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40 songs for voice and piano

Autore: Henry Purcell; Sergius Kagen
Editore: New York City : International Music Company, [1958-59] {copy}1958-59
Edizione/Formato:   Spartito musicale : English : HighVedi tutte le edizioni e i formati
Banca dati:WorldCat
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Genere/forma: Excerpts Vocal scores with piano
Extraits Partitions chant et piano
Informazioni aggiuntive sul formato: Online version:
Purcell, Henry, 1659-1695.
40 songs for voice and piano.
New York : International Music Co., [c1958-59]
(OCoLC)649008324
Tipo documento: Musical Score
Tipologia musica: Songs; Operas
Tutti gli autori / Collaboratori: Henry Purcell; Sergius Kagen
Numero OCLC: 2117708
Note: For high voice.
Contains excerpts from musico-dramatic works in piano-vocal score, and songs.
Descrizione: 1 score (4 volumes) ; 28 cm
Contenuti: vol. 1. We sing to Him --
Music for a while --
Ah! how pleasant 'tis to love --
Thrice happy lovers --
Sweeter than roses --
What can we poor females do --
Fairest isle --
If music be the food of love (3rd version) --
If music be the food of love (1st version) --
I saw that you were grown so high. vol. 2. From rosy bowers --
Ah, Belinda, I am prest --
Thy hand, Belinda! When I am laid in Earth --
What shall I do --
Your awful voice --
More love and more disdain --
Since from my dear --
Man is for the woman made --
The knotting song --
The blessed virgins's expostulation [sic]. vol. 3. The fatal hour --
I'll sail upon the dog star --
Sillvia, now your scorn --
'Tis nature's voice --
Bess of Bedlam --
Cease, o my sad soul --
Strike the viol --
Lord, what is man --
Sound the trumpet --
Hark! the ech'ing air. vol. 4. Not all my torments --
O, lead me to some peaceful gloom --
Sweet, be no longer sad --
I attempt from love's sickness to fly --
An evening hymn --
There's not a swain on the plain --
Nymphs and shepherds --
Hark! how all things --
Come all ye songsters --
The queen's epicedium.
Medium of Performance: high voice
piano
Altri titoli: Vocal music.
Responsabilità: Purcell ; realization of the figured bass and editing by Sergius Kagen.

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