and Beverly Hills), producers' and writers' buildings, stages, and personnel. Personnel briefly pictured include: [Frances Richardson?], head of the Research Library; [Hector Dodds?], head of Film Editorial, and ace cutter [Ali McNeil?]; studio wardrobe heads Arthur M. Levy, Gwen Wakeling, and Royer; Ernie Westmore, head of the Makeup Dept., and his assistant, [Dennis Phillips?]; Roger Heman, [Edward Hansen?], and [Ralph Townsend?] from Sound Engineering; Camera, [Bud Fisher?] in charge, [Grover Loffey?], Head of Camera Repair; Ralph Hammeras, in charge of the Miniatures and Process Dept.; William Darling, art director; Fred Sersen's scenic art crew; [Tom Young?], Chief of Police; [Eugene Enos?], Fire Chief; [Robert Banks?], Studio Manager; [William Dover?], Personnel Manager; Tom Little, head of Property Dept.; [Walter Strong?], Chief Engineer; [D.L. McFadden?] and [Joseph Barlow?] of the Construction Dept.; [John Clark?] and [Joseph Laskowitz?]; Darryl F. Zanuck, Vice President in Charge of Production; William Goetz, executive assistant; Sol Wurtzel, executive producer; John Stone and Max Golden, associate producers; associate producers Raymond Griffith, Kenneth Macgowan, and Bogart Rogers; associate producer Nunnally Johnson; associate producers Buddy DeSylva and Adolphe Menjou; associate producer Gene Markey and writer William Conselman; director E.H. Griffith with Charlie Kenyon preparing the script; [Ed Everly?], production manager with Fred [Metzvah?], Studio Treasurer; Music Building under the direction of [James O'Keefe?], Louis Silvers and Samuel Kaylin; Darryl F. Zanuck and William Goetz with Irving Berlin; Watts and Arthur Caesar sing and play Soft starlight; Lew Pollack and Jack Yellen to accompaniment of Tony Martin off screen singing My lover will come to me; Ted Koehler and Jimmy McHugh working on the music for Shirley Temple's next picture, Bowery princess, i.e., Dimples; Jason S. Jort, Public Relations, and Julian Johnson, head of the Scenario Dept.; Gene Fowler, Bess Meredyth and Allen Rivkin, screenwriters; Sam Engel, Howard Ellis Smith and Milton Sperling, screenwriters; Sonya Levien, screenwriter, and Mark Kelly, sports authority; Drew Moore, story editor, and Helen Morgan and Robert Ellis, screenwriters; Sam Hellman and Gladys Lehman, screenwriters; Saul Elkins and Lou Breslow, screenwriters; Edward T. Lowe and Lamar Trotti, screenwriters; Franklyn Underwood and T.B. Costain, Eastern scenario and play editors; Shirley Temple with her mother Mrs. George Temple; Loretta Young and Robert Taylor; Victor McLaglen, the "2-fisted he-man," who puts a pansy in his buttonhole; Alice Faye; Ted Healy; Patsy Kelly; Gregory Ratoff; Rochelle Hudson; Janet Gaynor, mentioning Ladies in love; dancing girls trying out for Sing, baby, sing, along with casting director Lou Schreiber and dance director Jack Haskell; Astrid Allwyn working on Dynamo; Claire Trevor working on To marry with love; Howard Hawks, Fredric March, and June Lang, working on Road to glory; James Ryan, casting director, Arthur Treacher, and Arthur Collins, director, for the Jeeves series; Warner Baxter, Myrna Loy, [Jan Hunter?], and director John Cromwell, working on To marry with love; director Otto Brower and film cutter [Bobby McLain?], working on Sins of man; director David Butler, actors Michael Whalen, Slim Summerville, Jean Muir and Lightning (dog) working on White fang; director George Marshall and actors Robert Kent, Taylor Holmes, Sara Haden, Gloria Stuart, and Edward Bromberg, working on The crime of Dr. Forbes; Irvin S. Cobb and Jane Withers with director Eugene Forde working on Pepper; Herbert Marshall, Ruth Chatterton, Simone Simone, Constance Collier, and director Irving Cummings, working on Girls' dormitory; Shirley Temple, Frank Morgan and director Bill Seiter working on Bowery princess, i.e., Dimples; Henry King and staff looking over carriages to be used in Ramona.